Stageworthy

Grace fell in love with the theatre at a tender age playing Goldilocks in nursery school. In high school she toured Macbeth and The Two Gentlemen of Verona with Montreal Shakespeare Theatre Company. Grace spent her summers exploring and cultivating her passion for classical theatre with the Stratford Festival’s Shakespeare School and Theatre Performance Intensive under the direction of Edward Darayni. In summer of 2011, she appeared in Ottawa parks and the National Arts Centre’s 4th stage playing Desdemona in Salamander Shakespeare Co.'s Othello.Graduating in 2012 from Dawson College’s Dome Theatre Program, Grace’s hunger for challenging material was always satisfied during her time there, where she played an interesting range of leading and supporting roles - including Portia in The Merchant of Venice, Masha in Three Sisters and Alma in Tennessee William’s Summer and Smoke. She was honored to be chosen as the recipient of the Beryl and Willie Moser Award for Theatre in recognition of 'outstanding acting abil

Factory Theatre, in association with b current performing arts, is proud to present the world premiere of trace, a one-man-two-piano-play written, composed and performed by former Factory Artistic Associate Jeff Ho (Ophelia, Prince Hamlet/Why Not Theatre), and directed by Factory Artistic Director Nina LeeAquino.A painfully personal story of family and genealogy, trace follows the footprints taken by Jeff’s great grandmother who fled the Japanese in WWII by escaping to Hong Kong, losing one of her two sons during the trek; his mother’s similar pilgrimage to Canada, also with two sons in tow; and by Jeff himself, when he too embarked on a journey, moving from Markham to Montreal to pursue an uncharacteristically Chinese life.Spanning 100 years and three generations, and featuring virtuosic original piano compositions composed by Jeff, traceis a chamber play structured as a piano sonata with a prelude, three movements and a coda. A convergence of theatrical and symphonic storytelling, trace celebrates the coura

This year Jacquie P. Thomas celebrates her 25^th Season as the Artistic Director of Theatre Gargantua, which she founded in 1992. In addition to her role as founder and Artistic Director, Jacquie has served Gargantua as an actor, director, producer, composer, choreographer, dramaturge and writer, earning 10 Dora Mavor Moore Award nominations for her artistic contributions to the company. Her most recent directorial projects include the upcoming November 2017 presentation of Reflector as well as Avaricious, The Sacrifice Zone and Imprints, among others. Other selected credits include the Ossetynski Actors Lab in Los Angeles, Roy Hart Theatre in France, The National Theatre of Greece and the Gardzienice Theatre Association of Poland. Under her leadership, Theatre Gargantua has earned over 30 Dora nominations and awards for categories including Outstanding New Play, Direction, Sound Design, Set Design and Lighting Design. She has also directed and led an 11-city tour of Phantom Limb across

Sarah Lynn Strange is stoked to be Phil’s 100th podcast! 2017 marks a banner year, with 8 of 12 months working on stage, classics like Singin’ In The Rain and My Fair Lady, to a Disney dream role in Beauty & The Beast, and capping off the year with A Christmas Story… which pssst she has never even seen the movie of, don’t tell anyone!! A Sheridan Graduate, previous credits include evil queen’s and lots of mothers, not a character actress in any way <img src= "https://static.xx.fbcdn.net/images/emoji.php/v9/z4c/1/16/1f642.png" alt="

Cathy Huang is an Asian-Canadian multidisciplinary theatre and film artist, and a classically trained singer and pianist. She aims to redefine what it means to be Canadian, and eventually start her own company to create art for and support young people that feel caught between their Asian and Canadian identities. Cathy is one of Nightwood Theatre’s 2017/18 Young Innovators, and is the recipient of Theatre Ontario’s first Summer Intensive Youth Scholarship, having recently returned from Donna-Michelle St. Bernard’s playwriting course in Stratford. Past credits include The Headless Hipster (Adrian - Sixteen F ilms Limited), Go Home (playwright / director / actor / deviser), lady in the red dress (Sylvia), IRIS (Madison), The Three Ladies of London (Lucre / Love), and BUST (Alex). Cathy is playing Agnes in Filament Incubator / Epigraph Collective’s Imp from November 15-26, and co-writing / acting in HERstory Counts Theatre Company’s production from December 14-17.http://www.twitter.com/kaffreeehttp://www.instagr

