Friends At The Table

According to the scholars at the Sonorous Academy, there are three important songs in Marielda. The first, “High Pyre Adagio,” has its origins in songs of performative devotion, and emulates the distant, yet deep affection of the God-King Samothes with a temperate piano. The second is “The Last Eve of Summer,” a chamber sonata composed by the so-called traitor Samot during his stay in the City of Light—allegedly written for a particularly talented clarinetist, though no records support this claim. The third, “The Autumn (Lasts A Long Time Here),” predates both Marielda and the City of Light. Built around a memorable guitar melody, it has no clear origin—both the elves of the Western Wood and the refugee population of Emberboro independently claim that it has been in their respective cultures for centuries. These, say the scholars of the Sonorous Academy, are the three songs that matter in Marielda. But the people in that city by the sea don’t care what the scholars say. They’re too busy dancing to a tune that