Show Don't Tell: Micro-budget Filmmaking

In this episode I'm joined by filmmaker and entrepreneur Stefan van de Graaff, whose $75,000 micro-budget feature Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a 100-employee business before selling for $17 million, which we discuss at length.Throughout the episode we talk about Stefan’s unconventional path - from Midwest filmmaker to running a digial advertising business. We also cover how his commercial production work became the foundation for financing and producing indie features, and what it took to scale from a scrappy first feature to a $1M international production.Topics covered include:How uploading Simmer to Facebook led to 1M views and sales agent interestHow indie films without stars can land on major platforms like HBOFinancing a micro-budget feature with personal funds, partners, and partial fundraisingThe jump from a $75K film to a $1M feature using tax incentives, grants, and talent dealsWhy having the right pro

In this episode, I sit down with Academy Award nominee and ASC Award-winner Curren Sheldon to discuss his gritty new narrative feature Beatdown - a boxing drama made for just $60,000.Throughout the interview, Curren shares how his background in vérité documentary shaped the film’s style, why he cast real fighters and non-actors, and how they filmed key fight scenes inside a live event with 4,000 spectators.We also dive into the practical realities of transitioning from documentary to narrative, self-financing a feature for under $60K, navigating today’s distribution landscape, and tons more:Why The Wrestler was a key stylistic reference for BeatdownThe doc-to-narrative transition: what gets easier, what gets harderUsing non-actors (real boxing personalities) without losing story controlShooting inside a real “Toughman” event with 4,000 extras and a tiny window to filmHow he sold two prior films to Netflix, and what it took to break throughA practical cinematography mindset shift that instantly elevates visual

In this special episode, we celebrate today’s release of our new feature film Teacher’s Pet - Now available where you rent or buy movies!Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part in a virtual Q & A afterward. This episode includes the full live session with myself and lead actor / producer Luke Barnett.Topics covered include: Achieving high production value on a budgetLuke’s approach to bringing levity to a dark characterThe casting process & landing great actorsMoving from a $0 production into a larger projectOur hardest days on set and how we problem solvedDirecting & DP’ing the film simultaneously Much moreWatch the film on Apple now: https://itunes.apple.com/us/movie/teachers-pet/id1868537677 Full list of platforms where you can watch: Amazon Prime Video (US, CA)Apple TV (US, CA)Google Play / YouTube (US, CA)Fandango at Home (US)Comcast / Xfinity (US)Cox (US)Spectrum (US)DirecTV (US)Dish (US)Altice (US)Verizon / Fios (US)Tel

In this episode filmmaker Alec Goldberg joins the show to break down how his micro-budget comedy pilot Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival.We talk about Alec’s path from documentary and commercial work into scripted narrative, how a key creative partnership with lead actor / co-writer Camille Wormser shaped the project, and what it took to pull off a festival-ready pilot on $30,000 across a handful of shoot days.Topics covered include:Why Alec believes casting + voice was the “X factor” (and how to recognize it)The tactical micro-budget choices that mattered most (locations, rehearsals, scheduling)How to direct comedy with improv-friendly actors without losing the spine of the sceneThe producer “role-splitting” approach that let Alec focus on directingHow Alec thinks about finding your “voice” as a filmmaker, and why it's so criticalThe films and filmmakers shaping his taste (Kaufman, PTA, Von Trier, Aronofsky, Kubrick)Links from th

In this episode, I’m joined by filmmaker West Eldredge to break down how he made his debut feature Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms.We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include:Why West chose micro-budget filmmaking as a solution to finally making a featureHow crowdfunding, personal investment, and favors helped build an $80K budgetWhy he prioritized casting above almost everything - and what 4,000+ submissions taught himChemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgetsSkeleton crew realities and what happens when a key crew member is suddenly goneFestival strategy lessons and how audience feedback helped define the film’s genrePitching distributors andwhy a great trailer

In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include:How Deadly Illusions and Held Hostage in My House reached NetflixLicensing vs selling films, and why IP ownership matters more than everWhat filmmakers should know about distributors, streamers, and rights reversionNavigating the post-streaming-boom slowdown and emer

In this episode, I’m joined by filmmaker Mark Hensley, whose new feature Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000.Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allowTopics covered include:Shooting a feature over a full year with no crewRewriting and reshaping a 200-page script for micro-budget practicalityWhy slow, flexible production schedules often lead to better moviesReshooting scenes strategically - and why even big studio films build this inMaking “bad” production audio usable with smart techniqueHow pros mix dialogue on network shows (and why lavs can beat booms)Picking the right camera for

In this episode, I’m joined by Steven Bernstein, ASC - the legendary cinematographer behind films like Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers.We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward.Topics covered include:How Steven transitioned from the BBC to shooting studio featuresThe craft lessons he learned working on Monster and major studio comediesWhy he rejects rigid screenwriting formulas in favor of cinematic “grammar”Understanding the 20 languages of cinema: composition, editing, sound, and moreHow filmmakers can avoid being pigeonholed creatively or professionallyBuilding a sustainable career by mastering both story and imageLinks from the show:Steven Bernstein – InstagramSteven Bernstein – IMDbFilmmaker a

On today’s episode, I’m joined by filmmaker Hudson Phillips, who returns to share the incredible story of how his first appearance on the podcast led to getting his feature film financed (via one of our listeners)Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline.Topics covered include:How a single podcast interview led directly to a private film investorTouring your film like a band, and why this model worksHow to screen in multiple cities without losing moneyThe merch items that actually sell at indie screening eventsLessons from distribution hell, and why Hudson went DIYSelf-releasing via FilmHub, Bitmax & digital strategy in 2025+Building a real community vs chasing festivalsWhy creative constraints make films better (even at the studio level)“Higher-concept, lower-budget” filmmaking s

