Archinect Sessions

This week on the podcast we are joined by Evan Chakroff. We discuss his latest piece on Cuba and Cuban architecture, travel, 360° photography, and more. 

This week Donna, Ken, and Paul discuss Exhibit Columbus's Miller Prize announcement, gender equality in lecture school lineups, and the recent illumination of Detroit. This episode was sponsored by PPI - use code ARC17 for 15% off your purchase.  

It's that time of the year – for washing away the stench of the past and basking in the sweet, slightly terrifying promise of an uncertain future. This week on the podcast, we dish out our predictions for architecture in 2017, and try to digest the year that was 2016. This is our final episode for the year – we'll be back in a few weeks with fresh discussions, but in the meantime, if you like the podcast, you can do us a huge solid by rating us on iTunes. Send us thoughts, comments, and suggestions through connect@archinect.com, or find us on Twitter, @archsessions.

On this episode, we discuss the biggest news items of the past week, covering: the political bent to the AIA's Gold Medal being awarded posthumously to Paul Revere Williams; Jean Nouvel's legal battle over his "defiled" Paris Philharmonie; and BIG's new proposal for a giant, riverside mixed-user in LA's Arts District.

Last Friday night, a fire broke out during a concert at the Ghost Ship warehouse in Oakland, California, killing (at present count) 36 people. While the precise cause of the fire is still unknown, the building was rife with code violations that accelerated the fire's damage, many related to its adapted use for living and work-spaces. While criminal investigations are just beginning, local artists worry that the city will use the tragedy to crack down on other adaptive and DIY venues in the Bay Area, restricting access even further to affordable spaces in an already tight housing market. Within the architecture community, the tragedy has prompted discussions surrounding the safety and vitality of DIY venues, and the long-term effects of such building code violations for gentrification and zoning. To discuss on the podcast, we're joined by two guests who have personal and professional experience with forming community spaces: designer, curator and organizer S. Surface, and David Keenan, an organizer at Omni Com

When president-elect Donald Trump nominated Ben Carson to lead the department of Housing and Urban Development, the response was resoundingly: huh? The neurosurgeon came onto the national political scene in 2015, during his run for the Republican nomination, but after Trump took the presidency and started throwing around the idea of offering a Cabinet position to Carson, a spokesperson said "Dr. Carson feels he has no government experience, he's never run a federal agency. The last thing he would want to do was take a position that could cripple the presidency." Despite all that, Carson is now (almost definitely officially) secretary of HUD (which he knows just enough about to seriously backtrack the agency's work as pushed by Obama). So here we are. Special guest Marc Miller joins us on the podcast to discuss the implications of Carson's inexperience for HUD, as well as chew on the latest Schumacher-induced controversy: when the architect promoted the privatization of public space and trashed social housing

It's here: our final interview from 'Next Up: The LA River', featuring Mia Lehrer of Mia Lehrer + Associates. Lehrer was a major driving force in the 2007 Los Angeles River Revitalization Master Plan, and has worked for nearly 20 years on projects related to the River—undeniably preceding any involvement from Frank Gehry. Paul Petrunia sits down with Lehrer to speak about her history with the river and its redevelopment, as well as her thoughts for how the project must proceed.

Our penultimate Mini-Session interview from 'Next Up: The LA River' pairs Renee Dake Wilson with Alexander Robinson. Dake Wilson, principal at Dake Wilson Architects, was appointed by LA Mayor Eric Garcetti to serve as Vice President on the city's volunteer-based Planning Commission—an array of professionals who make recommendations between communities and the city on planning projects. On the commission, she's worked particularly with proposals to change the height and density limits on development in Elysian Valley, aka Frogtown—the neighborhood along the LA River that has become a major node in the city's ongoing gentrification discussion. Robinson, while teaching at USC as an assistant professor, runs the Office of Outdoor Research and just recently completed a term as a Rome Prize recipient, researching the Tiber River as it relates to LA's and other cities' river infrastructures. He has also previously worked with Mia Lehrer's office on LA River projects.

