Stageworthy

There has been a topic that has dominated the theatre scene in Canada for several years, and that’s the question of whether audiences are disappearing. This week, host Phil Rickaby convenes a roundtable discussion with indie theatre artists to discuss that very question. Stephen Near is a writer and educator, as well the co-founder and playwright-in-residence of Hamilton’s Same Boat Theatre. Stephen was last on the podcast in June, 2022. Emily Dix is a theatre artist and photographer and the Artistic Executive Director of Bygone Theatre. Emily was on the podcast in August, 2019. Laura Piccinin is a playwright and performer, as well as a dancer and aerialist. Laura's most recent appearance on the podcast was in June, 2022. Adrianna Prosser the artistic producer at Eldritch Theatre, and general manager at the Red Sandcastle theatre, as well as a storyteller and social media maven. Adrianna was last on the podcast as part of the indie theatre roundtable in February, 2022. Support Stageworthy Donate: tips.pineca

Amy Lee Lavoie is an award-winning playwright and a graduate of the National Theatre School of Canada’s Playwriting Program. Her first play, Rabbit Rabbit, received its premiere production with Infinitheatre, earning Amy Lee two MECCA’s for Best Text and the Revelation Award. Rabbit Rabbit has since been produced across Canada and in the US. Other plays include Me Happy (co-written with Matthew Mackenzie/Summerworks Festival), Stopheart (Factory Theatre) Genetic Drift (Pi Theatre/Boca del Lupo) My Tom (Railtown Lab Series), Scout’s Honour (Radio Play/Imago Theatre) and C’mon, Angie! (Touchstone Theatre/Leroy Street Theatre) which was hailed as “visceral, important, life-changing theatre.” Amy Lee was also the Head Digital Writer for the CBC drama Strange Empire, which won a Gracie Award (Women’s Alliance Media) for Best Website in recognition of its interactive Storytelling. Amy Lee is currently developing an original play, Women Do Not Go on Strike, with Odd Stumble Theatre, as well as co-writing multiple pr

Andrew G. Cooper is a Canadian playwright, director, and puppeteer. As an artist, Andrew’s focus is on the creation of new works with a particular emphasis on storytelling through physical mediums such as puppetry, movement, mask, and stage combat. They hold their Bachelor of Arts in Theatre Arts from Thompson Rivers University and are the recipient of the Kamloops Mayor’s Emerging Artist Award as well as a nominee of the Lieutenant Governor of Alberta Arts Award. They won multiple awards for Outstanding Choreography for their work in Musical Theatre with the Academy of Dance and are the founding Artistic Managing Director of Chimera Theatre in Kamloops, BC and the founding and current Artistic Producer of Jupiter Theatre in Calgary, AB. Andrew debuted on television as a puppeteer on Apple TV+ with The Jim Henson Company’s Fraggle Rock: Back to the Rock. Andrew is a lover of astronomy and animals and currently lives in Calgary, AB. www.andrewgcooper.com Twitter: @AndrewGCooper22 Instagram: @andrewgcooper22 Su

Amanda Lin 林美智 (she/her) is a friend, playwright, daughter, arts administrator, crochet enthusiast, performer, and director. She is a graduate of Queen’s University, where she studied social psychology, theatre, and business, with her area of research centring on attitudes and social influence. She is interested in using art and storytelling to cultivate compassionate and dynamic communities. Amanda currently works at Nightwood Theatre, where she spends her time fundraising and co-leading emerging artist programs such as the Nightwood Innovators and Rising Moon. Her first full-length play, Between a Wok and a Hot Pot (Asian Canadian Dinner Theatre), is premiering in Toronto with Cahoots Theatre in January 2023. amandamlin.wordpress.com Twitter: @mandamlin Instagram: @amandaalin Tickets to Between a Wok and a Hot Pot: https://www.cahoots.ca/production/between-a-wok-and-a-hot-pot Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Bronwyn Steinberg is a theatre director and community builder; she’s passionate about making theatre an inclusive gathering space where stories are shared that celebrate the diversity of human experience. Based in Calgary/Mohkinstsis in Treaty 7 territory, she is the Artistic Director of Lunchbox Theatre, and she recently directed The Importance of Being Earnest for Theatre Calgary. She loves working with the classics as well as new plays, and since coming to Lunchbox in 2020, she has directed both Home for the Holidays, a new musical by Cayley Wreggitt and Alixandra Cowman, and Rebecca Northan’s All I Want for Christmas. She has also directed 6 new play development workshops as part of the Lunchbox Stage One Festival of New Canadian Work and Stage Two, in addition to multiple workshops and premieres with other companies. She was based in Ottawa for 12 years, where she was the founding Artistic Director of the indie series TACTICS. Credits as an award-winning freelance director include The Drowning Girls and

