Stageworthy

Chelsea Haraburda Chelsea Haraburda (she/they) is a performer, producer, director, designer, and creator for stage and screen. Chelsea is proudly queer and passionate about featuring voices of socio-economic diversity, queerness, and their works seem to continuously feature their hometown, Hamilton ON. Over the past 6 years, Chelsea has performed as both a solo and collaborative artist at a number of festivals including Hamilton Fringe, Toronto Fringe, and FKN Make Film Festival. While studying a Bachelor of Arts in Theatre Studies, Chelsea produced their first solo show, entitled “For Eden” hosted by the Array Space and York University. Chelsea has gone on to produce and perform deeply personal and original interactive installations, such as “Full Disclosure: A Story for Eden” (2018) in association with mentorship programs such as The Junction/Theatre Aquarius and Crapshoot/Tarragon Theatre. This summer, Chelsea is returning to the Hamilton Fringe with a new play “Vagabond” in collaboration with Ryan Perciv

Conor Wylie is a performer, writer, and director creating experimental theatre. He lives and works on the unceded, ancestral, and occupied lands of the Coast Salish peoples, including the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaɬ (Tsleil-Waututh), and Skwxwú7mesh (Squamish) nations. Alongside Nancy Tam and Daniel O’Shea, he runs A Wake of Vultures, a performance collective working across sonic, visual, and theatrical disciplines, who recently released an online miniseries called K BODY AND MIND, a mash-up of 90s cyberpunk anime aesthetics and minimalist theatre. Conor's work has increasingly incorporated explorations of science-fiction and videogame aesthetics, and he frequently collaborates with a variety of independent companies, including Theatre Replacement, Hong Kong Exile, and members of the Progress Lab consortium. In 2019, he was named Siminovitch Prize Protégé by Maiko Yamamoto and James Long. In 2021, he joins the writing team of a new video game studio, sunset visitor 斜陽過客. conorwylie.ca Instagram: @awa

Yvonne Addai is an Ghanaian- Canadian Actor/ Artist Educator. She is a graduate from the University of Saskatchewan BFA acting program. She has had the opportunity to work on stages in Saskatchewan and now calls Toronto home. She was also part of the 2019.2020 Factory Theatre’s Mechanicals program under the Leadership of Nina lee Aquino and Natasha Mumba. Along with acting, Yvonne is passionate about the importance of art education and creation with children. She works with Young People's Theatre as an artist educator. Her selected theatre credits include The Tempest ( Shakespeare on the Saskatchewan) An Atlas and Other Concerns (Toronto Fringe) Monday Night (Highway 55 Production/Live 5 ), Overhear ( Nutrien Fringe Saskatoon), Pride & Prejudice (Persephone Theatre) ,The Shorts Cuts festival (Hardly Art Theatre) ,The Woodcutter and the Lion ( Sum Theatre) and Les Liaisons Dangereuses (Theatre Naught/ Live Five). Instagram: @Yvonneaddai Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Joella Crichton Joella Crichton is an actor for stage and screen. She holds a BFA in Acting from York University. Joella is passionate about her Caribbean heritage and is the nine time Queen of Carnival here in Toronto. She has been nominated for her work on stage and loves the theatre! Alongside her many years experience in theatre, film and television, Joella also works to develop equality, diversity and inclusivity in these fields. She has created and worked on initiatives such as the Bechdel Bill and Share The Screen. Twitter: @joellacrichton Instagram: @joellacrichton Sedina Fiati Sedina Fiati is a Toronto based performer, producer, director, creator and activist for stage and screen. Proudly Black and queer, Sedina is deeply invested in artistic work that explores the intersection between art and activism, either in form or structure or ideally both. Upcoming projects: Switching Queen(s) (devised street performance), Last Dance (a web series). Sedina is also a Principal with BIPOC Executive Search, w