Will is a graduate from the BFA Acting program at the University of Windsor. Will has trained at the Moscow Art Theatre School, and completed workshops with R.A.D.A., the Stratford Festival, and the S.I.T.I. Company from New York. He is also certified teacher of the Michael Chekhov Acting Technique (GLMCC).Selected Credits Include: Albert Einstein in Picasso at the Lapin Agile (Seven Siblings), Victor Frankenstein in Frankenstein (Echo Productions), Aladdin in Aladdin (Globus Theatre), Bernardo/Gravedigger/Player Queen in Hamlet (Unit 102 Actors Co), Sebastian in Twelfth Night (Hart House), Valere in Tartuffe, Constantine in The Seagull, Alfred David in Welfarewell (University Players), Demetrius in A Midsummer Night’s Dream, Bassanio in The Merchant of Venice, and David/Timmy from Lion in the Streets (U.Windsor). Will is passionate about cultivating and producing the development of Fantastic Realism, while educating performers with the ideals of Michael Chekhov.http://www.willking.ca/ Twitter: @WillKingActor

Nigel Shawn Williams is a four-time Dora Mavor Moore Award-winner as both actor and director. His theatre credits include The Merchant of Venice for Bard on the Beach this past summer, five seasons at Stratford Festival, four seasons at Shaw Festival, as well as performances in Montreal, Toronto, Winnipeg, Calgary and Vancouver. Nigel is also heavily involved in new play development and mentoring young and emerging artists through the difficult transition from training schools to professional life.Nigel is the director of Cahoots Theatre and Obsidian Theatre's world premiere of Amanda Parris’ OTHER SIDE OF THE GAME.Set before the rise of Black Lives Matter, OTHER SIDE OF THEGAME is a time-spanning work that tells the story of silenced Black women who organize communities, protect loved ones, battle institutions, and live each day by a ride-or-die philosophy. This first-time partnership between Cahoots and Obsidian also marks the professional playwriting debut for Amanda Parris. Inspired by interviews conducte

Adam Paolozza is a director, performer, producer, teacher and Artistic Director of Bad New Days. As a performer Adam has collaborated with Zou Theatre, Fixt Point, Why Not Theatre, Soulpepper, Vertical City, Litmus Theatre & Ahuri Theatre. His co-translation of Pier Paolo Pasolini's Pylade (a modern re-telling of theOresteia story) was recently debuted in NYC by legendary La Mama theatre and toured all over Europe. He regularly teaches privately, giving classes based on his interpretation of the Lecoq pedagogy, designed to open up students' minds and bodies to spontaneity. He's a sessional instructor at Soulpepper Academy and guest instructor at Ryerson (he directed 2016's The Holiday Trilogy) and at U of T. Adam is currently directing Bad New Days and Ahuri Theatre's production of Flashing Lights. Twitter: @adampaolozza Flashing Lights: Created by award winning Bad New Days (The Double) and Ahuri Theatre (This is the Point), FLASHING LIGHTS is an original play exploring how digital technology is radical

A documentary play that looks at gender roles and sexual consent in the wake of the Ghomeshi scandal, Asking For It considers the various ways in which sexual consent is understood personally, culturally, and legally. Moon speaks with people of all ages and backgrounds about their assumptions and experiences around consent to sexual relations, and with crown prosecutors and legal experts about the current state of sexual assault law in Canada. The conversations are candid, funny, often uncomfortable, and describe experiences of shame, power, ambiguity, and misunderstanding in communication about sex.Ellie Moon:@elliemoonerBrendan Healy:http://misterbrendanhealy.com/Website: http://crowstheatre.com/whats-on/view-all/asking-for-it Twitter: @askingtheplay Instagram: askingforitplayStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Tennille Read is a Toronto based artist and graduate of George Brown Theatre School and Queen's University's Stage and Screen Studies. Selected theatre credits include: The Death of Mrs. Gandhi and the Beginning of New Physics (Everything but the Bard), This Hotel (Talk is Free Theatre), Hanger (Toronto Fringe Festival), Birth (Pandemic Theatre), Delicacy (Theatre Brouhaha), No Exit (Soup Can Theatre). Selected Film and TV credits include: Condor (MGM/DirectTV), Schitt's Creek (CBC), Eyewitness (USA), The Escape (Spy Films), I Lost My Mind (official selection of the Palm Springs Short Film Festival 2017), Heroes Reborn (NBC), and Shadowhunters (ABC Family). Upcoming: Gray (Theatre Inamorata). She enjoys painting in her free time.Twitter: @tennilleread Instagram: tennillereadTheatre Inamorata:http://www.theatreinamorata.com/ Twitter: @theainamorata Facebook: https://www.facebook.com/theatreinamorata/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyP

Michael Ross Albert is the author of several plays including Miss (FringeNYC; upcoming: Unit 102 Actors Company); The Farmers Lit the Fields on Fire (Edinburgh Fringe Festival); The Grass is Greenest at the Houston Astrodome (FringeNYC, published by Applause in Best American Short Plays 2014-2015); and Karenin’s Anna (Toronto Fringe Festival, “Outstanding New Play,” -- NOW Magazine).Along with the Storefront Theatre, Michael produced the sold-out world premiere production of his play Tough Jews in the heart of Toronto’s Kensington Market. The production was nominated for 6 Dora Mavor Moore Awards, including Outstanding New Play and Outstanding Production.His play Starfishes opened Off-Broadway at the Theatre at Dance New Amsterdam and is included in Best American Short Plays 2010-2011. It has since been performed across the United States and Canada.Michael received an MFA in Playwriting from the Actors Studio Drama School at Pace University. Michael is an associate member of the Dramatists Guild of America, a

Nina Okens is a Toronto based Designer. Her work has been seen in such productions as Pea Green Theatre Group’s Clique Claque and Three Men in a Boat, Cahoots Theatre Company and Theatre Passe Muraille’s Ultrasound, Théâtre Français de Toronto’s Albertine En Cinq Temps. She has also designed subtitles for recent productions at Théâtre Français de Toronto.Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Tamlynn is an actor, writer, occasional director, infrequent musician, and constant avid cheese lover (despite her lactose intolerance.) She completed her BFA in Acting with a Certificate in Arts Management at the University of Windsor in 2015. Recent credits include: Writer/Performer for Bedwetter (Drawing Board Productions); Lisa Fulvi in Evidence to the Contrary (Tree of Life Theatre); Bassianus in Titus Andronicus (Seven Siblings Theatre); Writer/Performer for #staystrong (Drawing Board Productions); Candy in Make Love Not War (Small But Mighty Productions); Performer/Producer/Co-­‐Creator for (in)decision (Drawing Board Productions). Tamlynn is also a member of the sketch comedy group Cookie Biscuits, who can be found on YouTube or at cookie-biscuits.com. She hopes to also eventually pursue stand-up, but feels she must first conquer her intense fear of failure. So…stay tuned.www.tamlynnbryson.com@tamlynnbrysonDrawing Board Productions Insta: drawingboardprod Twitter: @drawingprodStageworthy:http://www.st

Courtney Ch'ng Lancaster is presently a resident artist and the Shen Fellow at Soulpepper Theatre Company. She is a Founding Member of The Howland Company and a graduate of UBC, the Citadel/Banff Theatre Program and the Soulpepper Academy. Selected theatre credits include Spoon River, Blood Wedding, Incident at Vichy, The Dining Room, Eurydice, Of Human Bondage, Marat/Sade, Alligator Pie, Idiot’s Delight, The Barber of Seville, The Royal Comedians, The Crucible, Death of a Salesman, Assistant Director on The Anger in Ernest and Ernestine (Soulpepper); The Flood Thereafter (Canadian Stage); As You Like It (Blue Bridge); Pride and Prejudice (Citadel); 52 Pick-Up (Co-Director, Howland Company). Screen credits include The Drawer Boy feature film, Murdoch Mysteries, Fringe, Supernatural and Shattered. http://www.courtneylancaster.com/@courtneyvlhttp://www.theatreinamorata.com/@theainamorataStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

In light of recent events, there's no interview this week. Instead, host Phil Rickaby has some things on his mind.Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

DIVINE, performed by an all female cast, takes place in a dystopian Ontario: The Great Lakes are bone dry and the boreal forest has vanished under extreme arid heat. Bandits roam the desolate landscape searching ruined towns for the vanished element now sacred on the lips of women: water. Narrated by one of the only children left in the world, DIVINE follows a pair of scavengers searching for a mysterious water diviner, who’s rumoured to be able to talk to water, but they’re not the only ones…DIVINE meshes art with activism while exploring a catastrophic future that feels all to imminent alongside current headlines decrying groundwater contamination, water advisories, and industrial pollution (particularly the current local drama surrounding the Nestle plant in Guelph).DIVINE has partnered with the World Wildlife Fund’s Freshwater Program and the Wellington Water Watchers in the hopes of bringing greater audience awareness to the important cause of water rightthestorefronttheatre.com/ Twitter: @StorefrontTO I

