Open Country

Travel writer Ash Bhardwaj revisits his childhood haunts at Windsor Great Park. The 16,000 acre park is only around twenty-five miles from central London, but has an impressive range of different landscapes and wildlife habitats - from traditional formal flowerbeds to ancient woodland, a deer park, farmland and even a site of special scientific interest. Ash meets the deputy ranger to learn about the history of the park, and finds out about the role played in its post-war evolution by the most recent head ranger, the late Duke of Edinburgh. A conservation specialist from Natural England shows Ash how to tell the age of an oak tree by measuring its girth, and explains the intricate ecology of the rare species of fungi and insects which thrive in the wildlife habitats provided by the trees - some of which have been growing in the park since the time of the Norman Conquest. Ash also meets up with a florist whose choice of career was inspired and influenced by having spent so much of her own childhood playing amo

Ian Marchant tracks the River Ancholme to its source. Others might prefer the Limpopo or the Zambesi, but Ian is drawn to the subtle mysteries of the canal-like Ancholme in Lincolnshire, arguing that there are delights to be found if you take a close look in your own back yard. And there are plenty of delights. If historic boats are your thing then there's Humber Sloop Amy Howson, an ochre-sailed ship moored at the mouth of the Ancholme, in the care of the Humber Keels and Sloop Preservation Society, or Brigg Raft, a five metre Bronze age raft designed specifically for the slow moving waters of the Ancholme. Brigg was always, it seems, a good place to keep a boat. The town is an island, created by two channels of the Ancholme encircling its centre. Brigg Raft and the even more astounding Brigg Log Boat (nearly fifteen metres long) were discovered in 1886, lurking in mud at the site of what is now Glanford Boat Club. There are still around fifty boats moored at Glanford Boat Club, a vibrant social centre.Just

With its beaches, rugged cliffs and imposing headlands, the Durham coastline is a dramatic landscape, stretching from Sunderland to Hartlepool in North East England. Today it's designated as an Area of Outstanding Natural Beauty owing to its Magnesian Limestone grasslands, wildflower meadows and ancient woodlands. But this coastline was once the site of several of Durham’s last deep coal mines and notorious for its ‘black beaches’ and heavily polluted landscape. In the late 1900s, after the closure of the pits, it was transformed in a multi-agency clean-up to remove well over a million tonnes of colliery spoil which had been tipped onto the coast. Today it's “a wonderful conglomeration of human and geological layers” says archaeologist and artist Rose Ferraby. Rose along with poets Katrina Porteus and Phoebe Power revisit this landscape which inspired a book of illustrated poems and prose as part of the National Trust’s People’s Landscape project which explores the role landscapes have played in social change

Magnet fishing - using strong magnets to hunt for treasure in canals and rivers - is a craze which is growing in popularity. A group in Edinburgh have been given permission for the first time by Historic Environment Scotland to ‘fish’ the city’s waterways, and Helen Mark is there to try her hand. Produced for BBC Audio in Bristol by Beatrice Fenton.

Lincoln Longwools, Dorset Horns, Chillingham wild cattle and Gloucester Old Spot pigs – photographer Amanda Lockhart has been travelling the country looking for rare British breeds. She has approximately 200 markers on her map and is slowly ticking them off. We catch up with her on a very hot day looking for Large Black pigs. With contributions from Liz and Cameron from Edington Pigs; plus Annabelle and Jonathan Crump who own Gloucester cows. Presented by Helen Mark Produced by Miles Warde

Monique Gudgeon is on a mission to create a botanic garden. And what better way to get started than to build a new National Plant Collection. In creating a garden from scratch, one of her priorities is to bring in species which both work with the surrounding Dorset landscape and that are in need of conservation. There is a huge diversity of garden plants that need to be looked after so cultivars aren’t lost when they go out of fashion. National Plant Collections were created by the charity Plant Heritage to ensure these plants are preserved and documented for the future. Of the plant groups that don’t currently have a custodian, Monique decided to choose forsythia - deciduous shrubs often overlooked as just a hedging plant which burst into vibrant yellow flowers in early spring. In the process of sourcing and propagating all the varieties needed for a collection, Monique has become utterly fascinated by them and their history. Helen Mark hears the story of Monique’s successes and failures so far, and explore

It's not yet dawn when wildlife cameraman John Aitchison strolls down to the shore where he chips off the ice on a kayak, before he can set out across the sea loch near his home in western Scotland, in search of the early signs of spring. He travels through the darkness following a trail of light caused by the reflections of the moon in the calm water. His journey takes him across the loch and along the far shoreline before he heads for an island and then returns home. As the sun rises he encounters seals and otters, watches shelduck chasing one another, listens to curlew and skylarks, and catches sight of his favourite geese: white-fronted geese which will soon leave and head to Greenland. As he paddles across the loch, John reflects on the landscape of interlocking fingers of water and rock, and on how it was formed. "How much has this landscape and its wildlife changed over time?" he wonders. As time and the seasons pass and winter changes to spring, the geese will depart and other birds will arrive - li

