Stageworthy

Married to a spouse who works for the foreign service, American born Alexander, has lived in London, Berlin and currently in Toronto. He made his Toronto stage debut in HANGMAN at Storefront Theatre. Last summer he performed at the Toronto Fringe Festival in LETTERS TO ANNEBELLE as well as the Summer Works Festival in THE NAILS and was most recently seen in the world premiere of FOR BOTH RESTING AND BREEDING for Talk Is Free Theatre in Barrie. And A GIRL LIVES ALONE another Summer Works project. His solo play, THROW PITCHFORK, premiered off-Broadway at the New York Theatre Workshop and ran regionally at the Kitchen Theatre Company in Ithaca, NY, and won a Special Honors Award at the Thespis International Monodrama Festival in Kiel, Germany. He has worked often at the Kitchen Theatre Company appearing in OPUS, BROKE-OLOGY, AFTER ASHLEY, THE WHIPPING MAN and SUNSET BABY. His international stage credits include ON THE WATERFRONT directed by Steven Berkoff, which played London`s West End, the Edinburgh Festival a

Dauntless City Theatre presents Shakespeare's Much Ado About Nothing.In this fast-paced queer contemporary staging, the hijinks and heartbreak of Shakespeare's Much Ado About Nothing come to life as you've never seen them before. You'll follow the story around the park on foot, getting up close and personal with all the adventure, romance, and deception of this timeless tale. This event is welcoming to humans and dogs of all ages, and is wheelchair-accessible. Berczy Park, Toronto. Admission is by PWYC donation. Dauntless City Theatre produces classical theatre where you least expect it.

Kristi Boulton an improv artist and is one of the members of the Improv Troupe, The Understudies, presenting Waaaay Off Broadway at the 2018 Hamilton Fringe.Waaaay Off Broadway: A Musical Improv Show!Waaaay Off Broadway is the musical improv show that you’ve always dreamed of seeing, especially because you create the show! Watch as the Understudies improvise dynamic scenes peppered with songs, topped off with a mini-musical inspired entirely by audience suggestions! Musical accompaniment provided by Steve McRae and Aaron Bruinsma. Grab your opera glasses and hold on to your playbills, people! It’s gonna be a HIT!The Staircase Theatre Friday, 20 July @ 9:50pm Saturday, 21 July @ 7pm Sunday, 22 July @ 3pm Monday, 23 July @ 6pm Tuesday, 24 July @ 8:35pm Wednesday, 25 July @ 7:25pm Thursday, 26 July @ 8:55pm Friday, 27 July @ 9:55pm Saturday, 28 July @ 8:25pm Sunday, 29 July @ 4:40pm

Carolyn Bennett is an award-winning writer (2013 TIFF Screenwriting Intensive Jury Prize) and comedian living in Toronto. She was part of the 2017 Thousand Islands Playwrights' Unit and developed the full-length play The Monarchists. Produced plays include Mixed Media, Pure Convenience (CBC Radio), Runtkiller, The Short List,Hitler's Ass, Canis Familiaris and Sick Kids Wanna Talk To You. Her debut novel Please Stand By from Vancouver's NON Publishing will be released Fall 2019. Etc, etc...https://en.wikipedia.org/wiki/Carolyn_Bennett_(comedian)Jennifer McKinley was a co-artistic director of Alumnae Theatre’s New Ideas Festival (2014-2017) in Toronto. She is a lead coordinator with the Feminist Art Collective, and wrote, produced and performed her solo show, Operation SUNshine at the 2017 Toronto Fringe. Operation SUNshine also had a run at the 2018 Feminist Fuck It Festival in Toronto Double Down HelixA dark comedy that examines the implications of retail genotyping, DoubleDownHelix (DDH) asks the audience "t