Pearle Harbour's Chautauqua is a darkly comic, wildly immersive extravaganza - part cabaret, part tragicomedy, and part tent revival. Pass through the milky folds of Pearle's beautiful Tent, and be sheltered from the inharmony of our troubled times. The world may be falling apart, but Pearle will show you there's more that unites us than divides us. website: pearleharbour.comfacebook.com/thepearleharbourinsta: @pearleharbourShow link: www.summerworks.ca/artists/pearle-harbours-chautauquawww.facebook.com/events/237748573390455 Pearle Harbour is an all-American gal who's sweet-as-pie and sharp-as-nails, Pearle Harbour was born on [information withheld], when America was still Great. During the War, she served as a stewardess aboard top-secret bomber missions, including [information withheld], and even [information withheld]! An accomplished soloist - on the boards and in the sheets - Pearle has played to audiences at The RISER Project (Why Not Theatre), Toronto Sketch Comedy Festival, Theatre Passe Muraille,

Theatre Topikos is proud to be bringing Wordplay to the 2017 Edinburgh Festival Fringe this August! Wordplay is a dark comedy about a fag and his hag. No words are off limits between friends. Cut between their work environment and their debate, Jess and Nick, using dark humour (and a lot of naughty words) push the boundaries of their friendship as they question appropriate and appropriated word use within the dynamics of society and each other. Premiered at Toronto's Gay Play Day 2014, remounted at the International Dublin Gay Theatre Festival in 2016. ‘Funny and thought-provoking, with mercurial dialogue and a sharp pop culture sensibility’ (Cate McKim, GayPlayDay). Nominated for Best New Writing (IDGTF). **** (TheOutMost.com). http://theatretopikos.com/@theatretopikos@Jess_Bryson@nickwmay Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Melanie Pyne A Founding member of Triple ByPass Productions (Producer/Actor) - playing Denise inJohn Patrick Shanley's 'Savage in Limbo' at Toronto's Storefront theatre, Sandy in George F. Walker's'The End of Civilization' at Fraser Studio's Toronto, Jo-Ellen in Eric Bogosian's "Skunkweed'- InToronto's 2015 Fringe Festival at Theater Passe Muraille, and Boochie in Stephen Adley Gurigis 'Den ofThieves' at Toronto's UNIT 102. Well versed in theatre, she has tackled such playwrights as, Timothy Findlay, Michelle Trembley andmost recently Mohammad Yaghoubi's 'A Moment of Silence' - w/Nowadays Theatre Company/Summerworks 2016 Theatre Festival Toronto. Recent film and TV credits: 'Conduit' directed by Anastasia Cronkite,'Lakes' directed by Tim O'Brien. 'Shadow Animal' -Paranormal Investigator.For The 48 Hour Film Project, producing,writing and acting in- 2014 "Lemonade" ,2015 “Strapped”, 2016 "Fumbled"Studied at Humber College's Theatre Program, Seneca College, Fanshawe Theatre Program graduate and StraeonActing St

Janelle Hanna is an actor, educator, and short sassy woman, and is thrilled to be premiering her first full length solo show Bad Baby Presents: Rules Control the Fun at the Toronto Fringe. This will be Janelle’s 5^th Toronto Fringe appearance, past Fringe credits include: Eternal Friendship with a Spotless Smile (Patron’s Pick),Virginia Aldridge, BSc, Sitting in a Tree, and Fantastic Extravagance. Other credits include: Frankenstein Live (The Arts Engine), Knot Tied (Lab Cab Festival), Eligible(BravoFact), Neighbourhood Watch, The Duvet (Film Army), Swell Broad,Commencement (Convection Productions), Last Man Hanged, Ring Round the Moon, Pillar to Port Walkabout (Gairbraid Theatre), Anne of Green Gables (Stirling Festival Theatre). Janelle is a graduate of the Masters in Acting program at York University where she played such roles as Cordelia/Foole in King Lear, the Knight in The Knight of the Burning Pestle, Volumnia in Coriolanus, Alcestis in Alcestis, and Flute/Thisbe in A Midsummer N