Kendra Jones A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text & Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Favourite directing credits include Simon Stephens’ Sea Wall, Sarah Kane’s 4.48 Psychosis (Theatre By the River), a site-specific interpretation of Tim Crouch’s I, Malvolio (impel theatre), Watching Glory Die (Love2 Theatre), Drunk Enough To Say I Love You, Seagulls (selardi theatre), Clever Little Lies (Assistant director to Steven Schipper, RMTC,) and Richard II (workshop Assistant Director to Christopher Brauer, Zone41). Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performanc

Cassie Davidson is an emerging actor, indie producer, playwright, and theatre educator from the beautiful small town of Walkerton, Ontario. She holds a Bachelor of Arts in Theatre Studies from The University of Guelph and is a graduate from George Brown Theatre School’s acting conservatory. Cassie is also a certified basic actor combatant with FDC, and will be continuing to advance her certifications when restrictions are lifted. Recently, Cassie has begun teaching youth acting classes with Stagecoach Oakville and on Outschool. She comes from a long line of teachers in her family, and is not at all surprised that she ended up in the world of education. As a founding member of Theatre Foolscap (a new Toronto-based indie theatre company), she is very passionate about helping other emerging theatre artists showcase their work and find opportunities to further their craft. Cassie is passionate about heart racing, heightened, highly physical theatre that features powerful women in powerful positions. Currently, sh

Keith Tomasek is an award-winning arts marketing consultant whose Facebook campaign for the Grand Theatre won the International Association of Business Communicators' Virtuoso Award. Recently, Keith's campaigns have sold over $400,000 worth of tickets to virtual events. He's also the leader of the Arts Marketing Mastermind group. Keith studied theatre in Montreal and is the founder of the website Stratford Festival Reviews and The Performers Podcast. Twitter: @FestivalReviews Instagram: @keithtomasek Facebook: https://www.facebook.com/KeithTomasek Arts Marketing Mastermind Group: https://keithtomasek.com/arts-marketing-mastermind/ Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Lauren Allen is a theatre artist originally from Saskatoon, Saskatchewan. Since graduating from Grant MacEwan University in 2013, she has worked across Canada and Europe as an actor, producer, burlesque instructor, stage manager, and director. She has settled in Toronto, for the moment. Most recently she has taken courses to become a script supervisor and will soon be seen again in Saskatchewan for Burn Rubber, Dolly at The Lyric Theatre in Swift Current. Lauren is also a social media marketer, and the creator of Social Media the L.A. Way. lauren-allen.net socialthelaway.com Twitter: @lesmis456 Instagram: lesmis456 Facebook: https://www.facebook.com/socialthelaway/ Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Lili Robinson (she/they) is a playwright, poet, actor and community organizer based on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Lili is passionate about centring voices at the intersections of queerness, Black diaspora, socio-economic diversity and femme identity in her work. Having completed a year as the Artistic Producing Intern at Theatre Replacement in 2019, Lili is currently the Emerging Playwright in Residence at Rumble Theatre, and recently completed the Emerging Playwrights’ Unit at the Arts Club. Beyond playwriting, their most recent projects include: the role of Alejandra in Rumble’s online production of B by Guillermo Calderón; writing for Theatre Replacement’s sound installation project Speaker A; and co-organizing Rest and Resilience, a series of events creating space for the Black Queer community to connect this past summer. Mx, Lili’s debut play, was the recipient of the Fringe New Play Prize in 2019. Mx went on to win the Cultchivating the Fringe Aw