Travel writer Antonia Bolingbroke-Kent moved to a cottage deep in the Welsh Black Mountains at the end of October last year, arriving just two hours before the autumn lockdown began. She’s pretty much been in lockdown since that day so, unable to go anywhere or see people, has spent the months exploring the mountains from her new front door. She’s walked hundreds of miles, OS map in hand, exploring this new landscape - its ancient sites, high ridges, wooded valleys and peaty uplands. Antonia immerses us in this place and its wildlife, and hears stories from her new neighbours - people who know every crease of the hills and every bird call, as well as the area's history, myths and legends. While reflecting on this exploration, she explores the process of the unknown becoming home. Producer: Sophie Anton

English Heritage manages some of our most important historic sites, such as Stonehenge and Hadrian's Wall. In this Open Country, folk singer and song collector Sam Lee explains how he has paired these sites with relevant or revealing folk songs from the British Isles. We meet Sam at Stonehenge, to hear him perform the song 'John Barleycorn'. From Salisbury we travel to Hadrian's Wall with The Brothers Gillespie and the borders song 'When Fortune Turns the Wheel'. At Whitby Abbey Fay Hield performs the tragic tale of 'The Whitby Lad' and at Ironbridge, the birthplace of industry, Abel Selaocoe sings about the impacts of the industrial revolution in 'The Four Loom Weaver’.The aim of English Heritage and the musicians of the Nest Collective is to connect us to the people who inhabited these historic landscapes through the power of song. The music gives voice to how people felt and how they lived in a way that the monuments and buildings we have left cannot. Their hope is that by hearing these stories from the pa

Canna is four miles long and one mile wide. It has no doctor and the primary school closed a few years ago. The islanders depend on a weekly ferry service for post, food and medical supplies. Fiona Mackenzie and her husband, Donald, have lived on the island for six years. Donald is the harbourmaster and Fiona is the archivist for the priceless collection of Gaelic music, photographs and literature stored in Canna House. She's also an accomplished folk singer - the ideal guide for an Open Country visit to the island. The folklorist and Gaelic scholar, John Lorne Campbell, bought the island in the 1950s. His family was part of Scotland's landed gentry, but he was opposed to sporting estates and absentee landlords and wanted to develop Canna as a flourishing, Gaelic-speaking community. He lived in the island's Big House with his wife, Margaret Fay Shaw - a Gaelic song collector. Canna House became a bohemian Hebridean retreat with a constant flow of colourful visitors including Compton Mackenzie, the author

Stormont's parliament buildings, on the outskirts of Belfast, often features in the national news as the focus of raucous political debates and protests. But the building is also set in the middle of several hundred acres of magnificent parkland. Most of it was closed to the public at the height of the Troubles, but from the late 1990s, as the peace process developed, it has become a treasured public space. In the past twenty years, the Stormont Estate has developed its woodland and added environmental trails and wetland areas as well as an outdoor fitness gym, running paths and a large play park. It's now one of Northern Ireland's most popular outdoor parks and is also used regularly as a venue for charity and public events. It has been a particularly important fresh air 'escape' for local people during the Covid lockdowns.Helen Mark talks to Stormont's Head of Estate, Nigel Bonar, about the challenges of looking after a parkland which is also a workplace for politicians and three thousand civil servan

The voices of the women who mend the nets, gut the fish and fix the lines of Britain's fishing fleets.“I started at seventeen as a v-boner. I was everywhere, on the barding, skinning, heading. My last job was in defrost. I was the only one woman in defrost.” Dawn WaltonThis rarely heard community have been recorded by landscape photographer Craig Easton and include a trawler skipper called Sheila Hirsch with a gripping account of 'going over the wall' or into the sea. "I've been lucky," she says. "I've been over the wall three times, and each time I've been alright."Produced in Bristol by Miles Warde

Helen Mark looks at some of the highlights from the last twelve months of Open Country. This includes contributions from Olympic rower Helen Glover and her husband Steve Backshall in their garden in Buckinghamshire, and Dame Julie Walters talking about her attachment to Warley Woods in Smethwick. Helen heads up into the Ardnamurchan Lighthouse on the most Westerly tip of Scotland with light keeper, Davie Ferguson, and from her family farm in Binevenagh she and Seamus Byrne share their passion for the huge flocks of Whooper Swans which make that part of Northern Ireland their home from September until March. Brett Westwood brings us bird song from the woods close to his home in Stourbridge, and Sybil Ruscoe is on top of Cleeve Common gazing out at the view. Artist Frances Anderson reflects on the experience of cross-channel swimming, and beneath the water Jack Greenhalgh and Tom Fisher are capturing the sounds of insects and plants. Back in Scotland the mountain of Ben Shieldaig is where we find artist Lisa

