Show Don't Tell: Micro-budget Filmmaking

In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include:How Deadly Illusions and Held Hostage in My House reached NetflixLicensing vs selling films, and why IP ownership matters more than everWhat filmmakers should know about distributors, streamers, and rights reversionNavigating the post-streaming-boom slowdown and emer