New Books In Biography

Christians in the United States and around the world have varying images of Jesus, from one who turns the other cheek to one who brings the sword. Reza Aslan, in his highly popular and beautifully written new book Zealot: The Life and Times of Jesus of Nazareth (Random House, 2013), approaches Jesus by first taking the context in which he lived – first-century Palestine – quite seriously. Aslan argues that Jesus’ time was one awash in a fervent nationalism that is important for understanding the man as well as his message. It is not a book about the Jesus of the Gospels. Indeed it is not even a book about Christianity. Rather, Aslan’s book attempts to grapple with how Jesus understood himself and his role during a volatile period in history. Zealot has shot to the best seller lists in recent weeks, partly due to a controversial interview Reza Aslan gave to Fox News during which he was questioned about why a Muslim would be interested in writing a book about the founder of Christianity. We also talk to Reza ab

What is a celebrity? And how has the definition of celebrity changed over the course of American history? Those questions are central to Charlene M. Boyer Lewis‘s book Elizabeth Patterson Bonaparte: An American Aristocrat in the Early Republic (University of Pennsylvania Press, 2012). Patterson, a beautiful and brilliant young woman from Baltimore, married Jerome Bonaparte, Napoleon’s brother, when she was only eighteen. They were quickly divorced at the emperor’s insistence, but her story does not end there. As  Boyer Lewis shows, this strong-willed and opinionated woman created a cult of celebrity around herself, centered on her self-conscious adoption of aristocratic ways. Her story illuminates the ambivalence about aristocracy, the scope of women’s action, the nature of fame and celebrity, and the complexities of father-daughter relationships in the early American republic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork

The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, th

Few history books sell better than biographies of Nazi leaders. They attract anyone even tangentially interested in World War Two or Nazi Germany.  It’s not surprising, then, that there are dozens of biographies of Himmler, Goering, and Hitler himself. Oddly, though, Reinhard Heydrich is relatively understudied.  Robert Gerwarth’s wonderful new biography of Heydrich, titled Hitler’s Hangman: The Life of Heydrich (Yale UP, 2012), fills this gap admirably.  Gerwarth’s book is part of a new wave of serious biographies that have appeared in the last years.  All are characterized by a thoughtful engagement with recent research on the Holocaust.  All devote considerable attention to their subjects’ lives in the period before the Nazi takeover.  All emphasize the choices made by their subjects and the way these choices were not predetermined.  Hitler’s Hangman is an outstanding example of this new scholarship. Gerwarth’s work, in particular, is distinguished by its particularly effective writing.  He synthesizes a

The title says it all: Diana Vreeland was, in fact, that Empress of Fashion, reigning over Harper’s Bazaar, Vogue, and the Metropolitan Museum of Art’s Costume Institute for half a century. As a result, her life story stretches the conventions of biography, which so often presents mid-century women’s lives merely as a series of relationships. Amanda MacKenzie Stuart‘s Empress of Fashion: Diana Vreeland, A Life (Thames & Hudson, 2013) provides a stunning alternative: the work narrative. Vreeland’s is the story of an individual who, through sheer will, became the person she wanted to be. Today, we often read biography for inspiration and Vreeland herself searched for such in the lives she encountered and read, as Stuart writes: “At this point Diana wobbled back toward the idea of finding a great person on whom to model herself: ‘then by that I can become great.'” And yet she came up short, writing in her diary, “You know for years I am and always have been looking out for girls to idolize because they are thin

You sometimes see bumper stickers that say “What would Jesus do?” It’s a good question, at least for Christians. You don’t see bumper stickers that say “What would Washington do?” But that, Logan Beirne says, is a question Americans should be asking. In Blood of Tyrants: George Washington & the Forging of the Presidency (Encounter Books, 2013), Beirne shows that the American presidency was born as much out of the personality of one man–George Washington–as it was out of the political philosophies of the founding fathers. After all, the framers had never seen a presidency before–almost all previous states were led by monarchs, and that was not an option for the new American Republic. So they looked at Washington, what he had done during the Revolutionary War, and modeled the presidency after him. Not surprisingly since Washington was a military man, they got a presidency that was, well, rather martial. Listen in and find out why. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show