Stevie Baker is a producer, director and costume designer based in Severn, Ontario. A prolific theatre creator and artist, she has been a part of over 30 productions in Toronto’s vibrant theatre community over the past 15 years. Stevie has been the Head of Production at Dauntless City Theatre since its inception in 2007 (originally Urban Bard). Her work with Dauntless is rooted in queering, subverting and modernizing Shakespeare to better reflect the dynamic people of Ontario. She is a director on the boards of both Arts Orillia and Mariposa Arts Theatre. She centers queer joy, anti-racism and anti-poverty in her work, life and the raising of her two children. Stevie has worked internationally with Kansas City’s MET and served as Artistic Director of The Daegu Theatre Troupe in Daegu, South Korea. She orchestrated the DTT’s first touring show and directed South Korea’s first English language production of A Streetcar Named Desire in 2011. Stevie is dedicated to the art of theatre and expression and is enjoyin

Rob Kempson is a theatre artist and educator, working primarily as a director and playwright, and the Artistic Director of the Capitol Theatre in Port Hope. Selected Writer/Director: Trigonometry (timeshare/Factory); Mockingbird (Next Stage Theatre Festival); SHANNON 10:40 (timeshare/Videofag); explicit (Rhubarb Festival); #legacy (Harbourfront Centre); The HV Project (Community). Selected Director: Box 4901 (timeshare/Buddies), The Places We Are (Theatre Erindale), The Snow Queen (Canadian Children’s Opera Company), Electric Messiah (Soundstreams), The Little Mermaid (St. Lawrence College), 9 to 5: The Musical (Randolph College), The Ballad of Stompin’ Tom (Sudbury Theatre Centre), Box 4901 (SummerWorks, foldA Festival); The Canadian, Maggie and Pierre, Million Dollar Quartet, Daisy Amazed Me, Violet’s the Pilot, Rose’s Clothes (Thousand Islands Playhouse); Robert (co-directed with Briana Brown, Toronto Fringe); Songs for a New World (Claude Watson). Writer/Composer/Performer: The Way Back To Thursday (Theat

Yulissa Campos (she/her) is an Ecuadorian theatre artist and founding artistic director of Ay, Caramba! Theatre, the first Latin American theatre in Saskatchewan. She holds a Bachelor of Fine Arts in Acting from the University of Saskatchewan and works with the Newcomer and Indigenous community when she is not writing, acting, or producing. Yulissa has been invited to be part of the CBC’s Q with Tom Power to talk about diversity in the prairies. She celebrates her Latin American heritage in her plays and her work has been presented internationally such as at the M1 Singapore Fringe Festival and across Canada. Yulissa is now debuting in the biggest role in her life: motherhood. aycarambatheatre.com Instagram: @yuliecampos Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Kendall savage is the former artistic Director and co creator of the Montreal Clown festival. Future apprentice of Mike Kennard from MUMP and SMOOT , she finds herself located in Toronto Ontario where she is finishing the Second City Conservatory and taking the improv scene by storm. Instagram: @pretty_funny_kendall_savage_ Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Aaron Malkin and Alastair Knowles are better known as James and Jamesy. The James & Jamesy Performance Society creates multi-award winning theatrical performances typified by extended characters, rich emotion, and fantastical trips of the imagination. Their shows are investigations in participatory theatre that merge physical comedy, clown, and dance to create theatrical environments where audiences feel invited and compelled to participate. Since 2012, James & Jamesy shows have sold over 80,000 tickets and been performed over 750 times across Canada, the United States, and the UK. Their accessibility and wide appeal is evident by numerous 5-Star reviews and 20 Best-of-Fest awards. Regarded as “Fringe legends” (Montreal Gazette), “Fringe stalwarts” (Winnipeg Free Press) and “One of the most popular fringe duos ever” (CBC), James & Jamesy have firmly claimed a place in the ranks of contemporary Canadian theatre. www.jamesandjamesy.com Twitter: @jamesandjamesy Instagram: @jamesandjamesy O Christmas

