In Our Time

Melvyn Bragg and guests discuss the Observatory in Jaipur with its vast and beautiful instruments built to make astronomical measurements of the stars. Commissioned in the early 18th century by the Rajput prince and child prodigy, Jai Singh, it was at the centre of attempts to marry hundreds of years of Indian and Persian astronomical tradition. The Observatory was also at the very centre of the city which was laid out according to astrological principles. Jai Singh’s observatory was the cutting edge of Indian astronomy but also a repository for aeons of Hindu and Islamic intellectual life. The instruments were extraordinarily accurate for the time but used no lenses and were built of masonry, not metal. They helped to develop astrological tables, immensely important in Hindu Society, and come down to us as a record of Indian astronomy on the cusp of colonialism. With Chandrika Kaul, Lecturer in Modern History at the University of St Andrews; David Arnold, Professor of Asian and Global History at the Univers

Melvyn Bragg and guests discuss the Destruction of Carthage. The North African city of Carthage was rich and powerful, but in the second century BC it suffered a terrible fate. The Greek historian Appian wrote about it: “Then came new scenes of horror. As the fire spread and carried everything down, the soldiers did not wait to destroy the buildings little by little, but all in a heap. So the crashing grew louder, and many corpses fell with the stones into the midst. Others were seen still living, especially old men, women, and young children who had hidden in the inmost nooks of the houses, some of them wounded, some more or less burned, and uttering piteous cries.”When the Romans finally conquered their great enemy in 146 BC, they razed it to the ground, sold off its library and tried to destroy not merely the city but the civilisation based upon it. Carthage was removed from history with such effect that it’s hard to know the city save through Roman eyes.It was a pivotal moment in world history that left

Melvyn Bragg discusses the fairy tales of the Brothers Grimm with Juliette Wood, Marina Warner and Tony Phelan. The German siblings who in 1812 published a collection of fairy tales including Rapunzel, Hansel and Gretel, Cinderella and Rumpelstiltskin. But the Grimm versions are surprisingly, sometimes shockingly, different. Cinderella has no fairy godmother, her ugly sisters are not ugly but they do have their eyes pecked out by pigeons. Sleeping Beauty does not have an evil stepmother, Rapunzel is pregnant and Frog Princes do not get kissed but thrown against walls. They may not be the fairy tales as we know them, but without the Brothers Grimm we might not know them at all. But why did two respectable German linguists go chasing after fairy stories, what do the stories tell us about German culture and romantic nationalism at the time and why do these ever-evolving tales of horror, wonder and fantasy continue to hold us in thrall?With Juliette Wood, Associate Lecturer in Folklore at Cardiff University; Mari

Melvyn Bragg and guests discuss one of the most brilliant and shocking satires ever written in English – Jonathan Swift’s A Modest Proposal. Masquerading as an attempt to end poverty in Ireland once and for all, a Modest Proposal is a short pamphlet that draws the reader into a scheme for economic and industrial horror. Published anonymously but written by Jonathan Swift, A Modest Proposal lays bare the cruel presumptions, unchecked prejudice, the politics and the poverty of the 18th century, but it also reveals, perhaps more than anything else, the character and the mind of Swift himself.With John Mullan, Professor of English at University College London; Judith Hawley, Professor of 18th Century Literature at Royal Holloway, University of London and Ian McBride, Senior Lecturer in the History Department at King’s College London.

Melvyn Bragg and guests discuss how the writing of history has changed over time, from ancient epics to medieval hagiographies and modern deconstructions. In the 6th century AD, the bishop of Tours began his history of the world with a simple observation that “A great many things keep happening, some of them good, some of them bad”. For a phrase that captures the whole of history it’s among the best, but in writing about the past we are rarely so economical. From ancient epics – Thucydides’ History of the Peloponnesian War - to medieval hagiographies and modern deconstructions, historians have endlessly chronicled, surveyed and analysed the great many things that keep happening, declaring some of them good and some of them bad. But the writing of history always illuminates two periods – the one history is written about and the one it is written in. And to look at how the writing of history has changed is to examine the way successive ages have understood their world. In short, there is a history to history.W

Melvyn Bragg and guests discuss the 19th century American writer and philosopher, Henry David Thoreau. Anti-slavery activist and passionate environmentalist, Thoreau was above all a champion of self-reliance and individualism. He was also a champion of the simple life, a lover of nature and an enemy of the modern who lived alone in a log cabin in the woods away from society. In his seminal work, Walden, published in 1854, he wrote: “I went to the woods because I wished to live deliberately, to front only the essential facts of life and not, when I came to die, discover that I had not lived. I wanted to live deep and suck out all the marrow of life.” Thoreau has become emblematic of one version of American values and his work has been an inspiration to politicians and writers alike, from Martin Luther King to Gandhi, Yeats and Tolstoy. Yet in many ways Thoreau remains a mystery, a man of contradictions who advocated self-sufficiency but was happy to let his mother do his washing and cook his meals.With Kathle

To celebrate the 200th anniversary of the birth of Charles Darwin in 2009 and the 150th anniversary of the publication of On the Origin of Species, Melvyn Bragg presents a series about Darwin's life and work.Melvyn visits Darwin's home at Down House in Kent. Despite ill health and the demands of his family, Darwin continued researching and publishing until his death in April 1882.Featuring contributions from Darwin biographer Jim Moore, geneticist at University College London Steve Jones, Darwin expert Alison Pearn of the Darwin Correspondence Project and former garden curator at Down House Nick Biddle.

