In Our Time

Ever since Franz Anton Mesmer induced trance-like states in his Parisian subjects in the late eighteenth century, dressed in long purple robes, hypnosis has been associated with performance, power and the occult.  It has exerted a powerful hold over the cultural imagination, featuring in novels and films including Bram Stoker’s Dracula and George du Maurier’s Trilby - and it was even practiced by Charles Dickens himself.But despite some debate within the medical establishment about the scientific validity of hypnosis, it continues to be used today as a successful treatment for physical and psychological conditions. Scientists are also using hypnosis to learn more about the power of suggestion and belief. With: Catherine Wynne, Reader in Victorian and Early Twentieth-Century Literature and Visual Cultures at the University of HullDevin Terhune, Reader in Experimental Psychology at King’s College LondonAndQuinton Deeley, Consultant Neuropsychiatrist at the South London and Maudsley NHS Foundation Trust, and S

Melvyn Bragg and guests discuss the life and role of one of the most significant figures in early 20th Century German history. Paul von Hindenburg (1847-1934) had been famous since 1914 as the victorious commander at the Battle of Tannenberg against Russian invaders, soon burnishing this fame on the Western Front and Hindenburg was to claim he would have won there too, if enemies at home had not 'stabbed Germany in the back'. He won Germany’s Presidential election twice during the Weimar Republic, as a candidate of national unity and, while he gained his second term as a ‘stop Hitler’ candidate, President Hindenburg was to appoint Hitler as Chancellor and transfer some of his charisma onto him – a move so disastrous that Germans were later to ask if the myth of Hindenburg had always been an illusion. WithAnna von der Goltz Professor of History at Georgetown University, Washington DCChris Clark Regius Professor of History at the University of CambridgeAndColin Storer Associate Professor in Modern European His

In 1710, the British Parliament passed a piece of legislation entitled An Act for the Encouragement of Learning. It became known as the Statute of Anne, and it was the world’s first copyright law. Copyright protects and regulates a piece of work - whether that's a book, a painting, a piece of music or a software programme. It emerged as a way of balancing the interests of authors, artists, publishers, and the public in the context of evolving technologies and the rise of mechanical reproduction. Writers and artists such as Alexander Pope, William Hogarth and Charles Dickens became involved in heated debates about ownership and originality that continue to this day - especially with the emergence of artificial intelligence. With:Lionel Bently, Herchel Smith Professor of Intellectual Property Law at the University of CambridgeWill Slauter, Professor of History at Sorbonne University, ParisKatie McGettigan, Senior Lecturer in American Literature at Royal Holloway, University of London. Producer: Eliane

Melvyn Bragg and guests discuss the decisive role of one of the great 20th Century physicists in solving the question of nuclear fission. It is said that Meitner (1878-1968) made this breakthrough over Christmas 1938 while she was sitting on a log in Sweden during a snowy walk with her nephew Otto Frisch (1904-79). Both were Jewish-Austrian refugees who had only recently escaped from Nazi Germany. Others had already broken uranium into the smaller atom barium, but could not explain what they found; was the larger atom bursting, or the smaller atom being chipped off or was something else happening? They turned to Meitner. She, with Frisch, deduced the nucleus really was splitting like a drop of water into a dumbbell shape, with the electrical charges at each end forcing the divide, something previously thought impossible, and they named this ‘fission’. This was a crucial breakthrough for which Meitner was eventually widely recognised if not at first.WithJess Wade A Royal Society University Research Fellow

Melvyn Bragg and guests discuss Korea's brief but significant period as an empire as it moved from the 500-year-old dynastic Joseon monarchy towards modernity. It was in October 1897 that King Gojong declared himself Emperor, seizing his chance when the once-dominant China lost to Japan in the First Sino-Japanese War. The king wanted to have the same status as the neighbouring Russian, Chinese and Japanese Emperors, to shore up a bid for Korean independence and sovereignty when the world’s major powers either wanted to open Korea up to trade or to colonise it. The Korean Empire lasted only thirteen years, yet it was a time of great transformation for this state and the whole region with lasting consequences in the next century…With Nuri Kim Associate Professor in Korean Studies at the faculty of Asian and Middle Eastern Studies at the University of Cambridge and Fellow of Wolfson CollegeHolly Stephens Lecturer in Japanese and Korean Studies at the University of EdinburghAnd Derek Kramer Lecturer in Korean St