A multifaceted artist currently based in Toronto. A South African Transgender man born in the midst of apartheid and witnessed the fall of an era while assimilating to life in Canada. The last born in a Methodist house hold, growing up on the westernmost prairie provinces of Canada where he began his lifelong pursuit of learning the art of theatre and film. An Actor, director and a self-taught film editor/ photographer, his art practices aims to enhance the Black and Transgender voice(s) showing the many different diverse intersectionality of blackness.  www.tsholovisions.com Twitter: @tsholovisions Instagram: @tsholovisions Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Kyungseo Min is a storyteller, no matter the medium. Her journey began in theatre, riveted by the power of live performances. With her stories and performances, she challenge her audience to re-think Western standards of storytelling, and strives for experiences that weave Oriental and Occidental philosophies, breaking linear structure and finding drama not only in action, but stillness as well. Kyungseo writes and performs stories that remove her audience from reality, transporting them into a realm where a single word or gesture can slow down the heartbeat, making the audience stop in their seat and feel what is underneath the banalities of the everyday.  www.kyungseomin.com Twitter: @kminminpow Instagram: @minminpow Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Jasmine Chen is a Chinese-Canadian multidisciplinary artist based in Toronto and Vancouver. Jasmine was born in T’karonto (the place in the water where the trees are standing), where from an early age she was immersed in arts based education. An alumni of the Claude Watson Arts Program, Jasmine studied Music, Art, Dance and Theatre for nine years. She majored as a dancer for four years, training and competing in ballet, jazz and modern. In high school she majored in Theatre, where she was president of the Arts Council. Her time spent in extracurricular shows and performances led her to continue her post-secondary training in the Theatre Performance: Acting Program at Ryerson University, graduating with a BFA. Jasmine has worked extensively as a performer in Theatre and Film/TV. She is a director, performer, educator, movement coach, community facilitator, and producer. Jasmine has engaged with audiences across Canada in repertory festivals, independent theatres, site-specific spaces, regional theatres and out

Brenda Kamino is an actor, artist, teacher, and cultural activist. Brenda has been seen as a performer on many of Canada's best known stages for over 40 years. A veteran performer of the Shaw Festival, she has created many roles in new plays at such theatres as Theatre Passe Muraille, Factory Theatre and Young Peoples' Theatre in Toronto as well as the Prairie Theatre Exchange in Winnipeg and Alberta Theatre Projects in Calgary. Her theatrical career has taken her from the National Arts Centre in Ottawa to the Citadel in Edmonton in shows as varied as the Dora Award Nominated "Naomi's Road" to "M. Butterfly", working with such directors as Canadians Douglas Campbell, Peter Hinton, Jackie Maxwell, Neil Munro, Dennis Foon, Sue Miner, Ed Roy, Sally Han, Vinetta Strombergs, Ron Jenkins, Nina Aquino and Guillermo Verdecchia, as well as British Director Tudor Davies and American Directors Lane Nishikawa, David Levine and Raul Aranas. Her performance in "suicide notes" by Kenneth Williams for Toronto's Summerworks F

Alia Ettienne is a theatre writer, actor, performer and facilitator who was born and raised in Toronto, ON. Ettienne is of Afro Caribbean descent which often influences her performances and writing. She graduated from the Sheridan College Performance Program and since then has gone on to study Creative Writing as well as Arts and Entertainment Marketing. Ettienne aims to create art for social change. Her first solo piece, YellowZoned premiered in The 2016 Toronto Fringe Festival and then remounted as a part of Hamilton's premiere Mental Health Theatre Festival MindPlay. Ettienne is now focused on her mental health workshop series Chill N Do Art, The Creative Coping Kits Initiative and writing her second full length piece Allow For Release: The Xiety Complex. Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Polly Esther is an award-winning writer, storyteller, and performance artist from Toronto. Since 2018, she has been touring her one-woman show _Dammit, Jim! I'm a Comedienne, Not a Doctor! _about how Star Trek has helped her in her journey as a recovering alcoholic. She has performed in several cities including Chicago's Funny Women Comedy Festival, SOLOCOM in New York City, the Yard Theatre in Los Angeles, (un)Told Storytelling in Ottawa, and at Fringes across North America.  Polly’s Dammit, Jim! was an award-winner at three different fringe festivals over three years running, picking up the "Low Tech" award at the Orlando Fringe in 2018, the "Spirit of the Fringe” award at the Ottawa Fringe in 2019. and “Best of the Fringe” at the 2020 Hartford Fringe. Polly was also invited to present Dammit, Jim! as a featured event for Algonquin College’s National Addictions Awareness Week in 2019. The Orlando Fringe was also the site for the World Premiere of Polly’s newest show last year (about her “Weird Al” Yankovic

