Are You Movie Mad?

Taxi Cab Confessions as the duo sit in with Evil Tom Cruise and talk jams, Robert Battinson and contract killings. Will Johnny fall in love with the acclaimed thriller, or will Nick Nolte ruin everything by spoiling his upcoming film Angel Has Fallen?

It feels like we’ve watched Tony Scott films a few times of late, but Johnny can’t get beyond the basic joke of Deja Vu, until the film blows his fragile mind.

Heads you live, Tails you watch Keira Knightley as a bounty hunter in a film that really just kinda plays out in front of your eyes. Tony Scott, man.

Keep tracking the target as Andrew and Johnny hunt for Tony Scott’s paranoia thriller, and another Will Smith turn that sparks the magic of the genie. We’re tied to Aladdin and boy is it hard to find Will Smith films Johnny hasn’t seen.

Andrew didn’t see The Last Jedi when it came to the cinemas in December 2017, but he did hear and read crazy things about the film over the year afterwards. So much so that he wrote what he assumed might be the script to the film based on such hearsay. Now Johnny is putting Andrew’s predictions against the movie for Star Wars day, and you can too! https://ethanrunt.wordpress.com/the-last-jedi-an-original-screenplay

Happy Mayday! It’s time to step into the ring and take the mantle of the world’s greatest with Will Smith’s big Oscar-hope, whilst discussions veer towards documentaries over biopics and Avengers: Endgame because of course.

What are you wearing? Johnny and Andrew are wearing the faces of two people watching a film nobody has heard of, whilst discussing Andrew’s early press screening experiences and the concept of peanut butter martinis.

Andrew and Johnny watch Gus Van Sant’s Palme d’Or winning drama and discuss how lucky we are to live in a world where school shootings are entirely fictional.

Grimy 70s New York is back and on track as Andrew and Johnny discuss hostage-taking, perfect crimes and whatever the Joker movie is going to be. Tangents are fun, but keeping to train-like schedule is as shockingly good a time.

Sometimes dead is better, but as a bonus to Stephen King month, podcasting is better. Andrew and Johnny discuss The Wicker Man, pagan rituals, writing notes at the cinema and where they wish to be buried (it is not in a pet sematary).

Finding some fun after an intense month, Johnny and Andrew let off steam with an under-discussed Kevin Smith film, and try to work out who they would cast in the leads a decade on.

Johnny ends Stephen King month with one of his all-time favourite films, just so Andrew can destroy everything in his path. But not before a discussion of the Avengers: Endgame trailer, and thoughts on book-to-film adaptations as a whole.

Bark bark bark goes the rabid dog, and snore snore snore go the podcast hosts, as they try to find anything to grab hold of watching this old-school Stephen King film adaptation.

Stephen King month hits Kathy Bates territory with the ‘other’ King adaptation she starred in. Johnny shares stories of actually reading the book, and Andrew discusses filmmaking in a deeply useless way. Plus jokes.

Johnny takes the reigns with Stephen King month, and Netflix’s dark, gory horror. Cue discussion of film nasty violence, awkward interviews and pitching a second film from another perspective.

Studio Ghibli month ends with a guest appearance from Dick Cheney and a watch of a Christian Bale film about wars and heart transplants. But also a discussion on Fozzie Bear as a voice actor.

Ghibli month breaks through to the final run with a film where Michael Keaton plays a pilot pig. And we’re all accepting this as the world we live in now.

Reminiscing on other adventures, Andrew and Johnny continue Ghibli month with a ‘romantic drama’ that is more drama and less anything.

Ghibli month does not begin with the promised Kiki’s Delivery Service and Andrew is heartbroken, but not as much as when he and Johnny venture forth to watch the replacement film, about a castle, a castle in the sky.

Documentary January concludes with a 3D feature, full of fast bikes, fun folks and, as with all good documentaries, a body count. Strap in and rev up for a finale and a half.