To celebrate the 200th anniversary of the birth of Charles Darwin and the 150th anniversary of the publication of On the Origin of Species, Melvyn Bragg presents a series about Darwin's life and work.How Darwin was eventually persuaded to publish On the Origin of Species in November 1859 and the book's impact on fellow scientists and the general public.Featuring contributions from Darwin biographer Jim Moore, Steve Jones, geneticist at University College London, Jim Secord of the Darwin Correspondence Project and Johannes Vogel, Sandy Knapp and Judith Magee, all of the National History Museum.

To celebrate the 200th anniversary of the birth of Charles Darwin and the 150th anniversary of the publication of On the Origin of Species, Melvyn Bragg presents a series about Darwin's life and work.Darwin's expedition aboard the Beagle in December 1831 and how his work during the voyage influenced and provided evidence for his theories.Featuring contributions from Darwin biographer Jim Moore, Steve Jones, geneticist at University College London, David Norman, Fellow of Christ's College Cambridge and Jenny Clack, curator of the University.

To celebrate the 200th anniversary of the birth of Charles Darwin in 2009 and the 150th anniversary of the publication of On the Origin of Species, Melvyn Bragg presents a series about Darwin's life and work.Melvyn tells the story of Darwin's early life in Shropshire and discusses the significance of the three years he spent at Cambridge, where his interests shifted from religion to natural science.Featuring contributions from Darwin biographer Jim Moore, geneticist at University College London Steve Jones, fellow of Christ's College Cambridge David Norman and assistant librarian at Christ's College Cambridge Colin Higgins.

Melvyn Bragg and guests discuss the consolation of Philosophy. In the 6th century AD, a successful and intelligent Roman politician called Boethius found himself unjustly accused of treason. Trapped in his prison cell, awaiting a brutal execution, he found solace in philosophical ideas - about the true nature of reality, about injustice and evil and the meaning of living a moral life. His thoughts did not save him from death, but his ideas lived on because he wrote them into a book. He called it The Consolation of Philosophy. The Consolation of Philosophy was read widely and a sense of consolation is woven into many philosophical ideas, but what for Boethius were the consolations of philosophy, what are they more generally and should philosophy lead us to consolation or lead us from it?With AC Grayling, Professor of Philosophy at Birkbeck College, University of London; Melissa Lane, Senior University Lecturer in History at the University of Cambridge and Roger Scruton, Research Professor at the Institute

Melvyn Bragg and guests discuss the physics of time. When writing the Principia Mathematica, Isaac Newton declared his hand on most of the big questions in physics. He outlined the nature of space, explained the motions of the planets and conceived the operation of gravity. He also laid down the law on time declaring: “Absolute, true, and mathematical time, of itself and from its own nature, flows equably without relation to anything external.” For Newton time was absolute and set apart from the universe, but with the theories of Albert Einstein time became more complicated; it could be squeezed and distorted and was different in different places.Time is integral to our experience of things but we find it very difficult to think about. It may not even exist and yet seems written into the existence of absolutely everything. With Jim Al-Khalili, Professor of Theoretical Physics and Chair in the Public Engagement in Science at the University of Surrey; Monica Grady, Professor of Planetary and Space Sciences at t

Melvyn Bragg and guests discuss the history of scientific ideas about heat. As anyone who’s ever burnt their hand will testify – heat is a pretty commonplace concept. Cups of coffee cool down, microwaves reheat them, water boils at 100 degrees and freezes on cold winter nights.Behind the everyday experience of hot things lies a complex story of ideas spread across Paris, Manchester and particularly Glasgow. It’s a story of brewing vats and steam engines, of fridges, thermometers and the heat death of the universe. But most importantly, it was the understanding and harnessing of heat that helped make the modern world of industry, engineering and technology.With Simon Schaffer, Professor of History of Science at the University of Cambridge and Fellow of Darwin College; Hasok Chang, Professor of Philosophy of Science at University College London and Joanna Haigh, Professor of Atmospheric Physics at Imperial College London

Melvyn Bragg and guests discuss the Great Reform Act of 1832. The Act redrew the map of British politics in the wake of the Industrial Revolution and is a landmark in British political history.“We must get the suffrage, we must get votes, that we may send the men to Parliament who will do our work for us; …and we must have the country divided so that the little kings of the counties can't do as they like, but must be shaken up in one bag with us.” So declares a working class reformist in George Eliot’s novel Felix Holt: the Radical. It is set in 1832, the year of the so-called “Great Reform Act” which extended the vote and gave industrial cities such as Manchester and Birmingham political representation for the first time. But to what extent was Britain’s political system transformed by the Great Reform Act? What were the causes of reform in the first place and was the Act designed to encourage democracy in Britain or to head it off?