What can be gained from another biography of Abraham Lincoln? A lot, it turns out. Michael Burlingame has been researching the life and times of Abraham Lincoln during his entire career as a historian. As he explains in this interview, Abraham Lincoln: A Life (Paperback; Johns Hopkins University Press, 2013) is based on decades of archival research, much of it stemming from the observations of personal secretaries, journalists, colleagues, and other people who knew Abraham Lincoln personally. Burlingame does not hesitate to make bold assessments about Lincoln’s personality, his relationship with his wife and father, and his evolution as a war leader. Those interpretations, combined with new source materials and a highly readable style, will make this new biography the definitive one for Lincoln studies for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nature or nurture? Inborn or learned? Genetic or extra-genetic? Humans are so complicated that in many cases we can’t really know what is “in us” from the beginning and what is “acquired” as we learn. And even when we find something that is “in us,” we can often find a way to modulate or mask it. Given all this, sometimes the best–and certainly most convincing–evidence that some trait is inborn rather than acquired is simple, honest testimony. Such is the case, I think, with homosexuality. In Jonathan Rauch‘s remarkable and moving memoir Denial: My 25 Years Without a Soul (The Atlantic Books, 2013) the author explores exactly what it was like to deny his own sexual orientation for over two decades. Actually, “deny” is not really the right word, at least for what Rauch did in his early years. To “deny” is to realize the possibility of something and reject it. For much of his early life, Rauch never even entertained the idea he was gay, so he couldn’t very well deny it. It just wasn’t possible. He thought he

It’s rare that a person’s name comes to represent an object, but such is the case with Lilly Pulitzer. Just say ‘Lilly’ and it conjures images of simple sheath dresses in vivid colors. But what of Lilly Pulitzer herself? As Kathryn Livingston’s Lilly: Palm Beach, Tropical Glamour, and the Birth of a Fashion Legend (Wiley, 2012) reveals, the woman was just as vivid as the dresses her name came to evoke. Born and married into privilege, Lilly Pulitzer wasn’t your typical debutante. She walked around Palm Beach barefoot and had a pet monkey. Boasting a similar background Jackie Kennedy and an extra shot of joie de vivre, she seems, from Livingston’s portrait, like a woman who would make excellent company at cocktail hour. She was also a bit of an entrepreneurial genius. Hoping to break out of a post-partum depression, Pulitzer opened an orange juice stand on Worth Avenue, selling juice to tourists and the Palm Beach hoi polloi, including the Kennedys. Ultimately, she would build an entire empire based solely

Pretty much everyone who’s done a linguistics course has come across the name of Ferdinand de Saussure – a name that’s attached to such fundamentals as the distinction between synchrony and diachrony, and the arbitrariness of the linguistic sign. Yet when it comes to the man behind the ideas, most people know much less. Who was this man – this aristocrat with a Calvinist upbringing who shook the foundations of the linguistic establishment, and whose influence was felt more strongly after his death than it ever was in life? When John Joseph started looking into these questions, he found only scattered information. As a result, he ended up having to write the book that he himself had wanted to read. The result, Saussure (OUP, 2012), is a detailed but nevertheless readable account of the life and works of one of the most respected figures in the history of linguistics. In this interview we discuss some of the questions that arise in connection with Saussure: his major intellectual influences, his remarkable la

Forty years after its debut, The Mary Tyler Moore Show remains one of the most beloved and successful television sitcoms of all time. But Jennifer Keishin Armstrong‘s Mary and Lou and Rhoda and Ted: And all the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic (Simon and Schuster, 2013) isn’t a simple episode recap. Rather, it’s a deep excavation of the show’s history from the perspective of the cast, the producers, a fan, and- perhaps most fascinating- the writers. You might ask, How is this biography? It is because, ultimately, Armstrong is writing about lives- the lives of the people involved in the show, the lives from which they pulled their material, and how their lives together, often haphazardly, to produce extraordinary TV. The Mary Tyler Moore Show depicted a woman’s work life, so it’s not too surprising that Mary and Lou and Rhoda and Ted does the same. However, the workplace that emerges is a revelation: with men recognizing the value of women’s stories and actively seeking women for

