The Incomparable

With “The Force Awakens” only a week away, we pause to ponder why we’ve anticipated this film release for more than three years. What spoilers have we avoided? (This episode certainly contains none.) What does it mean that “Star Wars” is now an extended film franchise releasing new films annually? How many times are we going to see the film next weekend, and how will we find time to podcast about it? And perhaps most importantly, can any new “Star Wars” movie ever possibly hope to capture the excitement we felt when we discovered these films as children?

On this Old (Holiday) Movie Club, we review a certifiable Christmas classic, “Miracle on 34th Street.” Then we watch a very different sort of film set on Christmas, “The Lion in Winter.”

Join us as we revisit three childhood holiday TV classics, 1964’s “Rudolph, the Red-Nosed Reindeer,” 1965’s “A Charlie Brown Christmas,” and 1966’s “How the Grinch Stole Christmas.” You’ll learn about Big Santa’s despotic reign over the Grotto of Malfunctioning Headlamps, groove to Schroeder’s piano jazz trio stylings, and may even discover a Hoober-Bloob or two.

We tackled “Her” and “Ex Machina,” two films about artificial women and the men who love them. But while Scarlett Johansson’s Samantha wants to send a ‘Dear John’ update to all humanity, Alicia Vikander’s Ava has more in mind than pleasant dinner conversation. What do these films say about online relationships, society’s power dynamics, and tech-industry culture?

We have seen tens of thousands of years into the future, and our best psychohistorians think the Galactic Empire will once again reign supreme… so long as there aren’t any surprise mutants or aliens. In this episode, we discuss Isaac Asimov’s classic “Foundation” trilogy. From the perspective of 2015, what still works, and what seems out of date? Plus: What else are we reading?

This week came the announcement we’ve been waiting for: A new “Star Trek” series is in the works. But with the announcement came a bunch of interesting details (it’s going to be exclusive to CBS’ streaming service, it’s going to be produced by one of the co-writers of the J.J. Abrams “Star Trek” movies) and a lack of specifics (they’re still interviewing writers and didn’t announce even the most basic of premises). Our panel of Star Trek fans analyzes the interesting decisions CBS has made so far, tries to imagine how a “Star Trek” series from 2017 might differ from its predecessors, and discusses the importance of creating a series that can keep the franchise alive by appealing to a new generation of fans.

On Halloween, our Rocket Surgery series takes us to the swinging ’60s and the height of NASA space exploration at Kennedy Space Center! In this corner, a robot astronaut named Frank! In that corner, a horde of invading aliens and their terrifying monster! In between, a bunch of stock footage, a very ’60s soundtrack, a bunch more stock footage, scientists riding scooters, the least sexy beach bikini scene ever, some military stock footage, and a party where everyone is wiggling their butts until the guy on the diving board is lasered to death. And did we mention the stock footage?

It is a great day, comrades. We will sail our submarine to America, and watch one of their greatest thrillers, 1990’s “The Hunt for Red October.” Join us as we talk about how time has made the cold-war themes feel even more classic, ponder why the movie works despite plenty of signs suggesting that it shouldn’t, and… well, let’s just say we do a lot of Sean Connery impressions. This podcast contains one ping only, so don’t slip on your tea!

We all went and watched “The Martian” at movie theaters and then came home and joined together to talk about it! From Vicodin-topped potatoes to shiny zoomy space stuff, we work the problem to provide something a bit more informative than a Tumblr full of sad pictures.

Our Book Club reconvenes to cover two books that are both sort of about the end of the world: Paolo Bacigalupi’s “The Water Knife” and Neal Stephenson’s “Seveneves.” Regional apocalypses versus worldwide apocalypses! Plus, what else are we reading?

The premiere of ABC’s new comedy “The Muppets” prompts us to look at the entirety of the Muppet universe and lore, from TV to movies to viral videos. We also ponder what’s wrong with the new ABC series, posit some theories about how Kermit went from “Sesame Street” to “The Muppet Show,” and participate in an impromptu Muppet draft. Don’t felt, don’t tell.

