Kyle Meredith With...

Legendary animator Genndy Tartakovsky (Dexter’s Laboratory, Samurai Jack, Hotel Transylvania) talks with Kyle Meredith about his new Netflix film Fixed, a raunchy, 17-years-in-the-making adult animated comedy about a good dog’s wild final 24 hours before being neutered. Tartakovsky gets into the pitch’s “Seinfeld feature” origins, why dogs made the best cast, pushing boundaries without crossing his own comedic lines, and how Idris Elba went full James Bond-to-balls with his voice performance. He also reflects on the long fight to get adult animation in feature form and why this might be the perfect time for its return.Listen to Genndy Tartakovsky chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Alien franchise has never been short on xenomorphs, but FX’s Alien: Earth proves there’s plenty more to fear than acid blood and chestbursters. In a conversation with Kyle Meredith, showrunner Noah Hawley, producer David W. Zucker, and cast members Timothy Olyphant, Sydney Chandler, Samuel Blenkin, Alex Lawther, and Babou Ceesay unpacked the series’ deeper bite: AI ethics, corporate dystopias, and what happens when humanity hardwires itself into machines. Listen to all of the conversations now.Hawley says his entry point wasn’t just the monster, but “the moment Sigourney Weaver leans back and Ian Holm is revealed to be an android,” sparking a story about “being trapped between the primordial past and an AI future you created that’s now turning on you.” Chandler adds that Alien: Earth doesn’t “feed the audience answers,” but leaves space for viewers to chew on questions long after the credits roll. And while the genre demands a little running-and-screaming, the cast was just as invested in the subtler mome

Amy Berg joins Kyle Meredith to talk about It’s Never Over, Jeff Buckley, her new documentary exploring the legacy of the Grace singer. Berg discusses why it took over a decade to bring the film to life, earning the trust of Buckley’s mother Mary Guibert and choosing to frame the story through Jeff’s emotional voicemails, feminist ideals, and the women in his life—rather than the looming shadow of his father, Tim Buckley. The two also talk about the enduring power of Buckley’s voice, the misunderstood brilliance of Sketches For My Sweetheart The Drunk, and the emotional toll of telling a story that still hits so many listeners at a soul-deep level. Berg even teases potential bonus footage, the possibility of a future biopic, and the Chris Cornell doc she's currently working on.Listen to Amy Berg chat about all this and more our watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence

Kyle Meredith sat down with John Flansburgh and John Linnell of They Might Be Giants in this special Rewind episode to talk about the albums Nanobots and I Like Fun, digging into how the band continues to find new ways to be weird 20 albums in. The Johns discuss the strange comfort fans find in their music during chaotic times, how short songs and dark characters let them explore new creative corners, and why they’ve never subscribed to the cliché rock lifestyle. Flansburgh shares how Jack Bruce’s homemade Mellotron choir helped shape “I Like Fun,” and both Johns reflect on writing about death, dread, and Peter Pan syndrome with equal parts humor and sincerity. Plus: opinions about James K. Polk, writing beats by email, and the eternal mystery of Louisville’s incredible junk stores.Listen to John Flansburgh and John Linnell of They Might Be Giants chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by

Luciane Buchanan joins Kyle Meredith to talk about starring in Chief Of War, the epic new Apple TV+ series created by Jason Momoa and Thomas Pa’a Sibbett. Set in 18th-century Hawai’i, the show follows warrior Ka’iana as he attempts to unify the islands just before Western colonization, with Buchanan playing Ka’ahumanu—the queen who helped change Hawaiian history. The Night Agent star discusses discovering her character’s legacy, making a spiritual pilgrimage to Ka’ahumanu’s birthplace, and learning the endangered Hawaiian language for the role. Buchanan also reflects on how the project connects to her short film Mother Tongue, her experience on set with Momoa (and a lot of apple boxes), and the importance of telling these stories from an indigenous perspective.Listen to Luciane Buchanan chat about all this and more our watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Netw

