New Books In Biography

George Frederick Bristow, born in 1825, was a significant musical figure in the United States from the 1850s until his death in 1898. Now, almost one hundred years after his birth, Katherine Preston has just written his first biography--George Frederick Bristow (University of Illinois Press, 2020)-- as part of the American Composers Series.  Bristow led a professional life that today’s classical musicians would surely recognize. He patched together a living from performing, composing, conducting, teaching, church jobs, and even some business ventures and celebrity endorsements. He composed in every major genre of the period and wrote "Rip Van Winkle," the first grand opera by an American composer. Preston situates his life within the booming musical economy in New York and his music within the critical and artistic currents of the nineteenth century, while illuminating the little-known creative and performance culture that Bristow helped define and create. Kristen M. Turner is a lecturer in the music and hono

Today I talked to Edward G. Longacre about his new book Unsung Hero of Gettysburg: The Story of Union General David McMurtrie Gregg (University of Nebraska Press, 2021). On the 3rd day of the Battle of Gettysburg, Union cavalry officer David Gregg ensured that Jeb Stuart’s Confederate cavalry troops didn’t succeed. Stuart’s orders were to attack the right flank of the Army of the Potomac and create a pincer movement by attacking from behind while Pickett’s forces made their disastrous frontal attack known as Pickett’s charge. Outnumbered by probably 2 to 1, Gregg’s men and the commandeered cavalry led by George Custer held off the Confederate horsemen, helping to seal the military victory. Gregg and Custer got along well but could hardly have been more different. One was reserved, the other flamboyant. And it would of course be Custer who went down in the history books for being impulsive, while the levelheaded Gregg provided solid leadership whether at Gettysburg or elsewhere during the war. This episode goe

John Calvin in Context (Cambridge UP, 2019) offers a comprehensive overview of Calvin's world. Including essays from social, cultural, feminist, and intellectual historians, each specially commissioned for this volume, the book considers the various early modern contexts in which Calvin worked and wrote. It captures his concerns for Northern humanism, his deep involvement in the politics of Geneva, his relationships with contemporaries, and the polemic necessities of responding to developments in Rome and other Protestant sects, notably Lutheran and Anabaptist. The volume also explores Calvin's tasks as a pastor and doctor of the church, who was constantly explicating the text of scripture and applying it to the context of sixteenth-century Geneva, as well as the reception of his role in the Reformation and beyond. Demonstrating the complexity of the world in which Calvin lived, John Calvin in Context serves as an essential research tool for scholars and students of early modern Europe. Zach McCulley (@zamccu

In 1800 a Belfast linen merchant named Alexander Brown emigrated with his wife and eldest son to Baltimore. Today his family’s name lives on in the investment firm Brown Brothers Harriman, a company that has long played an outsized role in American history. As Zachary Karabell details in his book Inside Money: Brown Brothers Harriman and the American Way of Power (Penguin, 2021), a key factor in its endurance over the country’s long and often tumultuous financial history has been the importance it has accorded to the values of trust and reputation which Alexander Brown championed. These he taught to his sons, who branched out beyond Baltimore and Liverpool and spearheaded the transition from trade into finance. By the second generation the Browns were fixtures in both London and New York, from where their respective firms endured the Civil War and grew as the country expanded. By the end of the 19th century Brown Brothers was among the nation’s elite financial firms. Karabell shows how their founder’s values

Richard Thompson's Beeswing: Losing My Way and Finding My Voice 1967-1975 (Algonquin Books, 2021) gives fans of his music a tale as rollicking and entertaining as the reels and ballads he recorded with the band Fairport Convention. Fairport Convention was one of the central bands in the British Folk Rock scene, blending traditional English songs and melodies with the energy and irreverence of rock and roll. Thompson's memoir of his time with the band discusses the process of recording their classic albums, as well as run-ins with figures like Buck Owens, Nick Drake, and Jimi Hendrix. He also discusses his childhood in post-war London, his relationship with his then-wife and collaborator Linda Thompson, and his search for spiritual purpose, which he eventually found in Sufi Islam. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adch

