In Our Time

Melvyn Bragg and guests discuss what it means to be oneself, a question explored by philosophers from Aristotle to the present day, including St Augustine, Kierkegaard, Heidegger and Sartre. In Hamlet, Polonius said 'To thine own self be true', but what is the self, and what does it mean to be true to it, and why should you be true? To Polonius, if you are true to yourself, ‘thou canst not be false to any man’ - but with the rise of the individual, authenticity became a goal in itself, regardless of how that affected others. Is authenticity about creating yourself throughout your life, or fulfilling the potential with which you were born, connecting with your inner child, or something else entirely? What are the risks to society if people value authenticity more than morality - that is, if the two are incompatible? The image above is of Sartre, aged 8 months, perhaps still connected to his inner child.With Sarah Richmond Associate Professor in Philosophy at University College LondonDenis McManus Professo

Melvyn Bragg and guests discuss the impact on the British Isles of William Cecil, 1st Baron Burghley, the most poweful man in the court of Elizabeth I. He was both praised and attacked for his flexibility, adapting to the reigns of Protestant and Catholic monarchs and, under Elizabeth, his goal was to make England strong, stable and secure from attack from its neighbours. He sought control over Ireland and persuaded Elizabeth that Mary Queen of Scots must die, yet often counselled peace rather than war in the interests of prosperity. With Diarmaid MacCulloch Professor of the History of the Church at the University of OxfordSusan Doran Professor of Early Modern British History at the University of Oxfordand John Guy Fellow of Clare College, University of CambridgeProducer: Simon Tillotson

Melvyn Bragg and guests discuss the life, works, context and legacy of Antarah (525-608AD), the great poet and warrior. According to legend, he was born a slave; his mother was an Ethiopian slave, his father an elite Arab cavalryman. Antarah won his freedom in battle and loved a woman called Abla who refused him, and they were later celebrated in the saga of Antar and Abla. One of Antarah's poems was so esteemed in pre-Islamic Arabia that it is believed it was hung up on the wall of the Kaaba in Mecca. With James Montgomery Sir Thomas Adams's Professor of Arabic at the University of CambridgeMarlé Hammond Senior Lecturer in Arabic Popular Literature and Culture at SOAS, University of LondonAnd Harry Munt Lecturer in Medieval History at the University of YorkProducer: Simon Tillotson

Melvyn Bragg and guests discuss how members of the same species send each other invisible chemical signals to influence the way they behave. Pheromones are used by species across the animal kingdom in a variety of ways, such as laying trails to be followed, to raise the alarm, to scatter from predators, to signal dominance and to enhance attractiveness and, in honey bees, even direct development into queen or worker. The image above is of male and female ladybirds that have clustered together in response to pheromones. With Tristram Wyatt Senior Research Fellow at the Department of Zoology at the University of OxfordJane Hurst William Prescott Professor of Animal Science at the University of Liverpooland Francis Ratnieks Professor of Apiculture and Head of the Laboratory of Apiculture and Social Insects at the University of SussexProducer: Simon Tillotson

Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555With Susan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryJohn Gash Senior Lecturer in History of Art at the University of AberdeenAnd Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Bibl

Melvyn Bragg and guests discuss the remarkable achievement of Aristotle (384-322BC) in the realm of biological investigation, for which he has been called the originator of the scientific study of life. Known mainly as a philosopher and the tutor for Alexander the Great, who reportedly sent him animal specimens from his conquests, Aristotle examined a wide range of life forms while by the Sea of Marmara and then on the island of Lesbos. Some ideas, such as the the spontaneous generation of flies, did not survive later scrutiny, yet his influence was extraordinary and his work was unequalled until the early modern period.The image above is of the egg and embryo of a dogfish, one of the animals Aristotle described accurately as he recorded their development.WithArmand Leroi Professor of Evolutionary Development Biology at Imperial College LondonMyrto Hatzimichali Lecturer in Classics at the University of CambridgeAndSophia Connell Lecturer in Philosophy at Birkbeck, University of LondonProducer: Simon Tillots

Melvyn Bragg and guests discuss the life of the Welsh nobleman, also known as Owen Glendower, who began a revolt against Henry IV in 1400 which was at first very successful. Glyndwr (c1359-c1415) adopted the title Prince of Wales and established a parliament and his own foreign policy, until he was defeated by the future Henry V. Owain Glyndwr escaped and led guerilla attacks for several years but was never betrayed to the English, disappearing without trace.With Huw Pryce Professor of Welsh History at Bangor UniversityHelen Fulton Professor of Medieval Literature at the University of BristolChris Given-Wilson Emeritus Professor of Medieval History at the University of St AndrewsProducer: Simon Tillotson