Connor Sherry, Ethan Cutkosky, Maxwell Jacob Friedman, and newcomer Philip Fine Schneider join Kyle Meredith to talk about what it’s like playing the next generation of Gilmores in Happy Gilmore 2. The guys get into how they each channeled a different flavor of #AdamSandler’s iconic character, how their off-screen bromance added to the on-screen chemistry, and the unexpected Shakespeare-to-Sandler pipeline. MJF (the wrestler-slash-actor) talks about getting back to his theater kid roots, while Connor and Ethan reflect on how producing and directing has shaped their approach to acting. And they absolutely explain why they keep calling Sandler “Daddy.” It’s chaos, it’s heart, and it’s hilarious — all with Kyle Meredith steering the golf cart.Listen to the cast of Happy Gilmore 2 chat about all this and more on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiri

Director Kyle Newacheck joins Kyle Meredith to talk about taking on the legacy of Happy Gilmore with its long-awaited sequel. The Workaholics and Murder Mystery alum unpacks the challenge of balancing throwback nostalgia with a more modern comedic style, while also explaining why pure comedy is so rare these days. We hear about working with Adam Sandler, how golf became his newfound obsession, and the joy of directing original Happy Gilmore helmer Dennis Dugan. Plus: surprise MVP turns from Jason Kelsey, Bad Bunny, and a post-arrest Scottie Scheffler.Listen to Kyle Newacheck chat about all this and more our watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Michael Clifford of 5 Seconds of Summer catches up with Kyle Meredith to dig into SIDEQUEST, his solo album born out of becoming a dad and rediscovering that childlike sense of curiosity. Clifford talks about rewriting songs to better reflect his new phase in life, how parenting inspired the unpredictable structures of tracks like “Eclipse,” and why he intentionally left the drums off “KMFA.” He also opens up about the vulnerability of going solo after years with the band, fourth wall-breaking lyrics, and the push to do something that feels brand new instead of nostalgic. It’s an honest look at finding your own voice while still loving where you came from.Listen to Michael Clifford of 5 Seconds of Summer chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On the rewind episode of Kyle Meredith With.., hear from Caroline Polachek and Alison Goldfrapp — two vocalists who could probably sing a grocery list and still make it sound like avant-garde pop bliss.Polachek, formerly of Chairlift, has turned heartbreak and hyperpop into an art form, floating somewhere between baroque synths and Enya-core. Goldfrapp, meanwhile, has spent decades wrapping disco, glam, and electroclash into one shimmering Goldfrapp package. Lately, she’s stepped out solo just to remind us she can still make the dance floor melt. Expect stories of sonic reinvention, ghostly falsettos, and why "ethereal" is sometimes just another word for unstoppable.Listen to Caroline Polachek and Alison Goldfrapp chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.ef

Ben Folds recently sat down with Kyle Meredith to talk about the complicated year that saw him record a stunning live album with the National Symphony Orchestra just before stepping down as Artistic Advisor for the Kennedy Center. Folds opens up about the importance of the Kennedy Center’s mission, how it connects communities beyond the stage, and why that made his exit during the Trump administration’s takeover so necessary. Listen now.Reflecting on the album, Folds calls it “an absolute honor” to record with the NSO, praising the room’s natural magic and the delicate work of mixer David Boucher. The album arrives like an act of resistance, beginning with “But Wait, There’s More,” which Folds says was born out of the absurdity of the Four Seasons Total Landscaping press conference. “It felt so cynical at first, but I do still believe there’s more good than not,” he says.The conversation also dives deep into the vital role of public funding and arts institutions, and how Folds’ Kennedy Center series aimed to