In this episode I’m thrilled to be joined by Luke Barnett to discuss our viral short film OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years.Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career.Topics covered include:The origin of Crossing Over Express and building a deeply personal shortShorts that connect vs. features that stall - and why connection beats runtimeWhat “branding yourself” as an artist really means for your careerCrafting OVATION: single take, no dialogue, real applause, two lights, tiny roomSatire vs. parody: the importance of keeping it grounded and real

In this episode I’m joined by filmmaker Jon Bregel, who recently DP'd the new Jay Duplass feature film The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films.Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. Topics covered include:From Vimeo Staff Pick to a call from Nike -  early momentum in the Vimeo heydayBurnout, depression, and redefining success beyond money and prestigeHow to work like a professional, build routines, and treat freelancing like a real businessLanding The Baltimorons: and how “manifesting” opportunities really worksLighting quickly with tiny crews, embracing imperfection, and protecting spontaneityWhat Jon learned from Jay Duplass

In this episode I am joined by longtime friend and fellow filmmaker Ryan Oksenberg, here to break down the making of his debut feature FOIBLES - a darkly comic, surreal satire about codependency and addiction.Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor.Topics covered include: Moving from shorts to a debut feature with a SAG Ultra Low Budget agreementBuilding a 40-person crew, and setting up basecamp at homePractical vs. digital: stunt days that don’t go to plan, and why it works in the editShot listing & storyboarding every beat vs. staying nimble on the dayCasting on a budget: personal letters, partnering with casting directorsPost for indies: cutting, feedback screenings, and when to let goMusic supervision 101: masters + publishing, MFN, festival vs. all-media li

In this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel.Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.Topics include:Working with a fundraising specialist to raise a target budget of $400K“Agile filmmaking”: building momentum by shooting key exteriors ahead of producitonCasting strategy without star names and avoiding audience-misleading cameosTurning New York City into a story engine: LES & Williamsburg as living backdropWriting cadence & anti-procrastination: consistent daily blocks vs. burstsWhy the final rewrite is the edit - and planning

In this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic.Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.Throughout our discussion we cover:Transitioning from music and fashion projects to narrative filmmakingHow Matthew maximized limited resources to create a big-scope on a micro-budgetWriting around real locations and existing gear to stretch production valueDirecting while also DP’ing and editing - and how to balance those roles effectivelyTips for pre-lighting and shooting 6–8 pages per day without sacrificing qualityWhat it’s really like taking your debut feature to AFM The evolving role of AI tools in filmmaking and how Matthew is exploring themMuch moreLinks from the show:Matthew Freiheit

Filmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include:Moving from commercials to narrative filmmaking by way of a vertical seriesWhy embracing nontraditional formats can expand your audience reachPractical strategies for navigating low budgets without sacrificing visionThe role of zoom lenses and lens testing in creating emotional storytellingBuilding authentic performances with young actors through collab

In this episode, I’m joined by director and photographer Dave Hill to discuss the making of his second feature film — a visually dynamic, deeply personal story shot with virtually no crew in the Arizona desert. All on the Blackmagic Pocket 4K.Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include:Why Dave ditched the traditional crew structure and shot entirely handheldHow the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his styleThe pros and cons of running sound without a sound personLeveraging camera choice and post-production to mimic the 16mm film aestheticRecasting day players, last-minute locations, and other stories from setWhy low-budget filmmaking is actually a gift when paired with the right creative visionMuch more!Links from the show:Dave Hill – InstagramDave Hill – WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. Topics covered include: How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4The value of embracing lo-fi footage and imperfections to elevate emotional truthWhy David Lowery funded the premiere and how their mentorship beganThe unexpected benefit of not writing a script — and when to start one next timeHow old home movies became the emotional anchor of the

In this episode, I am joined by DP Justyn Moro, whose cinematography career has included collaborations with artists like Jared Leto, Tom Delonge and countless others - and most recently has been shooting features and television at Tyler Perry Studios.Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black. Topics covered include:Breaking into the film industry with zero connectionsShooting documentary and music video content with Jared Leto across the globeLessons from working on Monsters of California with Tom DeLongeTransitioning from music videos to narrative film & televisionJustyn’s approach to prep, lighting, and working fast on setCreative collaboration with directors and building a strong crew dynamicWhy a clear vision and openness to collaboration make the best directorsLinks from the show:Justyn Mo

In this episode, I am joined by filmmaker Felipe Vargas - whose viral horror short films helped him land his feature film debut Rosario.Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way. Topics covered include: How Felipe's childhood passion for horror and folklore shaped his filmmaking styleThe success of his short films, including Milk Teeth which garnered 15 million views on YouTubeThe realities of getting representation and what comes afterHow his feature film Rosario came together after developing relationships with producersShooting across two countries (New York and Colombia) on a sub-$10 million budgetThe importance of being consistently productive and self-generative as a filmmakerUsing test screenings effectively and the value of planning for pickup shotsThe unique character-first approach Felipe uses to break down scripts and scenesLinks from the show:Felipe Vargas - InstagramSign up for my newsletter for excl

In this episode, I am joined by filmmaker Joe Burke to discuss his incredible journey making the feature film Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son.Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative. Topics covered include: How Joe cast his non-actor subjects in their first ever film rolesShooting an entire feature in 7 days with just a 3-person crewThe strategic use of black & white cinematography to elevate production valueCreating compelling narrative films without traditional scriptsNavigating 28 festival rejections before winning Best Picture awardsSelf-distributing via theatrical screenings while building community partnershipsLinks from the show:Burt The Movie - WebsiteJoe Burke - Instagram (@joeburkfilm)Sign up for my newsletter for exclusive filmmaking insight each Sunday.