New Books In Latin American Studies

I sat down with Dr. Tiffany Sippial to talk about her latest book, Celia Sanchez Manduley: The Life and Legacy of a Cuban Revolutionary (University of North Carolina Press, 2020). Celia Sanchez Manduley (1920-1980) is famous for her role in the Cuban revolution and being the "first female guerrilla of the Sierra Maestra." Sanchez joined the movement in her early thirties and went on to serve as a high-ranking government official and international ambassador. Since her death, Sanchez has been revered as a national icon, cultivated and guarded by the Cuban government. With almost unprecedented access to Sanchez's papers, including a personal diary, and firsthand interviews with family members, Tiffany A. Sippial presents the first critical study of a notoriously private and self-abnegating woman who yet exists as an enduring symbol of revolutionary ideals. Using the tools of feminist biography, cultural history, and the politics of memory, Sippial reveals the scope and depth of Sanchez's power and influence wit

In Dancing with the Revolution: Power, Politics, and Privilege in Cuba (UNC Press, 2021), Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challen

La Paz's Colonial Specters: Urbanization, Migration, and Indigenous Political Participation, 1900-52 (Bloomsbury, 2021) explores the urban history of one of Latin America’s most indigenous large cities in the first half of the twentieth century. Tracing the expansion of the “extramuro,” indigenous neighborhoods beyond the center of the city in these decades, Sierra brings to life the activists who transformed the city leading up to Bolivia’s National Revolution in 1952. Sierra begins by highlighting the racialized debates about space, modernization, and popular politics among elites that dominated Bolivia’s 1925 centenary celebrations and projects for urban development. Many elites hoped to relegate visible signs of indigeneity outside an imaginary line that divided the respectable, wealthy urban core from the mixed indigenous spaces of the urban periphery. However, as Sierra demonstrates, indigenous Bolivians were crucial to the functioning of urban life from the very heart of the old Spanish city to its rap

What makes some cities world class? Increasingly, that designation reflects the use of a toolkit of urban planning practices and policies that circulates around the globe. These strategies—establishing creative districts dedicated to technology and design, “greening” the streets, reinventing historic districts as tourist draws—were deployed to build a globally competitive Buenos Aires after its devastating 2001 economic crisis. In this richly drawn account, Jacob Lederman explores what those efforts teach us about fast-evolving changes in city planning practices and why so many local officials chase a nearly identical vision of world-class urbanism. Lederman explores the influence of Northern nongovernmental organizations and multilateral agencies on a prominent city of the global South. Using empirical data, keen observations, and interviews with people ranging from urban planners to street vendors he explores how transnational best practices actually affect the lives of city dwellers. His research also docu

Psychoanalysis began as a politicized form of treatment for people from all walks of life. Yet in the United States, it has become divorced from these roots and transformed into a depoliticized treatment for the most well-to-do, according to my guests, Drs. Patricia Gherovici and Christopher Christian. Their edited book, Psychoanalysis in the Barrios: Race, Class, and the Unconscious (Routledge, 2018), returns psychoanalysis to its social activist origins, with special emphasis on its urgency and usefulness for Latinx patients, including the poor. In our interview, we discuss the possibilities and necessity for bringing psychoanalysts to the barrios, as well as the unique offerings the barrio might have for psychoanalysis. Patricia Gherovici, Ph.D. is a psychoanalyst in private practice in Philadelphia and New York, an analytic supervisor, and a recipient of the 2020 Sigourney Award for her clinical and scholarly work with Latinx and gender variant communities. Her single-authored books include The Puerto Ric

In Finding Afro-Mexico: Race and Nation after the Revolution (Cambridge University Press, 2020) Theodore Cohen examines the ways in which different protagonists sought to incorporate Blackness into Mexican national identity. After the Revolution in 1910, a group of intellectuals, researchers, and cultural producers elaborated on the meanings of Blackness as an important component through which to unite Mexico as a democratic society. These figures focused on creating music, images, ethnographic accounts, and performances to render Blackness spatially, socially, culturally, and physically in the Mexican imagination. Yet, the book moves beyond national boundaries by tying Mexico to larger transnational networks of the African Diaspora. Overall, Finding Afro-Mexico moves beyond a narrative of Black disappearance or invisibility to illuminate the many figures who sought to unearth, articulate, and insist on the presence of Black people, history, and culture in Mexico and its national identity. Theodore W. Cohen i

Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two c

In today’s interview, we speak with Dr. Jon Gordon, incoming Assistant Professor of Sociology at Appalachian State University, who tells us about his research with criminalized men in an armed group in a marginal neighborhood in Medellín, Colombia. Jon tells us how his experiences as a teacher in both Chicago and Medellín got him interested in studying gangs and violence. He explains how doing 45 months of fieldwork allowed him to track changes in the group he studied and talks about the value—and marginalization—of long-term ethnographic fieldwork. He also reflects on how he dealt with the psychological toll of witnessing violence, and how the men he studied subverted traditional gender roles in surprising ways. Finally, he describes what happened when his mother and partner entered his field site, and the ethnographic importance of a bologna sandwich. Learn more about Dr. Gordon’s research here. Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoct

Paola Hernandez's book Staging Lives in Latin American Theater: Bodies, Objects, Archives (Northwestern UP, 2021) looks at a wide range of documentary theatre practices across South and Central America, including the plays of Guillermo Calderón, the biodramas of Vivi Tellas, and the autobiographical reenactments of Lola Arias. Throughout, she examines how work that straddles the lines between fact and fiction and between public and private has been used to process the trauma's of Latin America's present and recent past, including the Malvinas war, deadly border crossings, and the long legacy of the southern cone dictatorships. This book will be of interest to anyone engaged with documentary theatre, or for anyone looking for an introduction into contemporary Latin American theatre. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/a

Raúl Diego Rivera Hernández's book Narratives of Vulnerability in Mexico's War on Drugs (Palgrave MacMillan, 2020) explores the current human rights crisis created by the War on Drugs in Mexico. It focuses on three vulnerable communities that have felt the impacts of this war firsthand: undocumented Central American migrants in transit to the United States, journalists who report on violence in highly dangerous regions, and the mourning relatives of victims of severe crimes, who take collective action by participating in human rights investigations and searching for their missing loved ones. Analyzing contemporary novels, journalistic chronicles, testimonial works, and documentaries, the book reveals the political potential of these communities' vulnerability and victimization portrayed in these fictional and non-fictional representations. Violence against migrants, journalists, and activists reveals an array of human rights violations affecting the right to safe transit across borders, freedom of expression,

In The Frontier Effect: State Formation and Violence in Colombia (Cornell UP, 2020), Teo Ballvé challenges the notion that in Urabá, Colombia, the cause of the region's violent history and unruly contemporary condition is the absence of the state. Although he takes this locally oft-repeated claim seriously, he demonstrates that Urabá is more than a case of Hobbesian political disorder. Through his insightful exploration of war, paramilitary organizations, grassroots support and resistance, and drug-related violence, Ballvé argues that Urabá, rather than existing in statelessness, has actually been an intense and persistent site of state-building projects. Indeed, these projects have thrust together an unlikely gathering of guerilla groups, drug-trafficking paramilitaries, military strategists, technocratic planners, local politicians, and development experts each seeking to give concrete coherence to the inherently unwieldy abstraction of "the state" in a space in which it supposedly does not exist. By untang

Today we are joined by Stephen Allen, Associate Professor of History at California State University, Bakersfield, and the author of A History of Boxing in Mexico: Masculinity, Modernity and Nationalism (University of New Mexico Press, 2017). In our conversation, we discussed the origins of boxing in Mexico, the local and transnational logics of its development, and the racial dynamics underpinning Mexican nationalism. In A History of Boxing in Mexico, Allen investigates the rise of Mexican boxing through the lives of five of its greatest champions: Rodolfo Casanova, Raul “Raton” Macias, Vincente Saldivar, Rubén Olivares, and José Nápoles. Through these five case studies, Allen raises questions about the nature of Mexican masculinity, pushing past stereotypes of machismo to address changes in both its performative and affective qualities over time. Allen’s work deftly engages with the historiography of boxing, anthropology, and ethnography in order to recapture the local, familial, and sporting environment tha

Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico (University of California Press, 2021) provides an urgent and nuanced portrait of collective action that resists racial capitalism, colonialism, and climate disruption. Weaving together historical and ethnographic research, this story challenges the master narratives of Puerto Rico as a tourist destination and site of "natural" disasters to demonstrate how fossil fuel economies are inextricably entwined with colonial practices and how local community groups in Puerto Rico have struggled against energy coloniality to mobilize and transform power from the ground up. Catalina M. de Onís documents how these groups work to decenter continental contexts and deconstruct damaging hierarchies that devalue and exploit rural coastal communities. She highlights and collaborates with individuals who refuse the cruel logics of empire by imagining and implementing energy justice and other interconnected radical power transformations. Diving deeply