Milo Manheim, Meg Donnelly, Malachi Barton, and Freya Sky catch up with Kyle Meredith to talk all about Zombies 4 on Disney. The crew dive into how Zed and Addison’s monster diplomacy continues with a new clash between Daywalkers and vampires — vampires that, as Malachi jokes, “don’t suck blood but do snack on blood fruit!” Milo and Meg share what it’s like balancing acting and executive producing, how they keep the characters growing alongside their own lives, and how their real-life love for Disney Channel Friday nights sneaks into the franchise’s vibe. Plus, the newcomers spill on stepping into Seabrook’s wacky world, the vampire makeover, and how everyone’s musical side keeps the set buzzing with impromptu jams and game nights.Listen to Milo Manheim, Meg Donnelly, Malachi Barton, and Freya Sky chat about all this and more or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Po

Rhian Teasdale of Wet Leg catches up with Kyle Meredith to talk about the band’s second album moisturizer, the joys and pitfalls of success, and the choice to cocoon themselves in a countryside house to shut out distractions (including social media). Rhian digs into writing as a full five-piece band this time around, the cathartic evolution of tracks like “Chase These Fists” and “CPR,” and how movies like Jennifer's Body helped soundtrack their creative hibernation. She also opens up about writing love songs for the first time, exploring queer identity through lyrics, and the importance of building a stage persona to armor up against tour anxiety.Get tickets to Wet Leg's upcoming tour dates here: https://stubhub.prf.hn/l/NdXjzpy/Listen to Rhian Teasdale of Wet Leg chat about all this and more or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors

Tony winner and certified scene-stealer Renée Elise Goldsberry joins Kyle Meredith to talk through Who I Really Am, her long-awaited debut album. Known for #Hamilton, #Girls5Eva, and #SheHulk, Goldsberry opens up about why it took this long to release a solo LP, and why now was the moment to bet on herself. She discusses the freedom of genre-jumping across pop, musical theater, and soul, how she came to reinterpret “Satisfied” for this new chapter, and how Girls5Eva and Sarah Bareilles helped spark her confidence to record original material—including a Bareilles-penned track. It’s an album about embracing outliers, defying labels, and finally asking the question, “Who am I, really?”Listen to Renée Elise Goldsberry chat about all this and more or watch it on Youtube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal:

Lucy Dacus sits down with Kyle Meredith to discuss her latests solo record, Forever Is a Feeling. The singer-songwriter unpacks the new album’s lush poetry, the angelic iconography behind its cover, and the raw intimacy of performing in churches and museums. Listen now.Touring behind the new record (get tickets here!), Dacus found herself gravitating towards sanctuaries both literal and spiritual. “Places like that always feel super reverent whether or not you’re religious,” she says of the cathedrals and churches she’s played in. “They inspire a quietness and an introspection that I really like.” That same thoughtful hush permeates Forever is a Feeling, an album that glides between dreamlike atmospheres and confessional clarity.Of course, she didn’t go it alone. The record brings together a who’s who of kindred spirits, from Hozier to Madison Cunningham to Bartees Strange, along with her boygenius bandmates Phoebe Bridgers and Julien Baker (also her romantic partner), appearances that feel like a tight-knit

Dean Wareham and Britta Phillips sat down with Kyle Meredith for three conversations across a handful of years to talk solo albums, Luna reunions, and songwriting that sometimes doubles as emotional excavation. Dean, known for his iconic turns in #Galaxie500 and #Luna, talked in 2014 about finally releasing his first solo album and what it meant to step out from the comfort of collaboration—including with wife and longtime musical partner Britta—and work with #MyMorningJacket’s Jim James as producer. He dug into the funny backlash from his memoir, navigating identity beyond legacy bands, and why a lyric like “what have I done with my life?” doesn’t always need a worried reading. In her own chat in 2016, Britta walked Kyle through #LuckOrMagic, a stunning debut that toggles between torch songs and simmering synth-pop, and how tracks like “Do It Last” playfully (and darkly) flip gendered expectations of obsession in love songs. She also opened up about the nerves of writing about Dean… and then playing those so