Melvyn Bragg and guests discuss the ideas and life of one of the greatest mathematicians of the 20th century, Emmy Noether. Noether’s Theorem is regarded as one of the most important mathematical theorems, influencing the evolution of modern physics. Born in 1882 in Bavaria, Noether studied mathematics at a time when women were generally denied the chance to pursue academic careers and, to get round objections, she spent four years lecturing under a male colleague’s name. In the 1930s she faced further objections to her teaching, as she was Jewish, and she left for the USA when the Nazis came to power. Her innovative ideas were to become widely recognised and she is now considered to be one of the founders of modern algebra.With Colva Roney Dougal Professor of Pure Mathematics at the University of St AndrewsDavid Berman Professor in Theoretical Physics at Queen Mary, University of LondonElizabeth Mansfield Professor of Mathematics at the University of Kent Producer: Simon Tillotson

Melvyn Bragg and guests discuss Samuel Beckett (1906 - 1989), who lived in Paris and wrote his plays and novels in French, not because his French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, together with the absurdity and humour of the human condition. In part he was reacting to the verbal omnipotence of James Joyce, with whom he’d worked in Paris, and in part to his experience in the French Resistance during World War 2, when he used code, writing not to reveal meaning but to conceal it.WithSteven Connor Professor of English at the University of CambridgeLaura Salisbury Professor of Modern Literature at the University of ExeterAnd Mark Nixon Associate Professor in Modern Literature at the University of Reading and co-director of the Beckett International FoundationProducer: Simon Tillotson

Melvyn Bragg and guests discuss why, in 1870, the Vatican Council issued the decree ‘pastor aeternus’ which, among other areas, affirmed papal infallibility. It meant effectively that the Pope could not err in his teachings, an assertion with its roots in the early Church when the bishop of Rome advanced to being the first among equals, then overall head of the Christian Church in the West. The idea that the Pope could not err had been a double-edged sword from the Middle Ages, though; while it apparently conveyed great power, it also meant a Pope was constrained by whatever a predecessor had said. If a later Pope were to contradict an earlier Pope, then one of them must be wrong, and how could that be…if both were infallible?WithTom O’Loughlin Professor of Historical Theology at the University of NottinghamRebecca Rist Professor in Medieval History at the University of ReadingAnd Miles Pattenden Departmental Lecturer in Early Modern History at the University of OxfordProducer: Simon Tillotson and Julia Jo

Melvyn Bragg and guests discuss the planet Venus which is both the morning star and the evening star, rotates backwards at walking speed and has a day which is longer than its year. It has long been called Earth’s twin, yet the differences are more striking than the similarities. Once imagined covered with steaming jungles and oceans, we now know the surface of Venus is 450 degrees celsius, and the pressure there is 90 times greater than on Earth, enough to crush an astronaut. The more we learn of it, though, the more we learn of our own planet, such as whether Earth could become more like Venus in some ways, over time. WithCarolin Crawford Public Astronomer at the Institute of Astronomy and Fellow of Emmanuel College, University of CambridgeColin Wilson Senior Research Fellow in Planetary Science at the University of OxfordAnd Andrew Coates Professor of Physics at Mullard Space Science Laboratory, University College LondonProduced by: Simon Tillotson and Julia Johnson

Melvyn Bragg and guests discuss how, from 1834, poor people across England and Wales faced new obstacles when they could no longer feed or clothe themselves, or find shelter. Parliament, in line with the ideas of Jeremy Bentham and Thomas Malthus, feared hand-outs had become so attractive, they stopped people working to support themselves, and encouraged families to have more children than they could afford. To correct this, under the New Poor Laws it became harder to get any relief outside a workhouse, where families would be separated, husbands from wives, parents from children, sisters from brothers. Many found this regime inhumane, while others protested it was too lenient, and it lasted until the twentieth century.The image above was published in 1897 as New Year's Day in the Workhouse.WithEmma Griffin Professor of Modern British History at the University of East AngliaSamantha Shave Lecturer in Social Policy at the University of LincolnAnd Steven King Professor of Economic and Social History at the Uni

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas.The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95With Laura Ashe Professor of English Literature at Worcester College, University of OxfordAd Putter Professor of Medieval English Literature at the University of BristolAnd Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and OxfordProducer: Simon Tillotson

Melvyn Bragg and guests discuss the war in Europe which begain in 1618 and continued on such a scale and with such devastation that its like was not seen for another three hundred years. It pitched Catholics against Protestants, Lutherans against Calvinists and Catholics against Catholics across the Holy Roman Empire, drawing in their neighbours and it lasted for thirty gruelling years, from the Defenestration of Prague to the Peace of Westphalia of 1648. Many more civilians died than soldiers, and famine was so great that even cannibalism was excused. This topic was chosen from several hundred suggested by listeners this autumn.The image above is a detail from a painting of The Battle of White Mountain on 7-8 November 1620, by Pieter Snayers (1592-1667)WithPeter Wilson Chichele Professor of the History of War at the University of OxfordUlinka Rublack Professor of Early Modern European History at the University of Cambridge and Fellow of St John’s CollegeAndToby Osborne Associate Professor in History at Durh