The writer Julia Blackburn has lived much of the last forty years on the Suffolk coast where she has written biographies, poetry, radio plays and accounts of her own life. In recent years it is the landscape that has captured her imagination and her most recent book, 'Time Song', tells of how she became fascinated with the area known as Doggerland - a mass of land that once joined Suffolk and Holland and which is now submerged beneath the waves of the North Sea. Helen Mark joins Julia for a virtual walk along the Suffolk coast, starting at Sizewell and the shadow of the nuclear power station and along to the marshlands at Minsmere with all its accompanying bird-life. From there it's onto Dunwich where Julia once found a human skull, and onto Covehithe where she came across a bit of Mammoth vertebrae. For Julia these objects are part of the 'visitable past' and they become a means of telling stories about this precarious landscape. They finish in Pakefield where, in 2001, two men discovered a fragment of

From tower blocks to stately homes, the office to the garden shed, schools, hospitals or even a prison cell. Windows of all shapes and sizes admit light and connect us to green or urban landscapes, and if you are very fortunate – wildlife! During the winter months and through lockdowns, we are spending more time indoors and perhaps looking out of a window. For this Open Country, we meet 3 people who each have a unique relationship with windows and who live and work on both sides of the glass to understand why they are so important to our mental health and well-being? Interviewed are Professor John Mardaljevic from Loughborough University, window cleaner Amy Owens and retired psychologist Marco Del Aberdi.Presented by Helen Mark and produced by Marcus Smith.

Over the past decade there’s been an explosion in “Snowdrop Mania” – galanthophiles, or snowdrop fans, desperate to get their hands on the newest species of snowdrops, paying hundreds, or even upwards of a £1000 at auction for a single bulb. Two years ago, Radio 4 producer Polly Weston heard of a man in Somerset who had discovered and named many of the most sought after varieties – Alan Street. Polly pictured following him around the countryside in search of the snowdrop which might make him his fortune. The truth turned out to be very different. Alan works for a family-owned nursery, where new varieties of snowdrop seed themselves around a little woodland – thanks in part to the huge number of species they already grow, working in collaboration with the family’s bees. Alan’s lost count of the number he’s discovered and named – “50, 70, 100 or more perhaps… I’ve more than enough.” Yet he still keeps looking. He isn’t interested in money – the auctioning of snowdrops to the highest bidder makes him uneasy – an

Brett Westwood and Rosemary Winnall take a walk through Wyre Forest in Worcestershire in search of wild service trees, lemon slugs and land caddis.Producer: Toby Field

Helen Mark is used to travelling all over the UK recording for Open Country, however this year she's mostly stayed at home in the north-west corner of Northern Ireland. In April she introduced us to her family farm in Limavady as winter gave way to spring. Now as 2020 draws to an end, we join Helen as she rediscovers the coastal lowland landscape which surrounds her home, overlooked by the dramatic peak of Binevenagh. The area between Derry Londonderry and Castlerock has been an overlooked landscape, but is full of historical intrigue and is one of the best places in the UK to experience the wildlife spectacle of overwintering Whooper Swans on Lough Foyle. The Causeway Coast and Glens Heritage Trust has just been awarded lottery funding to restore and reconnect people to aspects of this landscape. We go to find the pillboxes and other relics from the Second World War to hear about when Lough Foyle was one of the main bases for the Allied Forces in Europe. The mountain of Binevenagh towers above these lowland

In 2012 punk and folk singer-songwriter Frank Turner was on top of the world. He had his first gold record, headlined his first arena show, and to top it all off he performed at the opening ceremony of the London 2012 Olympics. But as the press requests and celebrity party invited poured, Frank chose to step out of the limelight and head home, back to Winchester and the Meon Valley where he spent the first part of his life, to walk the South Downs Way.For this programme Frank returns to the area to find out more about its rich Saxon history and its unique wildlife habitats, and to explore how this area shaped him as a person and as a musician, with songs like 'Take Me Home' and 'Wessex Boy' drawing so strongly from the landscape. There's even time for him to speak to his Mum!Producer: Toby Field

Ardnamurchan Lighthouse, on the westernmost tip of the UK mainland, is one of a number of 19th century “Stevenson” lighthouses and has a unique Egyptian style of architecture – inspired by the ancient Lighthouse of Alexandria. On a clear day there are spectacular views towards Skye and the Outer Hebrides. On a dark, stormy night it's a desolate, forbidding place. The Ardnamurchan light is operated remotely from Edinburgh by the Northern Lighthouse Board but a local community trust recently bought the site and wants to develop its tourism potential. On a wet and windy day, Helen Mark is shown around the site by the trust's manager and retained light keeper, Davie Ferguson. Despite sophisticated new technology, mariners still rely on lighthouses for guidance and Davie leads Helen up the dizzying climb to the lantern room to show her the modern LED light which casts its beam 24 miles out to sea.The area's connections with the lighthouse are deep rooted – its construction provided employment for local people