Matthew Romantini is a multi-disciplinary artist, the artistic director of Omnivore Performance, and works in dance, theatre, and with orchestral ensembles across the continent. He is also teaches and coaches performance, directs and choreographs as part of his performance work. He has been lucky to direct Unity (1918) and Gogol's The Government Inspector at Randolph College, and is gearing up to direct another production at the college in January. He has been nominated for 5 Dora Mavor Moore Awards, the CTC Award (winning best production for The Boys In The Band), the KM Hunter Award, the Total Theatre Award, and has received two Chalmers Professional Development Grants. Notable credits include Kokoro Dance’s epic Sunyata, Gorey Story (as performer and Artistic Director, nominated for 5 Dora Awards), Theatre Rusticle’s signature April 14, 1912, PNME’s Just Out of Reach (which toured to the Edinburgh Fringe), co-creating Tomoe Arts’ Weaver Woman, and PNME’s “heart-rending” Psappho’s Sparrows/In The Wake conce

Born in Albania, Indrit has made Tkarón:to his home since 2000. He is the Founding Artistic Producer for lemonTree creations and Artistic Producer for Theatre Passe Muraille. lemonTree creations focuses on queer works, and Indrit has produced, acted in, choreographed and directed several critically acclaimed and award winning productions, including a national tour for MSM [men seeking men]. As the Artistic Producer of Canada’s original alternative theatre, Theatre Passe Muraille, Indrit continues to develop exciting new theatrical voices while also focusing on national and international touring for the company. As a performer, Indrit has had the privilege to work with many talented writers, directors, designers and companies in a myriad of projects that more often than not are interdisciplinary in nature making use of both his ability with movement and text. Most notably he is a company member of the award winning dance theatre company CORPUS. Through Corpus he has helped develop and premiere two new works (M

Joseph Zita (he/him) is a Toronto based actor, singer, and theatre artist. He was born in Guatemala City, Guatemala, and grew up in Mississauga, ON. Select Theatre Credits include: The Antipodes (Coal Mine Theatre), Peter Pan (Neptune Theatre, Halifax), Lilies; Or, the Revival of a Romantic Drama (lemonTree Creations/Why Not Theatre/Buddies in Bad Times), Picture This (Soulpepper), Richard III (Shakespeare BASH'd), Kitsault: A New Canadian Musical (Staged Reading - Al Green Theatre), In the Heights: In Concert (We Are Here Productions), Beauty and the Beast: In Concert (Angelwalk Theatre), and several new works for the Toronto and Hamilton Fringe Festivals. Film/Television: Locke and Key, Firehouse Dog, Mayday. When not on stage, Joseph is quite active behind the scenes, and is currently serving his fifth term on the Board of Directors for Shakespeare in the Ruff. He holds BFA in Acting from the University of Windsor, and has also studied at the Stella Adler Studio in New York City. Twitter: @josephzita Insta

Curtis Campbell is a writer and theatre artist. Some previous credits as a writer and director include Katherine Is Not A Communist, Imp, BETR With Bevan and Color Me Pablo. His novel Dragging Mason County will be published by Annick Press in the fall of 2023. Check out Gay for Pay, co-written by Curtis and Daniel Krolik at Streetcar Crowsnest, Nov. 16-27. Twitter: @Alanis_Percocet Instagram: @gayforpayproductions Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

On this episode of Stageworthy, joining host Phil Rickaby, are Kate Werneburg, Suchiththa Wickremesooriya, Eric Benson and Chi-Chi Onuah from Dauntless City Theatre. Dauntless City Theatre is dedicated to bringing site-specific performances to non-traditional spaces. This summer, Dauntless presents This Earth of Majesty an adaptation of Richard II by William Shakespeare, directed by Kate Werneburg. www.dauntlesscitytheatre.com Instagram: @dauntlessto Kate Werneburg is originally from Ottawa, ON, which is on the unceded and traditional territory of the Algonquin Nation. Niagara-based, she is a queer settler. She brings social justice work along with artistic and administrative experience to her work with Dauntless. Highlights in theatre: Carousel Players, Dauntless City Theatre, Theatre New Brunswick, The Nearly-World Famous Dufflebag Theatre (bilingual troupe), Ergo Arts Theatre, A Company of Fools, The Great Canadian Theatre Company, Elizabeth - Darcy. Journalism: She Does The City, Intermission Magazine. P