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University

Melvyn Bragg and guests explore typology, a method of biblical interpretation that aims to meaningfully link people, places, and events in the Hebrew Bible, what Christians call the Old Testament, with the coming of Christ in the New Testament. Old Testament figures like Moses, Jonah, and King David were regarded by Christians as being ‘types’ or symbols of Jesus. This way of thinking became hugely popular in medieval Europe, Renaissance England and Victorian Britain, as Christians sought to make sense of their Jewish inheritance - sometimes rejecting that inheritance with antisemitic fervour. It was a way of seeing human history as part of a divine plan, with ancient events prefiguring more modern ones, and it influenced debates about the relationship between metaphor and reality in the bible, in literature, and in art. It also influenced attitudes towards reality, time and history. WithMiri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of LondonHarry Spillane, Munby Fell

Melvyn Bragg and guests discuss one of the best known events and figures in Irish history. In 1014 Brian Boru, High King of Ireland, defeated the Hiberno-Norse forces of Sigtrygg Silkbeard and allies near their Dublin stronghold, with Brian losing his life on the day of battle. Soon chroniclers in Ireland and abroad were recording and retelling the events, raising the status of Brian Boru as one who sacrificed himself for Ireland, Christ-like, a connection reinforced by the battle taking place on Good Friday. While some of the facts are contested, the Battle of Clontarf became a powerful symbol of what a united Ireland could achieve by force against invaders.WithSeán Duffy Professor of Medieval Irish and Insular History at Trinity College DublinMáire Ní Mhaonaigh Professor of Celtic and Medieval Studies at the University of Cambridge and a Fellow of St John’s College, CambridgeAnd Alex Woolf Professor of Medieval Studies at the University of St AndrewsProducer: Simon TillotsonReading list:Howard B. Clarke,

Melvyn Bragg and guests discuss the brothers Tiberius and Gaius Gracchus whose names are entwined with the end of Rome's Republic and the rise of the Roman Emperors. As tribunes, they brought popular reforms to the Roman Republic at the end of the 2nd century BC. Tiberius (c163-133BC) brought in land reform so every soldier could have his farm, while Gaius (c154-121BC) offered cheap grain for Romans and targeted corruption among the elites. Those elites saw the reforms as such a threat that they had the brothers killed: Tiberius in a shocking murder led by the Pontifex Maximus, the high priest, in 133BC and Gaius 12 years later with the senate's approval. This increase in political violence was to destabilise the Republic, forever tying the Gracchi to the question of why Rome’s Republic gave way to the Rome of Emperors.WithCatherine Steel Professor of Classics at the University of GlasgowFederico Santangelo Professor of Ancient History at Newcastle UniversityAndKathryn Tempest Lecturer in Roman History at the

Melvyn Bragg and guests discuss the French philosopher Maurice Merleau-Ponty (1908-1961), who was part of the movement known as phenomenology. While less well-known than his contemporaries Jean-Paul Sartre and Simone de Beauvoir, his popularity has increased among philosophers in recent years. Merleau-Ponty rejected Rene Descartes’ division between body and mind, arguing that the way we perceive the world around us cannot be separated from our experience of inhabiting a physical body. Merleau-Ponty was interested in the down-to-earth question of what it is actually like to live in the world. While performing actions as simple as brushing our teeth or patting a dog, we shape the world and, in turn, the world shapes us. With Komarine Romdenh-Romluc Senior Lecturer in Philosophy at the University of SheffieldThomas Baldwin Emeritus Professor of Philosophy at the University of YorkAnd Timothy Mooney Associate Professor of Philosophy at University College, DublinProduced by Eliane GlaserReading list:Peter Antich

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O’Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles. His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon. But the historical facts are intertwined with fiction.Cyrus proclaimed himself ‘king of the four corners of the world’ in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It’s been called by some the first bill of human rights, but that’s a label which has been disputed by most scholars today.WithMateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King’s College London,AndLynett

Since plants have to mate and produce offspring while rooted to the spot, they have to be pollinated – by wind, water, or animals – most commonly insects. They use a surprising array of tricks to attract pollinators: striking colours, iridescent light effects, and enticing scents, to name but a few. Insects, on the other hand, do not seek to pollinate plants – they are looking for food; so plants make sure it’s worth their while. Insects are also remarkably sophisticated in their ability to find, recognise and find their way inside flowers. So pollination has evolved as a complex dance between plants and pollinators that is essential for life on earth to continue. With Beverley Glover, Director of the Cambridge University Botanic GardenJane Memmott, Professor of Ecology at the University of BristolAndLars Chittka, Professor of Sensory and Behavioural Ecology at Queen Mary, University of London.Producer: Eliane GlaserReading list:Stephen L Buchmann and Gary Paul Nabhan, The Forgotten Pollinators (Island Pres