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC. Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood. In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”. Vernadette Vicuña Gonzalez is

Boy On Fire: The Young Nick Cave (HarperCollins, 2020) is the first volume of a long-awaited, near-mythical biography of Nick Cave by award-winning writer, Mark Mordue. A beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become. As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of a time and place, from the fast-running dark river and ghost gums of Wangaratta, to the nascent punk scene which hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and the manic, wild energy of nights at t

Shake and Bake is the story of Archie Clark, one of the top playmaking guards in the 1970s pre-merger NBA. While not one of the game’s most recognized superstars, Clark was a seminal player in NBA history who staggered defenders with the game’s greatest crossover dribble (“shake and bake”) and is credited by his peers as the originator of today’s popular step-back move. Signed as the Lakers third-round draft pick in 1966, Clark worked his way into the starting lineup in his rookie year. But Clark was more than a guaranteed double-double whenever he stepped on the floor. He was a deep-thinking trailblazer for players’ rights. Clark often challenged coaches and owners on principle, much to the detriment of his career and NBA legacy, signing on as a named litigant in the seminal Robertson v. NBA antitrust case that smashed the player reserve system and jump-started the modern NBA. Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew—and left her mark on—the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions. Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments—from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg—comprise a portrait as bold and distinctive as the

Every good story needs a villain, and some of the early chroniclers of the pilgrim and puritan settlements found all they needed for this type of character in Thomas Morton. Peter C. Mancall tells the story in The Trials of Thomas Morton: An Anglican Lawyer, His Puritan Foes, and the Battle for a New England (Yale UP, 2019), in what reads perhaps like a historical legal thriller novel. Most of our knowledge of Morton comes from the records left by his enemies, but Mancall's new research into this enigmatic figure unveils how this unlikely anti-hero can shed tremendous light on alternate possibilities in the contentious early years of the European-Native encounter. Morton's own writings portray a vision of an altogether different kind of indigenous–settler future. Yet Morton's continued antagonism of the Plymouth and Massachusetts Bay colonial governments led to his repeated exile. While he was repudiated by the earliest generations of readers for debauchery and political menace, subsequent generations continu

Elizabeth A. Povinelli’s inheritance was passed down not through blood or soil but through a framed map of Trentino, Alto Adige—the region where family's ancestral alpine village is found. Far more than a map hanging above the family television, the image featured colors and lines that held in place the memories and values fueling the Povinelli family's fraught relationships with the village and with each other. In her graphic memoir The Inheritance (Duke UP, 2020), Povinelli explores the events, traumas, and powers that divide and define our individual and collective pasts and futures. Weaving together stories of her grandparents' flight from their village in the early twentieth century to the fortunes of their knife-grinding business in Buffalo, New York, and her own Catholic childhood in a shrinking Louisiana woodlands of the 1960s and 1970s, Povinelli describes the serial patterns of violence, dislocation, racism and structural inequality that have shaped not only her life but the American story. Plumbing

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant

What more can we learn about legendary American writer Elizabeth Bishop (1911-79), dubbed by Bethany Hicok “the most stunning poet of the twentieth century”, by exploring the wonderful archives of her life and work at Vassar? Why are literary archives coming back into vogue? How do new techniques in digital humanities create novel possibilities for archival-based research and publication? And how can we develop collaborative methods of studying and teaching in literary archives? In this lively, well-crafted podcast, leading Bishop scholar Bethany Hicok of Williams College completely fails to control her infectious enthusiasm for Elizabeth Bishop’s writings. She explains to Duncan McCargo why Bishop has become for her the poet of the pandemic, and above all what happened when she spent three weeks embedded in the Vassar archives with sixteen other scholars and poets – a project that resulted in this beautifully produced and copiously illustrated edited volume. Since Elizabeth Bishop and the Literary Archive is