Our pointless search for the best superhero concludes. In these final rounds, we challenge our heroes (and their advocates) with devilish scenarios suggested by Incomparable listeners! Our advocates face a jury of their peers, leading to a final confrontation with our two remaining heroic contestants. Our final pairings are: (1) Spider-Man vs. (2) Captain America (5) Doctor Strange vs. (3) The Flash (1) Batman vs. (2) Wonder Woman (12) The Thing vs. (2) Wolverine

Our interests in reading and technology collide in this survey of books about computers and the tech industry, using the 20th anniversary of Douglas Coupland’s “Microserfs” as the jumping off point. Soldering irons and circuit boards! Berkeley hippies fighting German hackers! Early signs of the tech industry’s ongoing mistreatment of workers! Glenning! Join us in a trip through technology’s past, all the while keeping an eye on where we are today.

We discuss two notable TV series from the summer of 2015, “Mr. Robot” and “Humans.” They’re both excellent. One is about humans, and one is about robots (or not), but not the ones you might think from the titles.

Old Movie Club returns with two films featuring George C. Scott: “The Hustler” (featuring an electric performance by Paul Newman) and “Anatomy of a Murder” (starring Jimmy Stewart as a simple country lawyer). One more outburst and I’ll clear this courtroom!

Our summertime superhero tournament continues, as 16 champions are reduced to eight. This round brings new judges and a requirement to argue against the opposite opponent! Who will withstand the withering assaults? Only time will tell. The match-ups: (1) Spider-Man vs. (4) Kitty Pryde (11) Beta Ray Bill vs. (2) Captain America (1) Superman vs. (5) Doctor Strange (3) Barry Allen/The Flash vs. (2) The Hulk (1) Batman vs. (13) Moon Knight (6) Barbara Gordon/Batgirl/Oracle vs. (2) Wonder Woman (1) Iron Man vs. (12) The Thing (6) Rorschach vs. (2) Wolverine

On the occasion of our fifth anniversary, we present this special episode where Jason and five of our favorite panelists come together live around a table to talk about nothing in particular.

Our ridiculous celebration of superheroes continues in round 2, in which 32 heroes enter and 16 depart! This round incorporates your comments and votes, which we solicited after our last round. This also marks the final round for judges Lutz and Michaels, who assure you that absolutely no cash has changed hands in exchange for their votes. We’ve also added some new advocates and shuffled the deck a little bit. Join us on the next segment of our journey to discover which superhero reigns supreme. The match-ups: (1) Spider-Man vs. (8) Aquaman (5) Silver Surfer vs. (4) Kitty Pryde (11) Beta Ray Bill vs. (14) Kate Bishop/Hawkeye (10) Wally West/The Flash vs. (2) Captain America (1) Superman vs. (9) The Falcon (5) Doctor Strange vs. (4) The Tick (11) Invisible Woman vs. (3) Barry Allen/The Flash (7) Ghost Rider vs. (2) The Hulk (1) Batman vs. (8) Black Widow (5) Daredevil vs. (13) Moon Knight (6) Barbara Gordon/Batgirl/Oracle vs. (3) Green Arrow (7) Deadpool vs. (2) Wonder Woman (1) Iron Man vs. (9)

Our survey of terrible films continues with 1993’s “Super Mario Bros.”, which features surprisingly little of the characters, setting, or joy that one might attribute to the beloved video-game franchise. Bob Hoskins, John Leguizamo, Dennis Hopper, and the directors of the original “Max Headroom” film collaborate on this dreadful tale about evolved dinosaurs, dystopian parallel-universe New Yorks, and a couple of plumbers named Mario, one of whom is also named Luigi.

Our Comic Book Club reconvenes to discuss “Runaways,” the 2003-2004 comic series by Brian K. Vaughan and Adrian Alphona. This is a Marvel Comic that’s also an original creation, and we’re tackling the 18 issues of the first volume, which form a self-contained story. How does the book alienate its teenage protagonists? Does the plot twist make sense? And why isn’t this a Marvel movie or TV show?