A roundtable conversation about Toronto Fringe on the last Saturday, as Tom McGee (Featherweight), Janelle Hanna (Robert.), Al Lafrance (I think I'm Dead), Danny Pagett (Prank), and Rebecca Perry (Bikeface) join host Phil Rickaby to talk about Toronto Fringe so far, what they’ve seen, what they are looking forward to seeing and much more. Recorded 10:00, July 14, 2018.Tom McGeeTwitter: @mcgeetd Website: www.tdmcgee.com Theatre Brouhaha: www.theatrebrouhaha.com/ Featherweight: https://fringetoronto.com/festivals/fringe/event/featherweightJanelle Hanna Twitter: @janellemhanna Robert: https://fringetoronto.com/festivals/fringe/event/robertAl Lafrance Twitter: @notsoweirdal Instagram: @notsoweirdalwww.al-lafrance.com/ I Think I'm Dead: https://fringetoronto.com/festivals/fringe/event/al-lafrance-i-think-im-deadDanny PagettTwitter: @spoonydanInstagram: @danquoPrank: https://fringetoronto.com/festivals/fringe/event/prankRebecca Perry Twitter: @rebeccaperry21www.rebeccaperry.ca Bikeface: https://fringetoronto.com/fe

​Eliza was born and raised in Toronto, Ontario. She graduated from Cardinal Carter Academy for the Arts with a Drama Specialist before attending the Theatre and Drama Studies program at the University of Toronto and Sheridan College.Eliza workshopped her one-woman show O, an exploration of Hamlet’s Ophelia as an early version in 2014 before creating and developing O in partnership with Ali Joy Richardson in the 15th annual Paprika Festival in 2016. The show has since been performed at the Artscape Wychwood Barns in November 2017 and is headed to the United Solo Festival in NYC in November of 2018. Her second solo show Harvey & The Extraordinary was workshopped in July 2017 under the direction and dramaturgical support of Neil Silcox, and is currently playing at the 2018 edition of the Toronto Fringe Festival Twitter:@lizeydolittleInstagram: lizey_dolittlewww.elizamartin.ca Tickets to Harvey and the Extraordinary: https://fringetoronto.com/festivals/fringe/event/harvey-extraordinary

A roundtable conversation about Toronto Fringe on the first Saturday, as Tom McGee (Featherweight), Janelle Hanna (Robert.), Belinda Corpuz (Lighters in the Air), Danny Pagett (Prank), and Rebecca Perry (Bikeface) join host Phil Rickaby to talk about Toronto Fringe so far, what they’ve seen, what they are looking forward to seeing and much more. Recorded 10:00, July 7, 2018.Tom McGeeTwitter: @mcgeetd Website: www.tdmcgee.com Theatre Brouhaha: www.theatrebrouhaha.com/ Featherweight: https://fringetoronto.com/festivals/fringe/event/featherweightJanelle Hanna Twitter: @janellemhanna Robert: https://fringetoronto.com/festivals/fringe/event/robertBelinda Corpuz Twitter:@belindarona Instagram: belindacorpuzwww.belindacorpuz.com Lighters in the Air: https://fringetoronto.com/festivals/fringe/event/lighters-airDanny PagettTwitter: @spoonydanInstagram: @danquoPrank: https://fringetoronto.com/festivals/fringe/event/prankRebecca Perry Twitter: @rebeccaperry21www.rebeccaperry.ca Bikeface: https://fringetoronto.com/festiv

Hayley Pace – Artistic Director, Playwright, Performer, DesignerHayley Pace is an award-winning performer from Kitchener, Ontario. She is a graduate of the Devised Theatre & Design programs at York University and since has worked internationally in Antwerp, Prague, Edinburgh Minneapolis and New York. Her storytelling shows include the The Teeny Tiny Music Show and High School Symphony which have played in various venues and festivals throughout Ontario. Other devised work includes A Language for Dogs and Paperweight at the Hamilton Fringe Festival. Other performances include RENT, The Beggar’s Opera and Curtains. Set design credits include set for Peep! (Nuit Blanche/Theatre Panik), and Hamletmachine (Theatre@York). Costume design credits include The Village Green (Applebox Film Company/Rockzeline) and Plato’s Atlantis (Canada’s National Ballet School). Hayley graphic designs all promotional material for her shows, and for various artists such as Socratic Theatre, emerging singer-songwriter T. Thomason, a

Madeleine Brown is a Toronto-based actor. Select acting credits: Imp (Filament Incubator/Epigraph Collective), Seasons (Toronto Fringe), Madeleine Says Sorry (Toronto Fringe), She Kills Monsters (Orphaned Egret) and Rowing (Chrysalis Workshop/Then They Fight/Filament Incubator). A Loran Scholar and 2016/2017 Nightwood Theatre Young Innovator, she is a graduate of Sheridan College/UTM and has trained with Theatre Gargantua, Mermaid Theatre, Second City and Pro Actors Lab. She serves as a volunteer with L'Arche Toronto's Sol Express, a performance troupe for adults with developmental disabilities and has assisted under such directors as Diana Leblanc and Tamara Bernier Evans. Her debut play, Madeleine Says Sorry, premiered at the 2017 Toronto Fringe.@prairiefireplzWhen Beatrice Little sinks her potato-based start-up, she must ascend the ranks of an imposing pyramid scheme in order to rebuild her career. From the "whip smart" losers behind 2017 Toronto Fringe sellout, Madeleine Says Sorry, comes a twisted comedy

A place for everyone and everyone in their place! In order to keep the economy moving, individuals are frequently assigned different jobs, names, religions, and relationships. When a Life Commissioning Agent unexpectedly shows up one evening to re-assign a loving married couple, the couple refuses to separate regardless of punishment. The situation spins further out of control when another newly assigned couple arrives the same evening to take possession of the house and begin their lives together. Secrets, passions, and ideologies collide against a bureaucratic authority. By the end, everyone must deal with either a comfortable yet inhuman status quo or the struggle of dreaming up an alternative world from scratch.CALEB YONG (Director) After a long hiatus, Caleb Yong is pleased to be making theatre again. Caleb most recently co-created and performed in Suck and Blow, which later becameThe Book of Judith (Selfconscious Theatre), and assisted director Jennifer Tarver for That Time — Five Beckett Shorts (Theatr

Kris Hagen is an actor and writer, known for Imposters (2017), Kim's Convenience (2016) and Tugg N Chugger (2015). Kris is also the creator of Lighters in the Air, premiering at the Toronto Fringe Festival. krishagen.com Lighters in the Air A musician named Leo returns to his former hangout, The Empty, a dive bar where the mic is always open. With the help of old friends, a lost love, and The Empty's newest off-beat barflies, Leo rediscovers his passion for the music he left behind. A play about artistic integrity, unfulfilled expectations, nostalgia, romance, and an uncertain future, the show features live performances of original songs. An open mic scene includes different guest musicians and standup comics every night, making each show a unique experience. Written & Directed by Kris Hagen Starring Natalia Bushnik, Belinda Corpuz, Cody Crain, Anna Douglas, Raechel Fisher, Kris Hagen, Olaf Sham, Amanda Silcoff and Taylor Whittaker Monarch Tavern | 12 Clinton St. Showtimes: Wednesday, July 4 - 8pm Thursda

Michael Ross Albert is the author of several plays including Miss (FringeNYC; Unit 102 Actors Company); The Farmers Lit the Fields on Fire (Edinburgh Fringe Festival); The Grass is Greenest at the Houston Astrodome (FringeNYC, published by Applause in Best American Short Plays 2014-2015); and Karenin’s Anna (Toronto Fringe Festival, “Outstanding New Play,” — NOW Magazine).Along with the Storefront Theatre, Michael produced the sold-out world premiere production of his play Tough Jews in the heart of Toronto’s Kensington Market. The production was nominated for 6 Dora Mavor Moore Awards, including Outstanding New Play and Outstanding Production.His play Starfishes opened Off-Broadway at the Theatre at Dance New Amsterdam and is included in Best American Short Plays 2010-2011. It has since been performed across the United States and Canada.Michael received an MFA in Playwriting from the Actors Studio Drama School at Pace University. Michael is an associate member of the Dramatists Guild of America, and a member

Eric Petersen is a graduate of the University of Toronto and Northwestern University. He has returned to Toronto after stints in New York, Chicago and Vancouver. While in Chicago, he was a board member of Halcyon Theatre and brought Ninaz Khodaiji's work to Chicago for its premiere performance. His shorter playlets are often performed at Sing-for-Your-Supper (at various locations around Toronto). In addition to writing plays, he occasionally turns his hand to poetry and has been published in White Wall Review, Gyst, xib, and A House Divided.Eric's play, Final Exam appears as part of the 2018 edition of the Toronto Fringe Festival.

AdamSeelig is the founder and Artistic Director of One Little Goat Theatre Company. He is the author of Every Day in the Morning (slow) (New Star Books, finalist for the 2011 ReLit Award in poetry) and his plays include Ubu Mayor (BookThug 2014), Talking Masks (BookThug 2009), Antigone:Insurgency (2007) and, for children, PLAY: A (Mini) History of Theatre for Kids (Toronto 2016-18). Adam is the writer, director, and composer of MUSIC MUSIC LIFE DEATH MUSIC: An Absurdical, running May 25 - June 10 at Tarragon Extraspace. Tickets: http://onelittlegoat.org/music-music-life-death-music

Carlyn Rhamey is an actor, writer and co-founder of Squirrel Suit Productions, a theatre collective passionate about creating new work and making a positive impact on their community. Through Squirrel Suit, Carlyn wrote and performed her very first one-woman show "SAOR (Free)" on the 2016 CAFF Fringe Tour. Carlyn's latest solo play, The ADHD project can be seen in the 2018 editions of the London, Edmonton, Victoria and Vancouver Fringe Festivals.Carlyn is a Fanshawe College Theatre Arts graduate. Her theatre credits include "Lavinia Andronicus” in Titus Andronicus (Funeral Pyre Theatre),"Ophelia" in Rosencrantz and Guildenstern are Dead (Passionfool Theatre), "Abigail Williams“ in The Crucible (Passionfool Theatre), performer/playwright of In Their Shoes (Squirrel Suit), "Bridget” in Moonshine (Toronto Irish Players), Shakespeare on a Subway (Spur of the Moment Shakespeare Collective). "Ophelia" in Hamlet (Fanshawe Theatre), "Sissy" in Unity (1918) (Fanshawe Theatre).Web: www.squirrelsuit.ca Facebook: https:/

Since Ann Powell and David Powell founded Puppetmongers in 1974, the company has become internationally recognized as a leader and innovator in the field of puppetry. So far we have created a dozen new plays for both young and general audiences, which have earned us and our collaborators a mass of awards.Puppetmongers continues to develop new work on their own and also in collaboration with others, and hosts an annual conference called Fresh Ideas in Puppetry for established and emerging artists to share their passion and expertise in puppetry. This year, the Fresh Ideas in Puppetry day is May 27th, at Aki Studios.In 1996, we started The Toronto School of Puppetry to share our creative approach and provide a collaborative learning space for the puppetry community, and for multi-disciplinary artists interested in expanding their theatrical palette. We also work with students from elementary school up to the post-graduate level.www.puppetmongers.comwww.torontoschoolofpuppetry.com

Belinda CorpuzBelinda is active in Toronto's professional and independent theatre scene. She has developed new Canadian works with Carlos Bulosan Theatre (CBT), Fu-GEN, Cahoots, Soulpepper Theatre, Pencil Kit Productions, and Expect Theatre (as part of the Beats + Intentions Emerging Artist Program). Selected theatre credits include: Through the Bamboo - Staged Reading (Soulpepper Theatre, as part of the Shen Development Series), Perfect Couples (Pencil Kit Productions, 2017 Toronto and Hamilton Fringe Festivals), Hilot Means Healer - Staged Reading (Cahoots Theatre Projects), ANAK (Carlos Bulosan Theatre), Kaldero (Carlos Bulosan Theatre) In the Shadow of Elephants (Carlos Bulosan Theatre), Shotgun Wedding (Carlos Bulosan Theatre, 2011 Toronto Fringe Festival). Belinda has also worked with Toronto-based theatre company, Carlos Bulosan Theatre, as former Artistic Associate and member of their Collective Creation Ensemble, as a theatre creator and performer. Most recently, she debuted Carlos Bulosan Theatre's

Stephen Near is a playwright and performer from Ottawa, ON and a graduate of York University. His plays have been performed across Canada in such festivals as the Ottawa Fringe, the Toronto Fringe, the Hamilton Fringe, New Ideas, and Summerworks. He is an alumnus of the Sage Hill Writing Experience and the Banff Centre and has studied playwriting with Linda Griffiths, David Copelin, Daniel MacIvor, Brian Quirt, and Beverley Cooper. In 2015, Stephen established the First Stage Series of new play development at the Players Guild of Hamilton. Stephen is a member of the Playwright’s Guild of Canada and the Theatre Aquarius Playwrights Unit. Recent writing credits include Monstrous Invisible (Theatre Aquarius), Interface (2011 Hamilton Fringe – New Play Contest 1st Prize), Plain Speak (2012 HamilTEN Festival), Test (2013 Hamilton Fringe – New Play Contest 2nd Runner-Up), The Conspiracy of Michael (2014 Hamilton Fringe), and Finding Mr. Right (2015 Hamilton Fringe). He lives in Hamilton with his wife Leanne, daught

#ShakesbeersShowdown is where Toronto’s hottest indie Shakespeare companies face-off in a battle of winner-takes-all, loser-drinks-most, as contestants cold read scenes from Shakespeare’s notoriously-hard-to-read First Folio. The rules are simple: if you screw up, you drink! The winner is crowned the revered Shakesbeers Showdown Heavyweight Champion (complete with championship belt), and the losers…get a lot of beer. All funds raised go towards the 2018 Shakespeare-In-Hospitals Program, set to launch this fall. INTRODUCING YOUR 2018 COMPETITORS: Spur-Of-The-Moment Shakespeare CollectiveShakey-Shake and Friends Theatre CompanyShakespeare in the RuffSkipping Stones TheatreTheatre By CommitteeShakespeare BASH'dTheatre ARTaud The Reviewers The People AndStratford Festival LET'S GET READY TO RRRRUMBLE! **************************<wbr />********** Spur-Of-The-Moment Shakespeare Collective is proud to present the seventh annual Shakesbeers Showdown: Jurassic Bard April 27th, 2018 at918 Bathurst Centre for Cul

Set in and around the Princess Margaret Hospital, the story of Alan and Moira exposes the harsh realities of the solitude and fears that accompany cancer treatment with brutal honesty and wry humour. Pettle’s writing comes from a place of awful familiarity, as he explains in his forward, "It’s July 15, 1995, and I’m back in the hospital - radioactive iodine therapy, cancer treatment’s answer to solitary confinement. Why did I write this play? I wrote it to survive days like this. [...] I wrote it not only for those who have passed on to other journeys, but for all those who remain in Therac corridors everywhere. People that are not just statistics in flimsy pamphlets or black numbers on manila envelopes, but individuals with brilliant minds and raging spirits, with awe-inspiring courage and beautiful children."It was the personal connection to this story that brought this production into existence and provides the motivation to engage in the realities of the content beyond the story-telling. As well as donati