Laura was born to tell stories. Whether as a dancer with Tokyo Disney, a writer for Alumnae Theatre’s Gay Play Day, a teacher at the Toronto District School Board, or as a comédienne with Just for Laughs, Laura’s unstoppable passion in life lies in telling people all sorts of eccentric stories, whether they want to hear them or not. www.laurapiccinin.com Instagram: @lpiccinin Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Danny Harvey has been a performing arts professional for the past 19 years. Currently functioning as the Artistic Programming Coordinator for the Rose Theatre Brampton, Danny curates the theatre’s presenting series. The Rose Theatre is a multidisciplinary venue providing Theatre, Music, Dance, and Comedy to the people of Brampton. Prior to this Danny was an artistic director of the Shakespeare in the Square festival as well as the producing wing of the Rose Theatre Brampton. Danny has been a performer and artistic director on amateur and professional stages for the past 19 years having directed some 30 plays and musicals. A Graduate of Humber College – Comedy Writing and Performance program, Central Peel Secondary School in Brampton. Recently Danny had the honour of adjudicating the National Theatre School festival. Instagram: @dannydontdance Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Sadie Berlin is a published fiction author, a writer of post-dramatic texts, and a performance artist. In previous incarnations, she has been a legal anthropologist and ethnographer, an offshore finance journalist, and a literary buyer for a bookshop chain in London, U.K. Last year, Sadie was the dramaturge and performance curator-in-training at the Stratford Festival Lab. As a recent recipient of the Metcalf Foundation grant, Sadie will be working as the Dramaturgy Intern at the Stratford Festival under the mentorship of ted witzel. Sadie is also an educator, an activist and an anti-racism consultant. Twitter: @artysadie Instagram: @sadiediamorphine Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

“I am the son of two tribes. I am the daughter of one birth. I am the spirit of many nations. I am a child of mother earth.” B’atz’ Recinos was born and raised on Turtle Island with mixed Maya roots from Iximulew (Guatemala). A creator, performer, advocate, and Harold Award recipient for the performing arts of Tkaronto. Their commitment to equitable and diverse practices within the arts has led them to speak at YouthREX and several other panels and publish articles with NOW, Intermission Magazine, and contribute to The Director’s Lab book published by Playwright Canada Press. A trained facilitator, B’atz’ has delivered various workshops on diversity, inclusion, art and self-care with youth, artists, and communities across Ontario. Their extensive experience in the performing arts led them to found Creative Mafia. Instagram: @chwenkan Support Stageworthy: https://tips.pinecast.com/jar/stageworthy Send us your feedback online: https://pinecast.com/feedback/stageworthy/49a99839-c022-409f-864e-c55471aff065

Sukhpreet Sangha is a theatremaker, lawyer, poet, and barfly. After studying theatre and English at the University of Waterloo, she studied law at Osgoode Hall, and has since questioned that decision regularly. She spends her days working in legal education at a non-profit dedicated to youth and her nights, well, wouldn’t you like to know. Sukhpreet is co-Artistic Director of Informal Upright Theatre Collective. You can also read some things she writes here and see some things she tweets here. Sukhpreet invites you to find out more about “Yellow Bellies” (and perhaps even buy it!) here: http://theatreofthebeat.ca/yellow-bellies. Support Stageworthy: https://tips.pinecast.com/jar/stageworthy Send us your feedback online: https://pinecast.com/feedback/stageworthy/6c1afab6-1c57-45c8-bf5e-d297c6867db0