For this Mini-Session from our Next Up: The LA River event, Nicholas Korody spoke with Julia Meltzer, director and founder of non-profit arts organization, Clockshop, and Elizabeth Timme, co-director of the urban design and architecture non-profit LA-Más. Both Clockshop and LA-Más are located within Elysian Valley, aka Frogtown—a sliver of a neighborhood bordered by the LA River, the 5 and the 2 freeways. In recent years, Frogtown (predominantly a low-density neighborhood of single-family homes) has become a major focus in LA conversations about gentrification and development, and both Timme's and Meltzer's work is heavily invested in their context. Clockshop (in collaboration with California State Parks) has its HQ in Frogtown and hosts art events in the Bowtie, an undeveloped plot of land along the river. In 2015, LA-Más led a community "co-visioning process" (the 'Futuro de Frogtown') to determine the kind of development decisions residents were concerned about. Nicholas Korody spoke with both Timme and Me

Los Angeles' Metabolic Studio, run by architect and visual artist Lauren Bon, creates site-specific, temporary "devices of wonder" that interpret landscape in new ways, shifting public perception of land and waterways. One of their most recent projects, "Bending the River Back Into the City", is a three-part intervention that literally diverts water from the LA River back into LA, distributing it via "the city's first water commons, to allow the currency of water to create social capital." Lou Pesce, an artist with Metabolic Studio, joined us at Next Up to discuss. As concerns about gentrification, public access and the drought raise issues of ownership and equity along the LA River, I wanted to ask about the economic ideas behind "Bending the River" and how the project relates to the river's specific role in LA history.  

As Chief Architect and Chief Deputy City Engineer presiding over a group of 800+ architects and engineers, Deborah Weintraub has a big picture of LA infrastructure in mind when it comes to the river. She also has a fair amount of historical perspective, having overseen the implementation of the Los Angeles River Revitalization Master Plan after it first issued RFPs in December of 2004. Additionally, she oversaw the design and construction of the river's new 6th Street Viaduct by Michael Maltzan's office, which recently broke ground. Nicholas Korody spoke with Deborah about her role as the most senior architect in the Bureau of Engineering, the river's urbanistic potential (and pitfalls) as a gigantic piece of infrastructure, and Gehry's role beyond hydrology.

Steven Appleton and Catherine Gudis are some of Next Up's most active participants when it comes to physically being in the LA River. Appleton co-founded LA River Kayak Safari, which has lead over 6000 people on kayaking tours down the river. He's also a public artist, and has made work that engages with the river for more than 15 years—his "50 Clean Bottles of LA River Water" used a bespoke water wheel to pump the river's water into bottles, and clean it to potable levels.   Gudis, while her core role is directing UC Riverside's Public History Program, also co-founded Project 51's 'Play the LA River'—a game that invited Angelenos to explore different areas along the river's entire 51-mile stretch. While nearly 80% of the river is paved, there are stretches of soft-bottom, green wetlands that host their own diverse, unique ecology. Paul Petrunia spoke with Appleton and Gudis for Next Up about reframing Angelenos' expectations of the river by helping them get their feet wet.  

This week we're devoting our entire episode to the debacle that was AIA CEO Robert Ivy's statement in support of President-elect Donald Trump, and the ensuing fallout among AIA members and others within the architecture community. Joining us is Katherine Darnstadt, founder and principal at Chicago-based Latent Design, and the originator of the dissenting #NotMyAIA hashtag, tweeted in response to to Ivy's initial letter. To get the full background to the whole controversy, read our feature: Architects Respond to the AIA’s Statement in Support of President-Elect Donald Trump

