Open Country

The signs of spring are everywhere, transforming our gardens and fields with splashes of colour and signs of new life. Unable to travel to explore new locations and landscapes as she normally would for Open Country, Helen Mark takes a walk around her own family farm on the edges of Lough Foyle in Northern Ireland, spotting the signs of seasonal change. She talks to wildlife experts and local farmers, finding out how the rhythm of the seasons affects their relationship with the land.Produced by Emma Campbell.

It seems hard to believe, when so many of us are coping with lockdown and more, that the power of nature continues unfettered: Spring, in all its fecundity, is altering our landscape as it always does. To chart this time of great change we gave the naturalist, Brett Westwood, a microphone at the end of March and asked him to record a nature diary. He lives in urban Stourbridge in the West Midlands, which doesn’t sound an obvious setting for a spring journal but actually it’s perfect: What he sees at close quarters, with his expert eye, is available for us all if we know where and how to look. His sightings include feather-footed flower bees who live in the brickwork of our houses, buzzards that might steal frogspawn from your pond, bee-flies which coat their eggs with dust before shooting them at the nests of solitary bees, and mistletoe... which doesn't sound as intriguing, but it really is: Brett can explain why our behaviour is causing it to spread further than ever before. Note: The podcast contains

Birmingham is one of only fifty-nine cities around the globe to be awarded the status of 'Tree City of the World'. This is an international framework for a healthy, sustainable urban forestry programme, an award that's all down to the passion of Birmingham's citizens for trees. Helen Mark meets tree planters young and old from near and far; tree wardens, who are kind of like traffic wardens, but for trees (and just as fierce: really, don't mess with their trees); an academic who runs the Birmingham Institute of Forest Research (he really loves trees) and an arboriculturalist who gets to work at 6.30 every morning in his mission to extend Birmingham's canopy cover. Helen finds out why the city's tree-focussed ambitions go well beyond just planting trees. All these people know you have to take care of trees for their whole life, not just plonk them in the ground. They also know that urban trees suffer more than those planted in the countryside, so they need extra tenderness. Helen also finds herself in a o

Ian Marchant meets musicians inspired by the landscape of the Surrey Hills, including concert pianist Wu Qian, who found it terrifying when she first arrived from China aged 12. She soon learned to love the place and co-founded an international music festival which incorporates into its programme inspiring country walks in this Area of Outstanding Natural Beauty. Ian meets Julia and Henry Pearson, who help to run the festival and live in the picturesque village of Shere, with its thatched cottages and 'terminally cute' setting. They are music lovers and keen walkers, so the festival is a perfect fit. Since the programme was recorded in early March, the festival has been cancelled, but imagining the concerts in the 'cathedral in the woods' at Ranmore Church, is still a piece of 'enchantment'. Ian was born in this area and remembers being told that the view from Newland's Corner was the best in England. It was, in fact, what England should look like, according to his father. Ian now knows this isn't quite

How a little known fish, rare and remarkable, is driving a huge project on the River Severn.Weirs may look dramatic and sound wonderful but, for fish, they are nothing more than a barrier, preventing progress upstream. That's why you'll see anglers, both human and heron, hanging around weirs for an easy-ish catch. One fish in particular, previously found in healthy numbers on the Severn, has suffered. It's the Twaite Shad, sleek and fast, but not fond of leaping. However, a project called Unlocking the Severn is well underway to install gigantic fish-passes at four weirs. These will allow the Twaite Shad to swim through and reach their spawning grounds in significant numbers for the first time since the Victorians installed weirs to improve navigation during the industrial revolution. Because of Covid19, the sound-quality of this programme will be a little different: all the interviewees recorded themselves, on their phone voice-recorders, in their own homes... many thanks to each of them for persevering!

We were going to kick off this series with Helen Glover exploring Newlyn in Cornwall: on an RNLI lifeboat, and with open-water swimmers... However, at the last minute, Covid19 stymied our plans. Instead of the wild open countryside of Cornwall, she's reporting from the confines of her back garden, on the River Thames, in Buckinghamshire. Luckily, she's married to the naturalist Steve Backshall, so she has access to a ready-made expert who helps to explain the wildlife in their midst. Producer: Karen Gregor