Melvyn Bragg and guests discuss the Hindu goddess Kali, often depicted as dark blue, fierce, defiant, revelling in her power, and holding in her four or more arms a curved sword and a severed head with a cup underneath to catch the blood. She may have her tongue out, to catch more blood spurting from her enemies, be wearing a garland of more severed heads and a skirt of severed hands and yet she is also a nurturing mother figure, known in West Bengal as ‘Maa Kali’ and she can be fiercely protective. Sometimes she is shown as young and conventionally beautiful and at other times as old, emaciated and hungry, so defying any narrow definition.WithBihani Sarkar Senior Lecturer in Comparative Non-Western Thought at Lancaster UniversityJulius Lipner Professor Emeritus of Hinduism and the Comparative Study of Religion at the University of CambridgeAnd Jessica Frazier Lecturer in the Study of Religion at the University of Oxford and fellow at the Oxford Centre for Hindu StudiesDuring this discussion, Julius Lipner r

Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey’s Poet’s Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright’ and ‘novelist’ and ‘science writer’ and ‘pamphleteer’ and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield. WithDavid O’Shaughnessy Professor of Eighteenth-Century Studies at the University of GalwayJudith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonAnd Michael Griffin Professor of English at the University of LimerickProducer: Si

Melvyn Bragg and guests discuss Catherine of Aragon (1485-1536), the youngest child of the newly dominant Spanish rulers Ferdinand and Isabella. When she was 3, her parents contracted her to marry Arthur, Prince of Wales, the heir to the Tudor king Henry VII in order to strengthen Spain's alliances, since Henry's kingdom was a longstanding trade partner and an enemy of Spain's greatest enemy, France. For the next decade Catherine had the best humanist education available, preparing her for her expected life as queen and drawing inspiration from her warrior mother. She arrived in London to be married when she was 15 but within a few months she was widowed, her situation uncertain and left relatively impoverished for someone of her status. Rather than return home, Catherine stayed and married her late husband's brother, Henry VIII. In her view and that of many around her, she was an exemplary queen and, even after Henry VIII had arranged the annulment of their marriage for the chance of a male heir with Anne

Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes.With: Frances Sands, the Curator of Drawings and Books at Sir John Soane’s MuseumFr

Melvyn Bragg and guests discuss a story that circulated widely in the middle ages about a highly learned woman who lived in the ninth century, dressed as a man, travelled to Rome, and was elected Pope.Her papacy came to a dramatic end when it was revealed that she was a woman, a discovery that is said to have occurred when she gave birth in the street. The story became a popular cautionary tale directed at women who attempted to transgress traditional roles, and it famously blurred the boundary between fact and fiction. The story lives on as the subject of recent novels, plays and films.With:Katherine Lewis, Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of YorkLaura Kalas, Senior Lecturer in Medieval English Literature at Swansea UniversityAnd Anthony Bale, Professor of Medieval & Renaissance English at the University of Cambridge and Fellow of Girton College.Producer: Eliane GlaserReading list:Alain Boureau (trans. Lydia G. Cochrane), The Myt

Melvyn Bragg and guests discuss Plato's Crito and Phaedo, his accounts of the last days of Socrates in prison in 399 BC as he waited to be executed by drinking hemlock. Both works show Socrates preparing to die in the way he had lived: doing philosophy. In the Crito, Plato shows Socrates arguing that he is duty bound not to escape from prison even though a bribe would open the door, while in the Phaedo his argument is for the immortality of the soul which, at the point of death, might leave uncorrupted from the 'prison' of his body, the one escape that truly mattered to Socrates. His example in his last days has proved an inspiration to thinkers over the centuries and in no small way has helped ensure the strength of his reputation.WithAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldFiona Leigh Associate Professor in the Department of Philosophy at University College LondonAnd James Warren Professor of Ancient Philosophy at the University of Cambridge and Fellow o

Melvyn Bragg and guests discuss one of the most consequential battles of recent centuries. On 20th September 1792 at Valmy, 120 miles to the east of Paris, the army of the French Revolution faced Prussians, Austrians and French royalists heading for Paris to free Louis XVI and restore his power and end the Revolution. The professional soldiers in the French army were joined by citizens singing the Marseillaise and their refusal to give ground prompted their opponents to retreat when they might have stayed and won. The French success was transformative. The next day, back in Paris, the National Convention abolished the monarchy and declared the new Republic. Goethe, who was at Valmy, was to write that from that day forth began a new era in the history of the world.With Michael Rowe Reader in European History at King’s College LondonHeidi Mehrkens Lecturer in Modern European History at the University of AberdeenAndColin Jones Professor Emeritus of History at Queen Mary, University of LondonProducer: Simon Till