This week's guest is theatre & cabaret performer, astronomy enthusiast, and 2022 Neil Munro Directing Intern at the Shaw Festival, Ryan G. Hinds. A Toronto-based theatre artist and cabaret performer, Ryan has performed #KanderAndEbb at the Stratford Festival (with digital appearances from John Kander and Chita Rivera); We Will Rock You for Magnus Theatre; Starry Notions for Toronto Fringe; Hedwig in Hedwig & the Angry Inch at the Capitol Theatre; and Piragua Guy in In The Heights for We Are Here. An Artist-in-Residence at Buddies in Bad Times from 2014 to 2016, Ryan is also an Associate Artist at lemonTree Creations, where the work has included Lydie-Anne in Lilies; Or, The Revival of a Romantic Drama; the development, premiere, remount and national tour of dance-theatre hybrid MSM [men seeking men]; and the world premiere of Private Eyes (in association with the Lieutenant Governor of Ontario). Currently one of the two 2022 Neil Munro Directing Interns at the Shaw Festival and Assistant Director for

Drew Murdock (he/him) is a theatre maker based in Saint John, NB. He is the director of the Fundy Fringe Festival, which is celebrating its 10th anniversary this summer. Drew also works year round at The Saint John Theatre Company and regularly works with the Atlantic Repertory Company, Theatre Six, Improvisation Corporation, Loylist City Shakespeare, and other fine theatre makers in Saint John as a stage manager, lighting and projection designer, production manager, video director, and more. fundyfringefestival.com Twitter: @FundyFringeFest Instagram: @fundyfringefest Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Andrew Kushnir is an actor, playwright, director, as well as artistic director of the socially-engaged theatre company Project: Humanity (PH) in Toronto. Since 2021, he has steered PH’s Proximity Lab, an incubator for new approaches to verbatim theatre -- a form he has been working in for 15 years. He has collaborated on two books coming out in 2022: Moving the Centre: Two Plays: Small Axe and Freedom Singer (Talon Books, with Khari Wendell McClelland) and Hope in a Collapsing World (U of T Press, with Kathleen Gallagher). Andrew is the creator and host of _This Is Something Else – _an investigative theatre history podcast for the Arts Club. He is a graduate of the University of Alberta, a Loran Scholar and alumnist of the Michael Langham Workshop for Classical Direction at the Stratford Festival. Andrew is the inaugural recipient of the Shevchenko Foundation REACH residency prize.  A proudly queer Ukrainian-Canadian, he founded the We Support LGBTQ Ukraine Fund with the Veritas Foundation in April 2022.  Dr.

Georgia Findlay (she/her) is a Toronto-based actor, playwright, producer and younger sister. This summer she made her Fringe debut with her first original script "Joan & Olivia: A Hollywood Ghost Story," which explores themes of sibling rivalry through the ghosts of real life Old Hollywood movie star-sisters Joan Fontaine and Olivia de Havilland. Selected credits include: several roles in the 2019 Newmarket National 10-Minute Play Festival; Mrs. Clandon, "You Never Can Tell" (2019, George Brown Theatre School, Susan Ferley); Arsen Kazbeki/The Fat Prince, "The Caucasian Chalk Circle" (2019, GBTS, Richard Greenblatt); Josie Hogan, "A Moon for the Misbegotten" (2017, GBTS Scene Study, Elizabeth Saunders). Georgia learned so much in her whirlwind Fringe experience, and can't wait to continue following her passions and expanding her career. Instagram: @georgiagfindlay Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Natalia Bushnik (she/her) is a multidisciplinary artist and Dora Mavor Moore-nominated playwright. She is fascinated by immersive experiences that examine morally grey territories and unnerve audience members in their complicity. Select theatre: 'SAMCA' (Spindle Collective); 'The Bathtub Girls' (Kairos Theatre); 'PING!' (Workshop-Aaron Jan/Urjo Kareda Residency). Select film: 'Revenge of the Black Best Friend', 'peopleWatching' (CBC Gem). Her radio play, 'Just Across the Causeway', was produced through the National Theatre School’s #ArtApart Program, with support from the Canada Council for the Arts and the Toronto Arts Council, and a live version was performed as a staged reading in the UK through Little Lion Theatre Company this past November. Her favourite pastimes include having no visible eyebrows and watching c-level horror movies. https://natbushnik0.wixsite.com/spindlecollective Twitter: @spindletheatre Instagram: @spindlecollective Kathleen Welch is a writer, performer, and composer from Toronto. She