Alan Walker joins Kyle Meredith to talk about the 10th anniversary of his breakout hit “Faded” and how he’s turned a bedroom project into a full-blown global empire. The EDM star gets into the making of WalkerWorld 2.0, the new single “Me, Myself and the Night,” and why he’s intentionally channeling his 2016–2019 sound. He also gives a preview of the immersive film WalkerWorld: The Last Ride, and talks about launching his first-of-its-kind World of Walker app—a digital hub meant to bypass social media algorithms and directly connect with fans.Listen to Alan Walker chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with two legends, Randy Bachman and the late Gary Brooker to talk about legacy and how you live with — and sometimes rewrite — the ghosts of greatness. Listen to these archive interviews now.Hear Brooker of Procol Harum speak just before his passing about the band’s 50-year retrospective Still There’ll Be More, the timeless power of “A Whiter Shade of Pale,” and why Procol never quite fit in anyone’s box (except maybe their own). Then, it’s Randy Bachman (The Guess Who, Bachman Turner Overdrive) discussing By George, his inventive reimagining of George Harrison classics that's filled with rearranged melodies, sly tributes, and a surreal phone call from Winnipeg to Friar Park. From Lennon birthday parties in Liverpool to dodged opportunities with Clapton, it’s a masterclass in reverence and reinvention from two legends.Listen to Randy Bachman and Gary Brooker chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and

Zara Larsson caught up with Kyle Meredith to talk about her new album Midnight Sun, her second LP in just over a year. Powered by creative momentum and a self-described “dream team” of collaborators, Larsson is embracing a more spontaneous workflow that channels her current energy into a confident, cohesive record. Listen now.The record's namesake track, “Midnight Sun,” is a tribute to summer nights in her native Sweden, where the sun never fully sets and life feels mythically endless. “I wanted to be this little nymph that goes to the city,” she says, explaining the vibe that shaped both the sound and spirit of the album. The song itself is a swirl of joy and presence and the kind of spiritual clarity that only appears in duskless Scandinavian landscapes. It also helped unlock the album’s carefree tone: “I don’t give a fuck, but I do care a lot, and I hope and I pray and I manifest,” she says, summing up the paradox at the heart of Midnight Sun.Larsson will bring that energy to her upcoming tour with Tat

Seth MacFarlane has long lived at the intersection of irreverence and reverence. As the creator of Family Guy, he built an empire of absurdist animation, but his latest creative projects deepens his musical streak. He caught up with Kyle Meredith to talk about his new album Lush Life: The Lost Sinatra Arrangements, a collection of unearthed and previously unrecorded Frank Sinatra charts. From there, the conversation swings through his revival of The Naked Gun, a reimagining of The ’Burbs, and the success of Ted’s leap to television. Listen now.When Tina Sinatra called to offer MacFarlane access to her father’s archived arrangements, he jumped at the chance to revive what had been sitting in boxes for decades. “There were a good hundred charts or so in there that Frank had never recorded,” he says, citing a Nelson Riddle arrangement of “How Did She Look” and the infamous abandoned 1958 session for “Lush Life.” MacFarlane and his team not only finished the track, but aimed to deliver each song with the fidelity

Shirley Manson has never been one to shy away from big feelings, big statements, or big synths. Speaking with Kyle Meredith, the Garbage frontwoman dives into Let All That We Imagine Be the Light, a record that flickers with vulnerability, political outrage, and, surprisingly, hope. The follow-up to 2021’s No Gods No Masters, the new LP serves as a spiritual twin — but this one stares down the chaos with resilience rather than just rage. Listen now.“I realized that if I didn’t change my tack, I was going to lose my mind,” Manson says of her shift in perspective after the last album. “I wanted to project love, even though I was feeling physically broken and emotionally spent.” That brokenness included two hip surgeries and the loss of her dog — yet she funneled it all into a more nuanced lyricism.She also reflects on her refusal to stay silent about world events, especially the humanitarian crises in Gaza and Ukraine. That same spirit fuels the band’s creativity; even with new recording methods during her reco