As a reader, biography offers not simply an opportunity to read about the life of another, but also an invitation to ponder the choices that are available in life, the choices that comprise a life. Towards the end of Coco Chanel: An Intimate Life(Penguin, 2011) biographer Lisa Chaney allows her subject to speak for herself. Chanel writes: ‘Today, alone in the sunshine and snow… I shall continue, without husband, without children, without grandchildren, without these delightful illusions… I am not a heroine. But I have chosen the person I wanted to be.’ Chanel’s is a life that, all these years later, still reads as radical, which puts into perspective how terribly shocking it must have appeared in the early 20th century. Chaney has chosen an unusually challenging subject. Mired in myths, some of them of her own devising, the image of Chanel that has been passed down to us is clouded at best and, as Chaney acknowledges, quoting L.P. Hartley’s statement in The Go-Between, ‘The past is a foreign country. They do

Dana Andrews was one of the major films stars of the 1940s, and yet he was never nominated for an Academy Award. The posterboy for the ‘male mask’ archetype that typified the decade, Andrews portrayed the ‘masculine ideal of steely impassivity’ in such classics as Laura and Fallen Angel. In Hollywood Enigma: Dana Andrews(University Press of Mississippi, 2012) biographer Carl Rollyson cracks the mask, providing intimate insight into Andrews’s extraordinary talent and his life. Perhaps the most striking aspect of Rollyson’s account is that, in the end, Andrews appears to have been beloved by everyone. Often, biographies- particularly biographies of Hollywood stars- batter one’s affection for their subjects, illuminating horrible personality traits or an atrocious work ethic or a cruelty towards children, animals, and/or wives. Hollywood Enigma does no such thing. Rather, it tells the story of a man who, in Rollyson’s words, ‘always showed up for work on time, always knew his lines, and was never less than a ge

The art salon is sadly less prevalent in our day than in days past, but it is far from obsolete. In its heyday, the salon provided people- particularly women Natalie Barney, orPerle Mesta)- with an extraordinary power to shape cultural tastes and contemporary art. In the early 20th century, Mabel Dodge Luhan’s salons in Florence and New York drew astonishing talents to her doorstep. Her gift for bringing artists together so they might collaborate and draw inspiration from one another played out even more grandly at the art colony she and her third husband founded in Taos, New Mexico. Over the years, they would play host to such luminaries as D.H. Lawrence, Ansel Adams, Willa Cather, and Georgia O’Keeffe. Though she’s remembered more for her gift for building artistic communities, Luhan was an artist in her own right. Her book Winter in Taos is considered a classic of New Mexican literature and her four-volume memoir vividly explores the changes in Victorian sexuality, politics, art, and culture as the moder

It’s a great advantage of a dual biography that one can draw attention to a significant life that might otherwise be unexamined by linking it to the life of someone famous. Such is the case with Chip Bishop‘s biography, The Lion and the Journalist: The Unlikely Friendship of Theodore Roosevelt and Joseph Bucklin Bishop (Lyons Press, 2011), which charts the simultaneous rise of the former President and the author’s own great-granduncle. The author does an excellent job illustrating the dynamics of the relationship between Roosevelt and Bishop. For it was to Bishop’s benefit to know Roosevelt, but it was also advantageous for Roosevelt to cultivate an ally in the press like Bishop. Theirs was a mutually beneficial relationship, and the author does an exceptional job of showing how it strengthened and altered with the passage of time, changes in status, increased physical distance, etc. These are the external forces that shape long-term friendships, but they’re seldom explored so intimately and eloquently in bi