Today I talked to Nelson Johnson about his new book Darrow's Nightmare: The Forgotten Story of America's Most Famous Trial Lawyer (Rosetta Books, 2021) In 1911 the 26-year-span in which Clarence Darrow took on capital punishment, advocated for civil rights, and handled the Scopes trial was still before him. Those accomplishments might never have happened if he hadn’t survived two torturous years in Los Angeles. First, he sought to settle the case of labor activists bombing the Los Angeles Times building and killing 20 people. Then, Darrow on trial himself on charges of having tried to bribe a prospective juror in the LA Times case. Up against Darrow was the power structure of L.A. On Darrow’s side, was his wife and two brilliant attorneys, one of whom later drank himself to death (Earl Rogers) and another who was later committed to a mental institution (Horace Appel). In between, all sorts of legal and extra-legal connivances took place as touched on in this episode. Nelson Johnson is a retired N. J. Superior

Edward M. Almond belonged to the generation of US Army officers who came of age during World War I and then ascended to senior command positions during World War II. During WWII, Almond led the 92nd Infantry Division, one of only two African American divisions to see combat in the war. Yet, alongside his achievements, including a command during the Korean War, Almond was a fervent racist and a right-wing political zealot. In his book Edward M. Almond and the US Army: From 92nd Division to the X Corps, published by the University of Kentucky Press in 2019, Dr. Michael E. Lynch of the US Army Heritage and Education Center argues that Almond's racism, while very real, overshadows his accomplishments and contends that Almond played a significant role in the Army's history. Douglas Bell holds a PhD in history from Texas A&M University and recently completed a yearlong postdoctoral fellowship at the US Army Heritage and Education Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our sho

Lydia Harvey was meant to disappear. She was young and working class; she'd walked the streets, worked in brothels, and had no money of her own. In 1910, politicians, pimps, policemen and moral reformers saw her as just one of many 'girls who disappeared'. But when she took the stand to give testimony at the trial of her traffickers, she ensured she'd never be forgotten. In The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice (Profile Books, 2021), historian Julia Laite traces Lydia's extraordinary life from her home in New Zealand to the streets of Buenos Aires and safe houses of London. She also reveals the lives of international traffickers Antonio Carvelli and his mysterious wife Marie, the policemen who tracked them down, the journalists who stoked the scandal, and Eilidh MacDougall, who made it her life's mission to help women who'd been abused and disbelieved. Together, they tell an immersive story of crime, travel and sexual exploitation, of lives long overlooked an

The name of Dorothy Hale is not well known these days. In the 1920s, she enjoyed a career on Broadway as a dancer, including in a leading role with Fred Astaire. When an accidental injury ended that career, she auditioned, successfully, for the filmmaker Samuel Goldwyn and landed a part opposite Ronald Coleman, who would later star in Lost Horizon. But Dorothy’s film career did not take off, and she moved into art, writing, and museum work in support of her second husband, Gardner Hale, a well-known fresco painter and portraitist, until his tragic death in 1931. Dorothy survived the stock-market crash of 1929 with her wealth intact and remained a light of New York society into the 1930s. Her closest friend—Clare Boothe, who married Henry Luce in 1935—branched out from an active career in magazine publishing, including a stint as managing editor of Vanity Fair, to produce a Broadway play titled The Women. The play lampooned members of their social circle, evoking both amusement and outrage. Dorothy Hale then s

Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with

From the beginning of his career, Swiss theologian Karl Barth (1886-1968) was often in conflict with the spirit of his times. While during the First World War German poets and philosophers became intoxicated by the experience of community and transcendence, Barth fought against all attempts to locate the divine in culture or individual sentiment. This freed him for a deep worldly engagement: he was known as "the red pastor," was the primary author of the founding document of the Confessing Church, the Barmen Theological Declaration, and after 1945 protested the rearmament of the Federal Republic of Germany.  In Karl Barth: A Life in Conflict (Oxford UP, 2021), Christiane Tietz compellingly explores the interactions between Barth's personal and political biography and his theology. Numerous newly-available documents offer insight into the lesser-known sides of Barth such as his long-term three-way relationship with his wife Nelly and his colleague Charlotte von Kirschbaum. This is an evocative portrait of a th

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Pe