Helen Mark heads to the Quantock Hills to visit the national centre for folk arts and meet some of the people taking part in a 'Winter Warmer' celebration of music and dance. She meets musician Becki Driscoll whose track 'Cold Light' was composed in the summer house at the Manor, and asks Chief Executive Crispian Cook about the history of this residential haven for folk arts. Helen catches Moira Gutteridge for a chat just as she's about to lead a walk, and high on top of the Quantocks she speaks to Philip Comer, Chair of the 'Friends of the Quantocks' about the area, the grazing rights on common land and why it's not a good idea to feed the wild ponies. Roger and Nanette Phipps tell Helen why the spot for the Maypole is currently taken up with flower bulbs, and how according to local legend dragons may still lurk in the surrounding hills. There's also time for a spot of sword-dancing which is not as easy as it's made to look.The music is performed by Becki Driscoll, Ted Morse, Peter and Moira Gutteridge

Helen Mark visits Tintagel in Cornwall to cross the new bridge which now links the castle to the mainland. She discovers its links with the legends of King Arthur, the way that this myth has shaped the buildings we now see in this landscape and the people who live there and finds that the real historic importance of this part of the UK is only just beginning to be understood.

Ryebank Fields is a small patch of land in Chorlton in the south of Manchester. Spanning around eleven acres this overgrown piece of grassland has become a favourite spot for the community's families to wander, explore and play. But this much-loved spot is now under threat. The owners, Manchester Metropolitan University, want to sell the land for development into housing and invest the money back into their existing inner-city site.Campaigner Julie Ryan tells her she used to play there as a child before taking her own children there. She says it's her go-to place when she's stressed out, and together with campaigner Tara Parry they take Helen Mark on a tour. Tara describes Ryebank as the "green lungs" of Manchester and talks about why the land could have a future as a community garden and orchard. Steve Silver and Helen walk around the oak trees that he planted at the turn of the Millennium and says that he'd love it to be renamed "Silver's Wood" in the future. All three herald Ryebank as a habitat for

Ian Marchant visits the Chilterns to test out some of the ideas for new ‘National Landscapes’ in the recent government-commissioned Glover Review into England’s National Parks. What barriers do some people face when it comes to visiting the countryside? (Hint: it’s not just owning a pair of wellies). And why does spending a night under the stars for every child matter for the protection of the countryside? Ian meets the author of the new review, Julian Glover, in a wet wood above Wendover, just a stone's throw from the Prime Minister's country residence, Chequers. Julian is confident that the government will support his recommendations, one of which is to improve access to the countryside for people from diverse backgrounds. This includes High Wycombe born-and-bred Sadia Hussain, who loves the countryside but understands some of the barriers faced by people like her parents, who settled here from Pakistan. To them, the countryside has a different meaning and set of associations. And it also includes Layla

Helen mark meets teenage environmental campaigner Amy Bray in her native Cumbria as she plants trees to help halt climate change. Amy has inspired her community to take action with a no plastic shop and helped to raise awareness with a mass fell climbing. Helen helps her as she takes on her latest challenge - to plant more trees and help to create natural flood defences as well as absorb carbon

Ruth Sanderson discovers a skateboarding camp, deep in the Forest of Dean. Camp Hillcrest mixes urban pursuits with forest living, and Ruth visits when the residential camp is in full swing. Kids come to be fully immersed in everything about skating culture, all in the idyllic setting of the Gloucestershire woods. The owner, Tom Seaton, tells Ruth how he has discovered this combination of urban skate vibe mixed with forest school activities engages children who otherwise wouldn't be attracted to the countryside, and gives them a unique experience.Produced by Beatrice Fenton

Helen Mark visits the Cotswold village of Cranham and its surroundings: countryside that was home to the composer Gustav Holst, and now features a walking trail named after him.Holst grew up among these gently rolling hills, and created several of his works – including the Cotswolds Symphony and his classic arrangement of In The Bleak Midwinter – thanks to inspiration gleaned from his years in the area.Exploring his old haunts, visiting the church where he had his first job as organist and treading the same hills where Holst used to practice his trombone, Helen discovers how the landscape influenced the composer; and how his own influence lingers on in the area today.Produced in Bristol by Lucy Taylor.