I confess I knew nothing about Julia Child prior to reading Bob Spitz‘s new book. And yet, from the dramatic opening passages through its 500+ pages, Dearie: The Remarkable Life of Julia Child (Knopf, 2012) held me captive. How many people, much less women, change our attitudes, beliefs, and culture? Julia Child did. Perhaps even more impressive is the fact that she did so by becoming a television star at the age of 50. One of the problems of biography is that women’s lives are so often written so badly. Whereas the telling of men’s lives emphasizes adventure, in the lives of women biographers tend to emphasize relationships and romance. Not so Dearie. From the outset, Spitz contends that Child led a life of adventure and, while her relationships play a role in the story, they are not at its center. Rather, Child is the star from page 1. Thus, Dearie is an unconventional story of an unconventional woman who made unconventional decisions. Which is to say, biographically speaking, it is a breath of fresh air

The portrait is startling. Painted by John Singer Sargent, “Mr. and Mrs. I.N. Phelps Stokes” depicts a woman dressed casually, almost masculinely, save a voluminous white skirt. Her hand is held brazenly at her hip as her presence nearly obscures that of her husband, who hovers in the background like a specter. They are Edith and Newton Stokes. As biographer Jean Zimmerman details in her excellent duel biography of the couple, entitled Love, Fiercely: A Gilded Age Romance (Houghton Mifflin Harcourt, 2012). “Both were progressives, and both believed in doing great deeds, whether it was reforming tenements in Newton’s case or getting the vote for women in Edith’s. They fell in love when they were children, a love that lasted until they were parted by death.” Edith eventually became President of the New York Kindergarten Association and of the Municipal Art Commission. Newton spent over a decade laboring on a six-volume history of the city entitled the Iconography of Manhattan. They were a couple defined by t

If you’ve spent any time in New Orleans, you can appreciate the challenge of putting the city’s joie de vivre into words.However, as a New Orleans native, John Kennedy Toole was steeped in the traditions and flavor of his hometown and, therefore, uniquely qualified to write about it. His novel, A Confederacy of Dunces, is considered one of the best ever written about New Orleans. As Cory MacLauchlin writes in his new biography, Butterfly in the Typewriter: The Tragic Life of John Kennedy Toole and the Remarkable Story of A Confederacy of Dunces (Da Capo Press, 2012) “Toole selected, merged, refined, and wove characters together with all the absurdities that form the human condition. And there on the once blank sheet of paper in his private room in Puerto Rico emerged the city he had known all his life, his New Orleans.” MacLauchlin’s task is comparably challenging. He’s got an academic struggling to be a writer, a writer struggling to get published, and a man struggling to survive… and that’s just John Ken

When I was in Seminary I was assigned many theological tomes to read and one was especially difficult to get through. It was Systematic Theology by Charles Hodge. This work was dense, long, and I must confess, wound up mostly unread. So when I came across Dr. Paul Gutjahr‘s Charles Hodge: Guardian of American Orthodoxy (Oxford University Press, 2011), I knew I had to find out why someone would write a biography about this man. It turns out there is much more to Hodge than I imagined. Dr. Gutjahr sets Charles Hodge in context and takes us through all of his 80 years letting us see into his family, friendships and battles. He concludes showing how Hodge is still influencing Christianity in America today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gillespie, Charlie Parker, Art Blakey, Monk and many, many others, is less well known than many of his contemporaries, but Oliphant’s highly allusive and alliterative rhythms and rhymes open one’s ears, eyes and heart to the Texas-born and raised trumpet player. Oliphant describes Dorham’s small town roots: Ken’s prodigious ear at five years old Could pick out keyboard boogies cold & from Sis’s 78s he could already tell Louie on trumpet an equal of Gabriel Oliphant also describes touches on Dorham’s gigs and experiences in New York City, the West Coast, Paris, South America, Scandinavia, and his untimely death from kidney disease at the age of 48 in 1972. a brain filled with unseen notes heard within his inner ears then out of tubes & a gold or silver bell