How can scholars use digital tools to better understand the African diaspora across time, space, and disciplines? And how can African diaspora studies inform the practices of digital humanities? These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production. The Digital Black Atlantic (University of Minnesota Press, 2021) spans the African diaspora’s range—from Africa to North America, Europe, and the Caribbean—while its essayists span academic fields—from history and literary studies to musicology, game studies, and library and information studies. This transnational and interdisciplinary breadth is complemented by essays that focus on specific sites and digital humanities projects throughout the Black Atlantic. Covering key debates, The Digital Black Atlantic asks theoretical and practical questions about the ways that researchers and

Germán Campos Muñoz, The Classics in South America: Five Case Studies (Bloomsbury, 2021) examines the long and complex history of the Greco-Roman tradition in South America, arguing that the Classics have played a crucial, though often overlooked, role in the self-definition in the New World. Chronicling and theorizing this history through a detailed analysis of five key moments, chosen from the early and late colonial period, the emancipatory era, and the 20th and 21st centuries, it also examines an eclectic selection of both literary and cinematographic works and artefacts such as maps, letters, scientific treatises, songs, monuments, political speeches, and even the drafts of proposals for curricular changes across Latin America. The heterogeneous cases analysed in this book reveal cultural anxieties that recur through different periods, fundamentally related to the 'newness' of the continent and the formation of identities imagined as both Western and non-Western – a genealogy of apprehensions that South

No Laughing Matter: Race Joking and Resistance in Brazilian Social Media (Vernon Press, 2020) examines the social phenomenon of construction and dissemination of colonial-like racist discourses fostered against upwardly-mobile black women through disparagement humour on social media platforms, adopting a fresh and innovative perspective. In this book, Luiz Valério P. Trindade explores the idea that disparagement humour might not be as exempt of social impact as the jokers might believe, and that, in fact, this kind of humour reveals the hidden facet of deep-seated colonial ideologies still present in Brazilian society despite being hailed as a unique model of a post-racial society. The author argues that these ideologies establish and naturalise superior social positions and symbolic privileges to whites while undermining and delegitimising black women's upward social mobility. Social media platforms enable the proponents of these beliefs not only to engage in the practice of online hate speech but also to at

In Polacos in Argentina: Polish Jews, Interwar Migration, and the Emergence of Transatlantic Jewish Culture (University of Alabama Press, 2020), Dr. Mariusz Kałczewiak, senior research associate and lecturer in the Eastern European studies department at the University of Potsdam, recreates a mosaic of entanglements that Jewish migration wove between Poland and Argentina. Kałczewiak sheds light on marginalised aspects of Jewish migration and enriches the dialogue between Latin American Jewish studies and Polish Jewish studies. This book is highly readable, provocative and thoughtful. Dr Max Kaiser can be reached at kaiserm@unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Contrary to claims that socialism opposed the family unit, in Laboring for the State : Women, Family, and Work in Revolutionary Cuba, 1959-1971 (Cambridge University Press, 2020) Rachel Hynson argues that the revolutionary Cuban government engaged in social engineering to redefine the nuclear family and organize citizens to serve the state.  Drawing on Cuban newspapers and periodicals, government documents and speeches, long-overlooked laws, and oral histories, Hynson reveals that by 1961, and increasingly throughout this decade, revolutionary citizenship was earned through labor. While men were to work outside the home in state-approved jobs, women found their citizenship tied to affording the state control over their reproduction and sexual labor.  Through all four campaigns examined in this book - the projects to control women's reproduction, promote marriage, end prostitution, and compel men into state-sanctioned employment - Hynson shows that the state's progression toward authoritarianism and its attend

Javier Guerrero's "Narcosubmarines: Outlaw Innovation and Maritime Interdiction in the War on Drugs" (Palgrave MacMillan, 2020) is about the encounters of Colombian drug smugglers and the Colombian Navy, both in the open seas and along coastlines. Guerrero specifically examines the technologies involved in the War on Drugs, such as the narcosubmarines and patrol boats, the knowledge required to transport drugs and the knowledge required to stop the illicit flows.  The author presents compelling new evidence for advancing an understanding of technological innovation in antagonist contexts, as well as the symbiotic and co-evolutionary character of the process of technological innovation in the War on Drugs. This book will appeal both to practitioners and scholars interested in the War on Drugs and the production of technologies in outlaw contexts. Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him o

In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics