Writing Excuses

Eric James Stone joins us for our final Mountain-Con episode. This Q&A covers writing part-time (and Dan disqualifies himself from answering this question in future episodes), setting deadlines for yourself, writing plot twists, and providing character description within that character's viewpoint.

No matter how grand your setting, how intense your conflicts, or how tight your plot, at some point you're going to need characters. Join us as we discuss what makes a character interesting, memorable, and unique. Once again, the team is joined by Brandon Mull of "Fablehaven" fame. Brandon Mull’s website This week Writing Excuses is brought to you by the Writing Excuses Season One Collection on CD.

Kids these days with their long hair and their love of reading. It's like, get off my lawn, am I right? But in other news, kids (meaning anything from chapter books to mature YA) read a TON, and somebody has to write those books, and it might as well be you. Learn how to write for children with the Writing Excuses team and special guest star Brandon Mull, author of the wildly successful Fablehaven series. Brandon Mull's website This week Writing Excuses is brought to you by the Writing Excuses Season One Collection on CD.

We talk among ourselves about some episodes of this podcast being "crunchy" and others being "fluffy." "Crunchy" episodes are the ones where we have hard advice about writing. "Fluffy" episodes are the ones where we talk a little more philosophically about the profession. This episode takes "fluffy" to a new, flufftastic level. Here are twenty minutes excerpted from almost sixty minutes we recorded in line at the Hero of Ages book release and signing event at the BYU Bookstore. It's almost like being there, complete with the people in line who have read more of Brandon's books than you have, and will spoil key points in them via t-shirts. We interview these people, and we also interview a few people who have dirty secrets about Brandon, but are unwilling to share them.

You didn't think we'd just keep going with the same old stuff forever, did you? Well, actually we are, but now we're calling it Season 2. This season begins with a series of episodes recorded at Mountain Con in Layton, UT, each of them rife with wisdom and wonder. This week Writing Excuses is brought to you by the Writing Excuses Season One Collection on CD.

Everyone says you can't teach style--each writer just has to figure it out on his or her own.  Well, we here at Writing Excuses have never met an ultimatum we didn't immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes each writer's voice unique?

Like all right-thinking people, we loved The Dark Knight--but because we are also writers obsessed with the craft of storytelling, we liked it for very specific, very nerdy reasons. Join us as we take a journey through What The Dark Knight Did Right: strong characters,  excellent dialogue, a layered plot that blended perfectly (and unexpectedly) with the central themes, and more.

Just as no burger is complete without its fries, no protagonist is complete without his sidekick, or his mother, or his entomologist, or whatever side character you decide to give him. This week we talk about why side characters are important, and how to do them well. Liner Notes Elantris Mad Prince Deleted Scenes Dan's Bunny Book (AKA Blacker Darkness) (Word 2003 format)

In this, the last of our WorldCon 66 episodes, Brandon, Dan, and Howard interview Name of the Wind author Patrick Rothfuss. We discuss exposition, and how not to bore people as you move them through the learning curve. We start by covering some "don'ts"  - including the essay, the police-artist sketch, and the thesis statement. And then we work into the "do's" - show-don't-tell, focus on character, and don't write stuff the readers don't care about.   This week's Writing Excuses is brought to you by Schlock Mercenary: The Teraport Wars  by Howard Tayler

One of the biggest areas of professional creative writing these days is game writing, and who better to talk to about it than Steve Jackson--yes, THE Steve Jackson. We start off trying to talk about game adaptations, and the challenges they present for writers, but then we devolve into a more straightforward discussion of writing for games. This week's Writing Excuses is brought to you by The Name of the Wind by Patrick Rothfuss.

Last week we talked to an editor, this week we talk to OUR editor: Brandon's and Dan's editor at Tor, Moshe Feder. It's a great opportunity to learn more about how an author and editor work together to help make a book the best it can possibly be. We also talk a lot about revision in general, which is one of the least-liked but most important tasks in the writing process.

So what exactly does an editor, do, anyway? We've already talked about the process of submitting to an editor; today we talk about the millions of vital things that happen after an editor says "I want to buy your book." Not only that, but we get to hear it all straight from the mouth of Lou Anders, the Hugo-nominated editor from Pyr Books, who this year alone helped create a Hugo-nominated book and two Campbell-nominated authors. In other words: when this man talks about editing, you listen. Lou Anders Pyr Books

This is the first of five episodes recorded on location at WorldCon 66 in the Colorado Convention Center in Denver. Brandon, Dan, and Howard are joined by Phil and Kaja Foglio, and we discuss writing for webcomics... no, wait... writing for "sequential picture-assisted storytelling." Phil and Kaja are the creators of Girl Genius, the web's foremost hunk' o' steampunk -- and we here at Writing Excuses are big fans. During our short time together they help us understand the nuances of creating Girl Genius pages, writing to the outline of the story, and crafting their dialog. The Foglios (and Howard) have a little bit of advice for folks looking to start their own webcomic, too. (Mmmmm.... Grizzly Bear Soup!)

The Writing Excuses team sits down to talk about religion as a world-building device: your characters probably believe in something, so what is it? How does it affect their lives? How does it change their thoughts and motivations (and swear words)? And when you're developing a fake religion, how do you avoid religious bias and keep from offending people? Is it best to develop something completely new, or make a few changes to a real Earth religion?

What is horror? Why is it scary? HOW is it scary? Forced by their grandfather's will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn't) and how it works behind the scenes. Here's a hint: as with pretty much everything else in writing, the secret comes down to compelling conflicts with engaging characters. Be warned: Howard is going to say something scary, so don't listen to this podcast alone and/or in the dark. This week's Writing Excuses is brought to you by something close to Dan's heart.

We are pleased to present the second half of "Viewpoint and Tense,"  which, as we all know, is Tense. Part 1 was Viewpoint. It's not two podcasts that both talk about tense and viewpoint, it's two totally different podcasts that share a title for some reason. Why didn't we just do two separate podcasts, one on tense and one on viewpoint, instead of trying to connect them like this? Because, as we tell you every week, we're not that smart. This week's Writing Excuses Book of the Week: Warbreaker, by some hack.

How much research do you do? Howard's answer: "Just enough to get by." In this podcast we talk about why we research, how we research, and when we feel like we've researched enough. We also discuss hiding a lack of knowledge, and finding ways to get by without doing truly exhaustive research. Listen closely and you'll learn why you'll never be able to know enough, why the epic fantasy horse is a lot like a motorcycle, and whether or not one of us really needs therapy. This week's Writing Excuses Book of the Week: Warbreaker, by Brandon Sanderson

You've heard about viewpoint, but do you really know what it means? Discover along with Howard the magic world of person, tense, and omniscience, and how you can use them to tell your story. It's a short journey, as quests go, but we'll all learn a valuable lesson about writing--and about ourselves.* *Heartfelt lessons about ourselves not guaranteed. Contents non-refundable.

As a writer it's sometimes difficult to decide between doing things the readers want, and things that are right for the story. But as Dan says, writers can get away with doing things to readers that readers would never do to themselves. Beware! This podcast contains spoilers for The Lord of the Rings, Return of the Jedi, and Serenity (the statute of limitations should have passed on all of these) as well as for the current week of Schlock Mercenary. This Week's Episode is brought to you by one of our favorite causes, "Buy Dan Bacon." Mmmm, bacon.

Enough of this highbrow literary crap--make with the funny! Or, if you're Howard, do both. In this this episode we talk about why to write humor, how to write humor, how to recognize humor in others, how to steal from learn from what they do, and, in the end, what makes things funny in the first place. This week, Writing Excuses is sponsored by The Well of Ascension: Book Two of Mistborn Mass Market Paperback by Brandon Sanderson, which is good but really not all that funny.