Jasmine Ketibuah-Foley examines how the transatlantic slave trade has shaped Bristol and meets some of the historians, artists and cultural figures who are redressing how the legacy of slavery is presented and how the city's story is told.Jasmine speaks to Olivette Otele, the newly appointed Professor of the History of Slavery at the University of Bristol about why the University has decided to examine its past and what this might mean for the city's wider approach to its colonial history. Jasmine meets Stacey Olika, Donnell Asare and Ade Sowemimo who are working on a project at Bristol Museum to tell the story behind how some of the objects on display which they hope will present a clearer and more honest narrative about the cultural significance of the objects and the legacy of Britain's colonial past.Historian Madge Dresser has been talking about Bristol's relationship with the slave trade for some time and she tells Jasmine that after one of her talks in the late 1990's someone defaced the city's statue o

In the 18th Century Charles Hamilton created Painshill, an early example of the English Landscape Garden. He redeveloped land in Cobham in Surrey to create a circuit garden with buildings inspired by his grand tours and he introduced plants being brought to Britain by traders. He aimed to create a living work of art with changes in mood and creating a 'hide and reveal' of the features. It was hugely influential with visitors from the USA and across Europe coming to view and recreate his new style of garden - seen as a work of art in itself. Yet the land was sold and passed through different hands and became overgrown, the buildings crumbled and Painshill forgotten about. In the 1960s a teenage local history enthusiast, David Taylor, read about the place and rediscovered it one dramatic night. He wrote an article for the local paper urging an effort to chart what was there before it was lost entirely. His words inspired a stronger momentum and the land was bought by the council and work began to research the o

“They’re wonderful creatures, wonderful creatures with wings.” Says 11-year-old Callum Brooks, who has just recently started pigeon racing. We join Callum and other pigeon fanciers from all over the UK as they give us an insight into the highs and lows of pigeon racing and find why a sport that was once a popular pastime of the working classes is now falling out of fashion and is in danger of disappearing altogether. We discover the art of breeding a winning bird from Clive and Jill in Radstock. Head to the back of the Larkhall Inn as pigeons are marked up ready for a Saturday race. Then spend a morning with the Convoyors as they prepare for the liberation of 5000 birds. And finally join Trevor and his son Simon on race day as they anxiously wait to find out if they have won, or even if their pigeons will return home at all.Produced by Nikki Ruck

Some people dream of canoeing up the Zambezi, or exploring Venice by gondola, but Ian Marchant has always dreamed of the world's least romantic waterway: the Witham Navigable Drains, near Boston in Lincolnshire. And there is romance and beauty here. And grand sluices, mighty pumps and a box or two of maggots.Producer...Mary Ward-Lowery

For the first time, Open Country is entirely based at a cemetery. Helen Mark explores Arnos Vale in Bristol - forty-five acres of green space and woodland which provide a vital wildlife corridor in the city. First established 180 years ago as a 'garden cemetery' with architecture in the style of classical Greece, Arnos Vale quickly became the fashionable place for Victorian Bristolians to be buried. It was one of the first places in England to install a crematorium, a state-of-the-art development in its day. But during the latter part of the 20th century it fell into disrepair. Neglected and overgrown, it almost closed for good. A campaign to save it has resulted in a cemetery which today is much more than just a place to bury the dead. As Helen finds out, it has a whole life of its own. Wildlife thrives in the trees and undergrowth which almost swallowed the gravestones during the years of neglect. Now restored as a working cemetery, it also has a cafe and a shop, and is a venue for everything from yoga cla

Across the country, rural communities are finding their local services under threat, but in the north Essex village of Toppesfield, residents are finding creative ways to keep their local amenities open and village life thriving. From the volunteer run village shop to the community funded pub and locally founded microbrewery, the villagers of Toppesfield are working hard to keep this rural community fired up with community spirit and much needed local establishments. Helen Mark meets the locals who have generated and supported these projects and the organisations that are on hand to help, to find out what lessons could be shared with other rural villages. Presented by Helen Mark Produced by Anne-Marie Bullock

One Tree Hill: a famous landmark that connects us emotionally and confounds us archaeologically. Otherwise known as Crookbarrow Hill or Whittington Tump it's instantly recognisable to anyone driving near junction 7 of the M5, the exit for Worcester. For generations this distinctive hill, with a solitary tree on top, has become a symbol of homecoming, an emotional way-marker. But ask around and nobody seems to know much about it. It's a Scheduled Monument, on private land inaccessible to the public, and it's never been excavated. However there are enough clues to warrant some educated speculation. So, for Open Country, Karen Gregor climbs the Tump with three local experts to pick their brains. She also speaks to Henry Berkeley who owns the Spetchley Estate on which the hill stands, and to locals who have personal stories to tell about it.Scroll down to the Related Links section to click through to these interviewees' organisations.Adam Mindykowski - Historic Environment Advisor for Worcestershire Archive and