Melvyn Bragg and guests examine the relationship between the mind and the brain as they discuss recent developments in Neuroscience. In the mid-19th century a doctor had a patient who had suffered a stroke. The patient was unable to speak save for one word. The word was ‘Tan’ which became his name. When Tan died, the doctor discovered damage to the left side of his brain and concluded that the ability to speak was housed there. This is how neuroscience used to work – by examining the dead or investigating the damaged – but now things have changed. Imaging machines and other technologies enable us to see the active brain in everyday life, to observe the activation of its cells and the mass firing of its neuron batteries. Our extraordinary new knowledge of how the brain works has challenged concepts of free will and consciousness and opened up new ways of understanding the brain. Yet these new ideas seem to conform to some old ideas such as Freudian Psychoanalysis. But what picture of the brain has emerged, how

Melvyn Bragg and guests discuss The Great Fire of London which destroyed up to a third of the city in 1666. Samuel Pepys described the scene in his diary:“all over the Thames, with one's face in the wind, you were almost burned with a shower of firedrops…and in corners and upon steeples, and between churches and houses, as far as we could see up the hill of the City, we saw the fire …It made me weep to see it.”The London that rose from the ashes was a visible manifestation of ideas; of the politics, religion, economics and science of the heady Restoration period. Christopher Wren, of course, but also Robert Hooke, The Royal Society, St Paul’s Cathedral, the Restoration court of Charles II and, inevitably, building regulations. With Lisa Jardine, Centenary Professor of Renaissance Studies at Queen Mary, University of London; Vanessa Harding, Reader in London History at Birkbeck, University of London and Jonathan Sawday, Professor of English Studies at the University of Strathclyde

Melvyn Bragg and guests discuss one of the most important works of political philosophy ever written - Aristotle’s ‘Politics’. Looking out across the city states of 4th century Greece Aristotle asked what made a society good and developed a language of ‘oligarchies’, ‘democracies’ and ‘monarchies’ that we still use today. Having witnessed his home town of Stagira destroyed by Philip of Macedon, Aristotle tried to establish a way of preserving a good society in dangerous times. How should it be governed and who should be allowed to live in it? Thomas Hobbes, Jean-Jacques Rousseau, Thomas Aquinas and Niccolo Machiavelli, to name but a few, have all asked the same questions and come up with wildly differing answers.Aristotle’s conclusions range across the role of wealth and the law, across men, women and slaves, education and leisure. They are far reaching, influential and, at times, deeply unpalatable. But they are also answers to questions that have not and will not go away. With Angie Hobbs, Associate Profess

Melvyn Bragg and guests discuss the life and times of Simon Bolivar, hero of the revolutionary wars that liberated Spanish America from Spain. In 1804 Bolivar stood on a small hill in Rome and made a grand declaration. He said, “I swear before you, I swear before the God of my fathers, I swear by my fathers, I swear by my honour, I swear by my country that I will not rest, body or soul, until I have broken the chains with which Spanish power oppresses us.” Unlike most teeenage declarations, Bolivar made good on his word. A wealthy young man, Bolivar was inspired by Enlightenment thinkers John Locke and Jean Jacques Rousseau and by the compelling personality of Napoleon. His story is one of ideas and adventure, of armies crossing the Andes, of the far flung influence of the Napoleonic Wars and an unexpectedly large role for Britain. But when he died he was anything but a hero, his reputation undergoing a transformation after his death to make him an icon of liberation and the national hero of Venezuela, Colum

Melvyn Bragg and guests discuss the culture of the Baroque. What do the music of Bach, the Colonnades of St Peter’s, the paintings of Caravaggio and the rebuilding of Prague have in common? The answer is the Baroque – a term used to describe a vast array of painting, music, architecture and sculpture from the 17th and 18th centuries.Baroque derives from the word for a misshapen pearl and denotes an art of effusion, drama, grandeur and powerful emotion. Strongly religious it became the aesthetic of choice of absolute monarchs. But the more we examine the Baroque, the more subtle and mysterious it becomes. It is impossible to discuss 17th century Europe without it, yet it is increasingly hard to say what it is. It was coined as a term of abuse, denounced by thinkers of the rational Enlightenment and by Protestant cultures which read into Baroque the excess, decadence and corruption they saw in the Catholic Church. With Tim Blanning, Professor of Modern European History and Fellow of Sidney Sussex College, Uni

Melvyn Bragg and guests discuss Vitalism, an 18th and 19th century quest for the spark of life. On a dreary night in November 1818, a young doctor called Frankenstein completed an experiment and described it in his diary: “I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet…By the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open…”Frankenstein may seem an outlandish tale, but Mary Shelley wrote it when science was alive with ideas about what differentiated the living from the dead. This was Vitalism, a belief that living things possessed some spark of life, some vital principle, perhaps even a soul, that distinguished the quick from the dead and lifted them above dull matter. Electricity was a very real candidate; when an Italian scientist called Luigi Galvani made dead frogs twitch by applying electricity he thought he had found it. Vitalists aimed at unlocking the secret of life itself and they r