Our second conversation from 'Next Up: The LA River' is with Marissa Christiansen, Senior Policy Director of Friends of the Los Angeles River. FOLAR, as the non-profit is known, turned 30 this year, and was founded on the mission to "protect and restore the natural and historic heritage of the Los Angeles river and its riparian habitat through inclusive planning, education and wise stewardship." Its role in much of the river's discourse has often included reminding all parties involved that the river is indeed a natural river, and host to a diverse ecosystem—despite its characterization as the "world's largest storm drain" ever since the Army Corps of Engineers paved most of it for flood control in the 1930s. Christiansen trained as an urban planner before joining FOLAR this year, and spoke with Archinect's Nicholas Korody about the organization's history within the river's redevelopment, its focus on reconnecting people with the river's immense natural resources, and the delicate balance between conservatio

When Frank Gehry's office was first attached to the L.A. River's master plan and redevelopment, the river began attracting fresh attention over a project that had already been evolving for decades. This October, in an attempt to do justice to the river's complexity and history (and the accompanying urbanist discourse), Archinect hosted 'Next Up: The LA River'—a live podcasting interview series with an array of architects, planners, artists, and journalists with varying perspectives on the subject. We're now eager to share those conversations with everyone as eight Mini-Sessions, released as part of our Archinect Sessions podcast. Amelia Taylor-Hochberg, Paul Petrunia and Nicholas Korody moderated the conversations, which took place at the Los Angeles Architecture + Design Museum on October 29, 2016. While we reached out to them, unfortunately no representatives from Gehry's office were able to take part. Our first Mini-Session was moderated by myself, with Frances Anderton (host of KCRW's 'Design and Archit

Recorded in the wake of Tuesday's election results, this episode got a bit emotional. Fred Scharmen—designer, researcher, and assistant professor at Morgan State University's School of Architecture and Planning in Baltimore—joins us to discuss the potentials and pitfalls of a technocratic urbanism, and whether the former king of cat memes can really offer anything to cities. Our conversation is largely in response to Fred's recent piece for Archinect, "Architects: If You Don't Start Disrupting Urbanism, Silicon Valley Will Do It for You.", with reflections on how technology and media are responsible for our current political climate.  

Joining Miami's proud tradition of statement-parking projects by the likes of Herzog & de Meuron and Gehry Partners, Faulders Studio has a new garage-facade design set for Miami's formerly industrial Wynwood Arts District. Faulders joined us on the podcast to talk about the potentials of parking structures for local urbanism, the role of street art in the neighborhood, and how Miami is becoming a must-build place for globalized design.

The sudden death of Dame Zaha Hadid could not also mean the end of Zaha Hadid Architects. With major projects still ongoing all over the world, the firm had to keep things running strong, focusing on the future while managing grief. After working with Zaha for nearly thirty years, Patrik Schumacher has now taken over leadership at the firm, and joins us on the podcast to discuss what it was like collaborating with her "killer instinct", and how he can continue honoring the "DNA" of her. This episode originally aired on April 21, 2016.

Blair Kamin, Pulitzer Prize-winning architecture critic for the Chicago Tribune, has had a tempestuous relationship with Donald Trump for years. As a developer working in Chicago, Trump's buildings have been critiqued by Kamin, and as often happens when Trump is criticized, he does not shy away from firing back personal attacks—calling him "dopey" and "a lightweight" when Kamin decried the developer's decision to slap a 20-foot-tall "TRUMP" sign on his downtown Chicago hotel. But instances like the "sign feud" aside, Kamin has also experienced Trump's kinder side, and can attest to the complex (to say the least) personality of the business man both before and after his profoundly strange pivot onto the national political stage.  We invited Kamin on the podcast to discuss his relationship with the developer-candidate, how it's impacted his role as a critic, and how the 2016 campaign has invoked issues related to the built environment (or not).

We discuss the latest big news from the awards-world of architecture, as we saw Caruso St John take home the Stirling Prize for their Newport Street Gallery, and the Aga Khan Award recipients ranged from a female Muslim starchitect to lesser-known female Muslim architects. We also take a slanted look at the hilarious winners of the satirical "Good Walls Make Good Neighbors, Mr. Trump" ideas competition.