Melvyn Bragg and guests discuss a foundation story for China as it was reshaped under Mao Zedong. In October 1934, around ninety thousand soldiers of the Red Army broke out of a siege in Jiangxi in the south east of the country, hoping to find a place to regroup and rebuild. They were joined by other armies, and this turned into a very long march to the west and then north, covering thousands of miles of harsh and hostile territory, marshes and mountains, pursued by forces of the ruling Kuomintang for a year. Mao Zedong was among the marchers and emerged at the head of them, and he ensured the officially approved history of the Long March would be an inspiration and education for decades to come.WithRana Mitter Professor of the History and Politics of Modern China and Fellow of St Cross College, University of OxfordSun Shuyun Historian, writer of 'The Long March' and film makerAndJulia Lovell Professor in Modern Chinese History and Literature at Birkbeck, University of LondonProducer: Simon Tillotson

Melvyn Bragg and guests discuss the philosophy of hope. To the ancient Greeks, hope was closer to self-deception, one of the evils left in Pandora's box or jar, in Hesiod's story. In Christian tradition, hope became one of the theological virtues, the desire for divine union and the expectation of receiving it, an action of the will rather than the intellect. To Kant, 'what may I hope' was one of the three basic questions which human reason asks, while Nietzsche echoed Hesiod, arguing that leaving hope in the box was a deception by the gods, reflecting human inability to face the demands of existence. Yet even those critical of hope, like Camus, conceded that life was nearly impossible without it.WithBeatrice Han-Pile Professor of Philosophy at the University of EssexRobert Stern Professor of Philosophy at the University of SheffieldAndJudith Wolfe Professor of Philosophical Theology at the University of St AndrewsProducer: Simon Tillotson

Melvyn Bragg and guests discuss Horace (65-8BC), who flourished under the Emperor Augustus. He was one of the greatest poets of his age and is one of the most quoted of any age. Carpe diem, nil desperandum, nunc est bibendum – that’s Horace. He was the son of a freedman from southern Italy and, thanks to his talent, achieved high status in Rome despite fighting on the losing side in the civil wars. His Odes are widely thought his most enduring works, yet he also wrote his scurrilous Epodes, some philosophical Epistles and broad Satires. He’s influenced poets ever since, including those such as Wilfred Owen who rejected his line: ‘dulce et decorum est pro patria mori’.With Emily Gowers Professor of Latin Literature at the University of Cambridge and Fellow of St John’s CollegeWilliam Fitzgerald Professor of Latin Language and Literature at King’s College Londonand Ellen O’Gorman Senior Lecturer in Classics at the University of BristolProducer: Simon Tillotson

In a programme first broadcast in November 2018, Melvyn Bragg and guests discuss the Austrian princess Maria Antonia, child bride of the future French King Louis XVI. Their marriage was an attempt to bring about a major change in the balance of power in Europe and to undermine the influence of Prussia and Great Britain, but she had no say in the matter and was the pawn of her mother, the Empress Maria Theresa. She fulfilled her allotted role of supplying an heir, but was sent to the guillotine in 1793 in the French Revolution, a few months after her husband, following years of attacks on her as a woman who, it was said, betrayed the King and as a foreigner who betrayed France to enemy powers. When not doing these wrongs, she was said to be personally bankrupting France. Her death shocked royal families throughout Europe, and she became a powerful symbol of the consequences of the Revolution. With Catriona Seth Marshal Foch Professor of French Literature at the University of OxfordKatherine Astbury Professor

Melvyn Bragg and guests discuss the properties of atoms or molecules with a single unpaired electron, which tend to be more reactive, keen to seize an electron to make it a pair. In the atmosphere, they are linked to reactions such as rusting. Free radicals came to prominence in the 1950s with the discovery that radiation poisoning operates through free radicals, as it splits water molecules and produces a very reactive hydroxyl radical which damages DNA and other molecules in the cell. There is also an argument that free radicals are a byproduct of normal respiration and over time they cause an accumulation of damage that is effectively the process of ageing. For all their negative associations, free radicals play an important role in signalling and are also linked with driving cell division, both cancer and normal cell division, even if they tend to become damaging when there are too many of them.With Nick Lane Professor of Evolutionary Biochemistry at University College LondonAnna Croft Associate Professor

Melvyn Bragg and guests discuss Bernard Mandeville (1670-1733) and his critique of the economy as he found it in London, where private vices were condemned without acknowledging their public benefit. In his poem The Grumbling Hive (1705), he presented an allegory in which the economy collapsed once knavish bees turned honest. When republished with a commentary, The Fable of the Bees was seen as a scandalous attack on Christian values and Mandeville was recommended for prosecution for his tendency to corrupt all morals. He kept writing, and his ideas went on to influence David Hume and Adam Smith, as well as Keynes and Hayek.With David Wootton Anniversary Professor of History at the University of YorkHelen Paul Lecturer in Economics and Economic History at the University of SouthamptonAnd John Callanan Senior Lecturer in Philosophy at King’s College LondonProducer: Simon Tillotson